Download or read book Meetings with Mallarm written by Michael Temple and published by University of Exeter Press. This book was released on 1998 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Meetings with Mallarme, top scholars from the UK and USA have been specially commissioned to explore the significance of Mallarme's influence on some of the major players in French psychoanalysis, music, poetry, philosophy and literary theory.
Download or read book Mallarm nd Wagner Music and Poetic Language written by Heath Lees and published by Routledge. This book was released on 2017-07-05 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges and replaces the existing view of Mallarm? mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm? 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm? early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm? reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannh?er, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn?enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm?xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm? repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm? best-known texts, hitherto judged 'difficult' by those who have failed to
Download or read book Mallarme and the Politics of Literature written by Robert Boncardo and published by Edinburgh University Press. This book was released on 2017-12-04 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: A radically new philosophy of experience and speculation, based on a reading of Whitehead's Process and Reality.
Download or read book Mallarm and Circumstance written by Roger Pearson and published by Clarendon Press. This book was released on 2004 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following his Unfolding Mallarme: The Development of a Poetic Art, this book is the second in Roger Pearson's authoritative two-volume study of the work of Stephanie Mallarme (1842-1898), and the first comprehensive study of Mallarme's 'poetry of circumstance' in any language. For Mallarme,in a world without God, the role of the poet is to break the silence with language and to confer upon the contingency of circumstance a therapeutic semblance of formal and semantic pattern. Literature provides a 'translation of silence', 'intimate galas' in which the mysterious drama of the humancondition is performed for and by the reader on the stage of the verse poem, the prose poem, and what Mallarme calls the 'poeme critique'. In Part 1, Pearson examines the prose poems within the context of Mallarme's writing about the theatre. In Part II, he focuses on the 'circumstanzas' - thefamous 'Tombeaux', 'Hommages', 'Eventails', and 'vers de circonstance' - in which Mallarme invests the quotidian with the 'glorious lie' of poetry. In a series of close readings Pearson demonstrates how complex poetic structures, and especially the sonnet, may serve to guide the human search formeaning and shape our anguish in a 'ceremony of the Book.'
Download or read book St phane Mallarm written by Roger Pearson and published by Reaktion Books. This book was released on 2010-05-15 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This concise biography of Stéphane Mallarmé (1842–98) blends an account of the poet’s life with a detailed analysis of his evolving poetic theory and practice. “A poet on this earth must be uniquely a poet,” he declared at the age of twenty-two—but what is a poet’s life and what isa poet’s function? In his poems and prose statements and by the example of his life, Mallarmé provided answers to these questions. In Stéphane Mallarmé, Roger Pearson explores the relationship among Mallarmé’s life, his philosophy, and his writing. To Mallarmé, being a poet consists of a continuous, lifelong investigation of language and its expressive potential. It represents, argues Pearson, a fundamental response to the metaphysical mystery of the human condition and the desire to make sense of it for others. A poet turns everyday banality into prospects of mystery; and a poet, in Mallarmé’s conception, is able to bring all human beings together in heightened awareness and understanding of the “magnificent act of living.” This concise and engaging biography tells the story of a fascinating and utterly unique voice in French poetry, one that was often overshadowed by other Symbolist writers. It is an essential read for students of literature and nineteenth-century France.
Download or read book Mallarme s Sunset written by Barnaby Norman and published by Routledge. This book was released on 2017-07-05 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: The writings of the great Symbolist poet Stephane Mallarme (1842-1898) were to become uniquely influential in twentieth century literary criticism. For critics and philosophers such as Maurice Blanchot and Jacques Derrida, Mallarme's name came to represent a rupture in literary history, and an opening of literature onto a radically new kind of writing. Through close readings of key works, Norman retraces Mallarme's trajectory as a poet, showing in particular how he positioned his work in relation to Hegel's Aesthetics. Analysing the motif of the sunset Norman argues that Mallarme situated his work at the conclusion of the history of art, in Hegelian terms, and it is this that made him so interesting for Blanchot and Derrida. Their readings, born of their wish to subvert Hegel's totalizing impulse, give rise to an entirely new view of works now almost universally seen as masterpieces.
Download or read book Between Baudelaire and Mallarm written by Helen Abbott and published by Routledge. This book was released on 2016-04-15 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Download or read book Mallarm and Debussy written by Elizabeth McCombie and published by Oxford University Press. This book was released on 2003 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines afresh the web of similarities and differences between music and poetry using works by Mallarm and Debussy as case studies. It challenges the easy metaphorical impressionism that has characterized much of the scholarly literature to date. Analyzing Mallarm 's vision of a shared musico-poetic aesthetic, Elizabeth McCombie derives a set of performative structural motifs, analytical tools that express our experience of the two arts and their middle ground.
Download or read book Mallarm s Ideas in Language written by Heather Williams and published by Peter Lang. This book was released on 2004 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, the author discusses the sheer improbability of Mallarmé's joint concern with concepts, or ideas, on the one hand, and with language as it behaves within the constraints of poetic convention on the other.
