Download or read book Contemporary French Dramatists written by Barrett Harper Clark and published by . This book was released on 1915 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern French Drama 1940 1980 written by David Bradby and published by Cambridge University Press. This book was released on 1984-09-06 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the years since 1940, French theatre has been transformed both institutionally and artistically. This book compares all the major traditions and tendencies at work in French theatre since the outbreak of the Second World War, not only in Paris, but also in the Centres Dramatiques and Maisons de la Culture. Previous books have stopped short at the end of the fifties when the influence of Artaud was strong and the Absurd Theatre had become the new orthodoxy. David Bradby reassesses Beckett, lonesco, Adamov and Genet and challenges the notion that the sixties and seventies were a period of decline in French theatre. The book proceeds chronologically, offering a critical survey of the principal directors, actors and companies as well as of the playwrights, who are its major concern. Important productions are illustrated with black and white photographs. The political background is explained and all quotations are in English.
Download or read book Main Currents of Modern French Drama written by Hugh Allison Smith and published by . This book was released on 1925 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern French Dramatists written by and published by . This book was released on 1941 with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern French Drama Study Course No 7 written by Barrett Harper Clark and published by . This book was released on 1916 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Contemporary Drama of France written by Frank Wadleigh Chandler and published by . This book was released on 1920 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern French Drama 1940 1990 written by David Bradby and published by Cambridge University Press. This book was released on 1991-05-16 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: An updated account and comparison of the major traditions and tendencies in the French theatre from 1940-1990.
Download or read book Three Modern Plays from the French written by Henri Lavedon and published by CreateSpace. This book was released on 2014-01-26 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: An excerpt from the beginning of the PREFACE: THE label "Made in France" may nearly always be accepted as a guarantee of good play-making; for, ever since the inception of the modern drama, the French have been the masters and the teachers of the craft. In these opening years of the twentieth century, fewer French plays have been presented in the theaters of America and England than were presented in the closing years of the nineteenth century; but this fact, instead of indicating a deterioration in the contemporary product, may be accepted, rather, as an indication that the French drama has made a definite advance along a certain line. The dominant spirit of the French drama in the last three generations has been realistic. As realism advances, the tendency is to narrow the segment of life that is submitted to observation and to deepen the observation of the segment that has been selected for analysis. As realism has progressed in France, the drama has become more French—more local in its themes and in its characters— and has sacrificed the breadth of cosmopolitan appeal to gain the depth of national importance. Three or four generations ago, the most popular dramatist in France was Eugene Scribe. It was this facile and prolific craftsman who gave to the modern theater the formula of the well-made play [la pièce bien faite], a formula that, with several modifications and amplifications, has subsisted to the present day. Since the excellence of Scribe was mainly structural, it was very easy to transplant his plays from one country to another. His dialogue was devoid of literary merit, and was therefore just as pertinent in a translation as in the original. His characters were merely puppets, and were therefore just as interesting to foreigners as they could ever be to Frenchmen. And, since there was no note of nationality in his dexterous and clever plots, these plots could easily be adapted to serve as the theatric fare of a public overseas. A simple play of plot is much more cosmopolitan in its appeal than a study of national characters or local situations. The broad and cosmopolitan appeal of Scribe was continued by his immediate disciple and successor, Victorien Sardou. A typical Sardou melodrama, like Fedora or La Tosca, was fully as enjoyable to foreign audiences as to the public of Paris. The logical successor of Sardou in the contemporary French theater is M. Henry Bernstein; and it is not surprising that his plays have been more successful in America than those of any other French playwright of the present time. No less than five of his works — The Whirlwind, The Thief, Samson, Israel, and The Secret — have been profitably acted in this country. M. Bernstein is a more important dramatist than Sardou or Scribe, for he has forced the formula of the well-made play to sustain an analysis of character that is unusually searching; but his merit is, in the main, a matter of mechanics, and his emphasis on mechanism may be accepted as accounting for the comparative ease with which his plays may be transported from one country to another. In France itself, while Scribe was still alive, his reputation was overridden by two dramatists of more profound intention,—Emile Augier and Alexandre Dumas, fils; but neither of these writers attained the cosmopolitan currency of their more mechanical and artificial rival. Augier—the greatest French dramatist of the nineteenth century—devoted himself to the study of social conditions which were peculiarly French; and it was impossible to make his plays seem applicable to the social conditions of any other country. Just as M. Bernstein has been singled out as the logical successor of Sardou and Scribe, M. Eugene Brieux may be selected as the logical successor of Augier in the contemporary theater....
Download or read book The Contemporary Drama of France written by Frank Wadleigh Chandler and published by Forgotten Books. This book was released on 2015-06-13 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Contemporary Drama of France This volume offers a survey and an interpretation of the French drama for three decades, from the opening of the Theatre-Libre of Antoine to the conclusion of the World War. It attempts the classification, analysis, and criticism of a thousand plays by two hundred and thirty authors. Among these are included a few Belgians whose pieces, written in French, have been as familiar to Paris as to Brussels. Although the productions of the period be less striking than those of the Romantic era, and less likely than those of the Classic to endure, they are more numerous and more vitally interesting to the generation whose failures, foibles, and aspirations they depict. Thus far, only one book in English has been exclusively devoted to this subject - the succinct and suggestive Contemporary French Dramatists (1915) of Barrett H. Clark, which considers a dozen major playwrights, yet essays no history of current French drama as a whole. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Main Currents of Modern French Drama written by Hugh Allison Smith and published by . This book was released on 1927 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Twentieth century French Dramatists written by Mary Anne O'Neil and published by Dictionary of Literary Biograp. This book was released on 2006 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on twentieth-century French playwrights who were largely influenced by non-French traditions, during the greatest age of French theater since the mid 1700s. French drama of the twentieth-century was cosmopolitan, experimental and eclectic and attempted to appeal to a wider audience than in the past. Dramatists came not only from Paris but from the provinces and the French states of the Caribbean as well as from Francophone countries such as Belgium.
Download or read book Teaching French Neoclassical Tragedy written by Hélène E. Bilis and published by Modern Language Association. This book was released on 2021-06-19 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tragedy has been reborn many times since antiquity. Seventeenth-century French playwrights composed tragedies marked by neoclassical aesthetics and the divine-right absolutism of the Grand Siècle. But their works also speak to the modern imagination, inspiring reactions from Barthes, Derrida, and Foucault; adaptations and reworkings by Césaire and Kushner; and new productions by francophone and anglophone directors. This volume addresses both the history of French neoclassical tragedy--its audiences, performance practice, and development as a genre--and the ideas these works raise, such as necessity, free will, desire, power, and moral behavior in the face of limited choices. Essays demonstrate ways to teach the plays through a variety of lenses, such as performance, spectatorship, aesthetics, rhetoric, and affect. The book also explores postcolonial engagement, by writers and directors both in and outside France, with these works.
Download or read book The Self conscious Stage in Modern French Drama written by David I. Grossvogel and published by . This book was released on 1958 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studies the implications of laughter of the French Dramatic stage from the ridiculous to the absurd and the pain of laughter.
Download or read book The Cambridge History of French Literature written by William Burgwinkle and published by Cambridge University Press. This book was released on 2011-02-24 with total page 823 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most comprehensive history of literature written in French ever produced in English.
Download or read book The Concise Encyclopedia of Modern Drama written by Siegfried Melchinger and published by New York : Horizon Press. This book was released on 1964 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Soldier in Modern French Drama written by Hul-Cee Marcus Acton and published by . This book was released on 1925 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern French Literature written by Louis Raymond Véricour and published by . This book was released on 1842 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
