Download or read book Lo spettacolo delle voci written by Francesco De Martino and published by . This book was released on 1995 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The World of Roman Song written by Thomas N. Habinek and published by JHU Press. This book was released on 2005-07-27 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Classics and Ancient History award in the Professional and Scholarly Publishing Awards given by the Association of American Publishers In this bold work, Thomas Habinek offers an entirely new theoretical perspective on Roman cultural history. Although English words such as "literature" and "religion" have their origins in Latin, the Romans had no such specific concepts. Rather, much of the sense of these words was captured in the Latin word carmen, usually translated into English as "song." Habinek argues that for the Romans, "song" encompassed a wide range of ritualized speech, including elements of poetry, storytelling, and even the casting of spells. Habinek begins with the fraternal societies, or sodalitates, which predated the Republic and endured into the Imperial era, and whose rites, although adapted over time to different deities and cults, were from the beginning centered on song (perhaps most notably in the ancient Carmen Saliare). He goes on to show how this early use of song became a paradigm for cultural reproduction throughout Roman history. Ritual mastery of the chaos of everyday life, embodied and enacted in song, produced and transmitted the beliefs on which Roman culture was founded and by which Roman communities were sustained. By the emergence of the Empire, "song," in all of its senses, served in particular to reproduce the power of the state, organizing relations of power at every level of society. The World of Roman Song presents a systematic and comprehensive approach to Roman cultural history. Informed and imaginative, this book challenges classicists, social theorists, and literary scholars to engage in a provocative discussion of the power of song.

Download or read book Kinship in Ancient Athens written by S. C. Humphreys and published by Oxford University Press. This book was released on 2018-11-08 with total page 1488 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of kinship is at the heart of understanding not only the structure and development of a society, but also the day-to-day interactions of its citizens. Kinship in Ancient Athens aims to illuminate both of these issues by providing a comprehensive account of the structures and perceptions of kinship in Athenian society, covering the archaic and classical periods from Drakon and Solon up to Menander. Drawing on decades of research into a wide range of epigraphic, literary, and archaeological sources, and on S. C. Humphreys' expertise in the intersections between ancient history and anthropology, it not only puts a wealth of data at readers' fingertips, but subjects it to rigorous analysis. By utilizing an anthropological approach to reconstruct patterns of behaviour it is able to offer us an ethnographic 'thick description' of ancient Athenians' interaction with their kin that offers insights into a range of social contexts, from family life, rituals, and economic interactions, to legal matters, politics, warfare, and more. The work is arranged into two volumes, both utilizing the same anthropological approach to ancient sources. Volume I explores interactions and conflicts shaped by legal and economic constraints (adoption, guardianship, marriage, inheritance, property), as well as more optional relationships in the field of ritual (naming, rites de passage, funerals and commemoration, dedications, cultic associations) and political relationships, both formal (Assembly, Council) and informal (hetaireiai). Among several important and novel topics discussed are the sociological analysis of names and nicknames, the features of kin structure that advantaged or disadvantaged women in legal disputes, and the economic relations of dependence and independence between fathers and sons. Volume II deals with corporate groups recruited by patrifiliation and explores the role of kinship in these subdivisions of the citizen body: tribes and trittyes (both pre-Kleisthenic and Kleisthenic), phratries, genê, and demes. The section on the demes stresses variety rather than common features, and provides comprehensive information on location and prosopography in a tribally organized catalogue.

Download or read book The Play of Language in Ancient Greek Comedy written by Kostas Apostolakis and published by Walter de Gruyter GmbH & Co KG. This book was released on 2024-05-14 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ancient Greek comedy relied primarily on its text and words for the fulfilment of its humorous effects and aesthetic goals. In the wake of a rich tradition of previous scholarship, this volume explores a variety of linguistic materials and stylistic artifices exploited by the Greek comic poets, from vocabulary and figures of speech (metaphors, similes, rhyme) to types of joke, obscenity, and the mechanisms of parody. Most of the chapters focus on Aristophanes and Old Comedy, which offers the richest arsenal of such techniques, but the less ploughed fields of Middle and New Comedy are also explored. Emphasis is placed on practical criticism and textual readings, on the examination of particular artifices of speech and the analysis of individual passages. The main purpose is to highlight the use of language for the achievement of the aesthetic, artistic, and intellectual purposes of ancient comedy, in particular for the generation of humour and comic effect, the delineation of characters, the transmission of ideological messages, and the construction of poetic meaning. The volume will be useful to scholars of ancient drama, linguists, students of humour, and scholars of Classical literature in general.