Download or read book Mallarm Wagner Music and Poetic Language written by Heath Lees and published by Routledge. This book was released on 2017-07-05 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannher, while the second arrived in the mid-1880s, and gave birth to the Revue Wagnenne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarmxhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to
Download or read book Mallarm and the Poetics of Everyday Life written by Hélène Stafford and published by BRILL. This book was released on 2022-06-08 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is concerned with the relocation of the concept of the ordinary within the works of Stéphane Mallarmé (1842-98). It engages with much of Mallarmé’s oeuvre, concentrating on the textual features which reveal that, even in his most difficult texts, the ordinary as conceptual tool, as textual matter and as contemporary environment is never dismissed, but re-invented and invested with new and lively meaning. The instability of the concept in the texts, its qualities which range from the threatening to the immensely fertile make it a particularly rewarding area of study, against the background of a critical corpus which has in the past seen Mallarmé’s work at best as unconcerned with ordinary life, at worst as irremediably removed from it. Here is presented for the first time a study of a metalanguage which appears surprisingly frequently in the Mallarmé corpus. The complex metaphorisation of the banal in Mallarmé’s oeuvre, as well as the ideological discourse of the journalistic writings in their engagement with contemporary life are analysed and contribute to the demonstration of the existence within the corpus of an idealised ordinary world re-invented by the poet.
Download or read book Reading Cy Twombly written by Mary Jacobus and published by Princeton University Press. This book was released on 2016-08-16 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Title -- Copyright -- Contents -- PREFACE AND ACKNOWLEDGMENTS -- INTRODUCTION: TWOMBLY'S BOOKS -- 1 MEDITERRANEAN PASSAGES: RETROSPECT -- 2 PSYCHOGRAM AND PARNASSUS: HOW (NOT) TO READ A TWOMBLY -- 3 TWOMBLY'S VAGUENESS: THE POETICS OF ABSTRACTION -- 4 ACHILLES' HORSES, TWOMBLY'S WAR -- 5 ROMANTIC TWOMBLY -- 6 THE PASTORAL STAIN -- 7 PSYCHE: THE DOUBLE DOOR -- 8 TWOMBLY'S LAPSE -- POSTSCRIPT: WRITING IN LIGHT -- NOTES -- BIBLIOGRAPHY -- INDEX
Download or read book The Concise New Makers of Modern Culture written by Justin Wintle and published by Routledge. This book was released on 2008-11-28 with total page 892 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Who's Who of Western culture, from Woody Allen to Emile Zola... Containing four hundred essay-style entries, and covering the period from 1850 to the present, The Concise New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, with John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping rubs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. With its global reach, The Concise New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing as well as an index of names and key terms.
Download or read book Post Romantic Predicament written by Paul de Man and published by Edinburgh University Press. This book was released on 2012-04-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of critical texts from Paul de Man's Harvard University years, published for the first timeThese essays, brought together from the Paul de Man papers at the University of California (Irvine), make a significant contribution to the cultural history of deconstruction and the present state of literary theory. From 1955 to 1961, Paul de Man was Junior Fellow at Harvard University where he wrote a doctoral thesis entitled 'The Post-Romantic Predicament: a study in the poetry of Mallarme and Yeats'. This dissertation is presented alongside his other texts from this period, including essays on Holderlin, Keats and Stefan George. This collection reflects familiar concerns for de Man: the figurative dimension of language, the borders between philosophy and literature, the ideological obfuscations of Romanticism, and the difficulties of the North American heritage of New Criticism.
Download or read book Matisse s Poets written by Kathryn Brown and published by Bloomsbury Publishing USA. This book was released on 2017-09-21 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. Kathryn Brown offers a groundbreaking account of Matisse's position in the literary cross-currents of 20th-century France and explores ways in which reading influenced the artist's work in a range of media. This study argues that the livre d'artiste became the privileged means by which Matisse enfolded literature into his own idiom and demonstrated the centrality of his aesthetic to modernist debates about authorship and creativity. By tracing the compositional and interpretive choices that Matisse made as a painter, print maker, and reader in the field of book production, this study offers a new theoretical account of visual art's capacity to function as a form of literary criticism and extends debates about the gendering of 20th-century bibliophilia. Brown also demonstrates the importance of Matisse's self-placement in relation to the French literary canon in the charged political climate of the Second World War and its aftermath. Through a combination of archival resources, art history, and literary criticism, this study offers a new interpretation of Matisse's artist's books and will be of interest to art historians, literary scholars, and researchers in book history and modernism.
Download or read book The Cambridge Companion to Levinas written by Simon Critchley and published by Cambridge University Press. This book was released on 2002-07-25 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A convenient and accessible guide to Levinas, first published in 2002, which emphasises the interdisciplinary significance of his work.
Download or read book Aesthetics of Negativity written by William S. Allen and published by Fordham Univ Press. This book was released on 2016-04-01 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Maurice Blanchot and Theodor W. Adorno are among the most difficult but also the most profound thinkers in twentieth-century aesthetics. While their methods and perspectives differ widely, they share a concern with the negativity of the artwork conceived in terms of either its experience and possibility or its critical expression. Such negativity is neither nihilistic nor pessimistic but concerns the status of the artwork and its autonomy in relation to its context or its experience. For both Blanchot and Adorno negativity is the key to understanding the status of the artwork in post-Kantian aesthetics and, although it indicates how art expresses critical possibilities, albeit negatively, it also shows that art bears an irreducible ambiguity such that its meaning can always negate itself. This ambiguity takes on an added material significance when considered in relation to language as the negativity of the work becomes aesthetic in the further sense of being both sensible and experimental, and in doing so the language of the literary work becomes a form of thinking that enables materiality to be thought in its ambiguity. In a series of rich and compelling readings, William S. Allen shows how an original and rigorous mode of thinking arises within Blanchot’s early writings and how Adorno’s aesthetics depends on a relation between language and materiality that has been widely overlooked. Furthermore, by reconsidering the problem of the autonomous work of art in terms of literature, a central issue in modernist aesthetics is given a greater critical and material relevance as a mode of thinking that is abstract and concrete, rigorous and ambiguous. While examples of this kind of writing can be found in the works of Blanchot and Beckett, the demands that such texts place on readers only confirm the challenges and the possibilities that literary autonomy poses to thought.