Download or read book Prometheus Bound A Separate Authorial Trace in the Aeschylean Corpus written by Nikos Manousakis and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-06-08 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classics, Computer Science, and Linguistics are brought together in this book, in an attempt to provide an answer to the authorship question concerning Prometheus Bound, a disputed play in the Aeschylean corpus, by applying some well-established Computer Stylistics methods. One of the main objectives of Stylometry, which, broadly speaking, is the study of quantified style, is Authorship Attribution. In its traditional form it can range from manually calculating descriptive statistics to the use of computer-assisted methodologies. However, non-traditional Authorship Attribution drastically changed the field. It brought together modern Linguistics and Artificial Intelligence applications (machine learning, natural language processing), and its key characteristic is that it aims at developing fully-automated systems for the attribution of texts of unknown authorship. In this book the author employs a series of supervised and unsupervised techniques used in non-traditional Authorship Attribution–applied here for the first time in ancient drama. The outcome of the analysis indicates a significant distance between the disputed text and the secure plays of Aeschylus, but also various interesting (micro-linguistic) ties of affinity with other authors, especially Sophocles and Euripides.

Download or read book Pragmatic Approaches to Drama written by and published by BRILL. This book was released on 2020-10-12 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume collects papers on pragmatic perspectives on ancient theatre. Scholars working on literature, linguistics, theatre will find interesting insights on verbal and non-verbal uses of language in ancient Greek and Roman Drama. Comedies and tragedies spanning from the 5th century B.C.E. to the 1st century C.E. are investigated in terms of im/politeness, theory of mind, interpersonal pragmatics, body language, to name some of the approaches which afford new interpretations of difficult textual passages or shed new light into nuances of characterisation, or possibilities of performance. Words, silence, gestures, do things, all the more so in dramatic dialogues on stage.

Download or read book Gender and Communication in Euripides Plays written by J.H. Kim On Chong-Gossard and published by BRILL. This book was released on 2008-08-31 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The prominent role of women in Greek drama has always fascinated readers. This book proposes that women in Euripides’ plays communicate in ways constructed by the tragic genre itself as ‘female.’ Yet these women’s words are surprisingly not uniformly dangerous or excessively emotional, as has traditionally been thought. Rather, Euripides’ women resort to ‘female’ ways of talking in order to enable others to understand them and their unique point-of-view. Aspects of women’s speech—song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of place—contribute to Euripides’ portrayal of women as different from men. Originating in a culture where putting women under scrutiny was part of daily life, Euripides’ tragedies dramatise women’s constant struggle to control language.

Download or read book Multilingualism in the Graeco Roman Worlds written by Alex Mullen and published by Cambridge University Press. This book was released on 2012-09-06 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book employs new interdisciplinary approaches to understand multilingualism in the Graeco-Roman worlds, East and West, Classical and medieval.

Download or read book The Oxford Handbook of Greek and Roman Comedy written by Michael Fontaine and published by Oxford University Press. This book was released on 2014-04 with total page 913 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.

Download or read book How Women Became Poets written by Emily Hauser and published by Princeton University Press. This book was released on 2023-08-22 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: How the idea of the author was born in the battleground of gender When Sappho sang her songs, the only word that existed to describe a poet was a male one—aoidos, or “singer-man.” The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In How Women Became Poets, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone. Bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers a new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. Women, as Virginia Woolf recognized, need rooms of their own in order to write. So, too, have women writers through history needed a name to describe what it is they do. Hauser traces the invention of that name in ancient Greece, exploring the archaeology of the gendering of the poet. She follows ancient Greek poets, philosophers, and historians as they developed and debated the vocabulary for authorship on the battleground of gender—building up and reinforcing the word for male poet, then in response creating a language with which to describe women who write. Crucially, Hauser reinserts women into the traditionally all-male canon of Greek literature, arguing for the centrality of their role in shaping ideas around authorship and literary production.

Download or read book Terence and the Language of Roman Comedy written by Evangelos Karakasis and published by Cambridge University Press. This book was released on 2005-05-16 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a comprehensive examination of the language of Roman comedy in general and that of Terence in particular. The study explores Terence's use of language to differentiate his characters and his language in relation to the language of the comic fragments of the palliata, the togata and the atellana. Linguistic categories in the Terentian corpus explored include colloquialisms, archaisms, hellenisms and idiolectal features. Terence is shown to give his old men an old-fashioned and verbose tone, while low characters are represented as using colloquial diction. An examination of Eunuchus' language shows it to be closer to the Plautine linguistic tradition. The book also provides a thorough linguistic/stylistic commentary on all the fragments of the palliata, the togata and the atellana. It shows that Terence, except in the case of his Eunuchus, consciously distances himself from the linguistic/stylistic tradition of Plautus followed by all other comic poets.

Download or read book The Cambridge Companion to Greek Comedy written by Martin Revermann and published by Cambridge University Press. This book was released on 2014-06-12 with total page 523 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.

Download or read book Theater of the People written by David Kawalko Roselli and published by University of Texas Press. This book was released on 2011-06-01 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.

Download or read book Reconstructing Satyr Drama written by Andreas P. Antonopoulos and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-07-05 with total page 967 pages. Available in PDF, EPUB and Kindle. Book excerpt: The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume’s contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions. What is not contested is the relationship of satyr drama to tragedy as a required cap to the Attic trilogy. Here, however, how Aeschylus, Sophocles, and Euripides (to whom one complete play and the preponderance of the surviving fragments belong) envisioned the relationship of satyr drama to tragedy in plot, structure, setting, stage action and language is a complex subject tackled by several contributors. The playful satyr chorus and the drunken senility of Silenos have always suggested some links to comedy and later to Atellan farce and phlyax. Those links are best examined through language, passages in later Greek and Roman writers, and in art. The purpose of this volume is probe as many themes and connections of satyr drama with other literary genres, as well as other art forms, putting satyr drama on stage from the sixth century BC through the second century AD. The editors and contributors suggest solutions to some of the controversies, but the volume shows as much that the field of study is vibrant and deserves fuller attention.

Download or read book Children in Greek Tragedy written by Emma M. Griffiths and published by Oxford University Press. This book was released on 2020-02-20 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Astyanax is thrown from the walls of Troy; Medeia kills her children as an act of vengeance against her husband; Aias reflects with sorrow on his son's inheritance, yet kills himself and leaves Eurysakes vulnerable to his enemies. The pathos created by threats to children is a notable feature of Greek tragedy, but does not in itself explain the broad range of situations in which the ancient playwrights chose to employ such threats. Rather than casting children in tragedy as simple figures of pathos, this volume proposes a new paradigm to understand their roles, emphasizing their dangerous potential as the future adults of myth. Although they are largely silent, passive figures on stage, children exert a dramatic force that transcends their limited physical presence, and are in fact theatrically complex creations who pose a danger to the major characters. Their multiple projected lives create dramatic palimpsests which are paradoxically more significant than their immediate emotional effects: children are never killed because of their immediate weakness, but because of their potential strength. This re-evaluation of the significance of child characters in Greek tragedy draws on a fresh examination of the evidence for child actors in fifth-century Athens, which concludes that the physical presence of children was a significant factor in their presentation. However, child roles can only be fully appreciated as theatrical phenomena, utilizing the inherent ambiguities of drama: as such, case studies of particular plays and playwrights are underpinned by detailed analysis of staging considerations, opening up new avenues for interpretation and challenging traditional models of children in tragedy.

Download or read book Aristotle on Language and Style written by Ana Kotarcic and published by Cambridge University Press. This book was released on 2020-11-12 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divides Aristotle's concept of lexis into three interconnected levels, exposing numerous valuable statements on language and style.

Download or read book Jokes in Greek Comedy written by Naomi Scott and published by Bloomsbury Publishing. This book was released on 2023-09-21 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: In ancient Greek comedy, nothing is ever 'just a joke'. This book treats jokes with the seriousness they deserve, and shows that far from being mere surface-level phenomena, jokes in Greek comedy are in fact a site of poetic experimentation whose creative force expressly rivals that of serious literature. Focusing on the fragments of authors including Cratinus, Pherecrates, and Archippus alongside the extant plays of Aristophanes, Naomi Scott argues that jokes are critical to comedy's engagement with the language and convention of poetic representation. More than this, she suggests that jokes and poetry share a kind of kinship as two modes of utterance which specifically set out to flout the rules of ordinary speech. Starting with bad puns, and taking in crude slapstick, vulgar innuendo and frivolous absurdism, Jokes in Greek Comedy demonstrates that the apparently inconsequential jokes which pepper the surface of Greek comedy in fact amplify the impossible and defamiliarizing qualities of standard poetic practice, and reveal the fundamental ridiculousness of treating make-believe as a serious endeavour. In this way, jokes form a central part of Greek comedy's contestation of the role of language, and particularly poetic language, in the truthful representation of reality.