Download or read book Liveness in Modern Music written by Paul Sanden and published by Routledge. This book was released on 2013 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study investigates the idea and practice of liveness in modern music.. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines.
Download or read book Liveness in Modern Music written by Paul Sanden and published by Routledge. This book was released on 2013-01-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts—tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies.
Download or read book Experiencing Liveness in Contemporary Performance written by Matthew Reason and published by Routledge. This book was released on 2016-10-26 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making. Drawing together contributions from theatre, music, dance, and performance art, it takes an interdisciplinary approach in asking not what liveness is, but how it matters and to whom. The book invites readers to consider how liveness is produced through processes of audiencing - as spectators bring qualities of (a)liveness into being through the nature of their attention - and how it becomes materialized in acts of performance, acts of making, acts of archiving, and acts of remembering. Theoretical chapters and practice-based reflections explore liveness, eventness and nowness as key concepts in a range of topics such as affect, documentation, embodiment, fandom, and temporality, showing how the relationship between audience and event is rarely singular and more often malleable and multiple. With its focus on experiencing liveness, this collection will be of interest to disciplines including performance, audience and cultural studies, visual arts, cinema, and sound technologies.
Download or read book The Cambridge Companion to Music in Digital Culture written by Nicholas Cook and published by Cambridge University Press. This book was released on 2019-09-19 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital technology has profoundly transformed almost all aspects of musical culture. This book explains how and why.
Download or read book The Future of Live Music written by Ewa Mazierska and published by Bloomsbury Publishing USA. This book was released on 2020-05-14 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: What 'live music' means for one generation or culture does not necessarily mean 'live' for another. This book examines how changes in economy, culture and technology pertaining to post-digital times affect production, performance and reception of live music. Considering established examples of live music, such as music festivals, alongside practices influenced by developments in technology, including live streaming and holograms, the book examines whether new forms stand the test of 'live authenticity' for their audiences. It also speculates how live music might develop in the future, its relationship to recorded music and mediated performance and how business is conducted in the popular music industry.
Download or read book Researching Live Music written by Chris Anderton and published by CRC Press. This book was released on 2021-11-18 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Researching Live Music offers an important contribution to the emergent field of live music studies. Featuring paradigmatic case studies, this book is split into four parts, first addressing perspectives associated with production, then promotion and consumption, and finally policy. The contributors to the book draw on a range of methodological and theoretical positions to provide a critical resource that casts new light on live music processes and shows how live music events have become central to raising and discussing broader social and cultural issues. Their case studies expand our knowledge of how live music events work and extend beyond the familiar contexts of the United States and United Kingdom to include examples drawn from Argentina, Australia, France, Jamaica, Japan, New Zealand, Switzerland, and Poland. Researching Live Music is the first comprehensive review of the different ways in which live music can be studied as an interdisciplinary field, including innovative approaches to the study of historic and contemporary live music events. It represents a crucial reading for professionals, students, and researchers working in all aspects of live music.
Download or read book The Future of Live Music written by Ewa Mazierska and published by Bloomsbury Publishing USA. This book was released on 2020-05-14 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: What 'live music' means for one generation or culture does not necessarily mean 'live' for another. This book examines how changes in economy, culture and technology pertaining to post-digital times affect production, performance and reception of live music. Considering established examples of live music, such as music festivals, alongside practices influenced by developments in technology, including live streaming and holograms, the book examines whether new forms stand the test of 'live authenticity' for their audiences. It also speculates how live music might develop in the future, its relationship to recorded music and mediated performance and how business is conducted in the popular music industry.
Download or read book Live and Recorded written by Yngvar Kjus and published by Springer. This book was released on 2018-02-09 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.
Download or read book Music Technology in Live Performance written by Tim Canfer and published by CRC Press. This book was released on 2023-12-07 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Technology in Live Performance explores techniques to augment live musical performance and represents a comprehensive guide to best practices in music technology for live performance. This book presents a practical and accessible introduction to the theories of liveness and an array of live performance technologies and techniques. Areas covered include analogue and digital audio, live sound, the recording studio, and electronic music, revealing best professional practices and expert tips, alongside an exploration of approaches to increasing the exchange of energy in live performance. Music Technology in Live Performance is an ideal introduction for students of music performance, music production, and music technology, and a vital resource for professional musicians, producers, and technology developers.
Download or read book The Digital Evolution of Live Music written by Angela Jones and published by Chandos Publishing. This book was released on 2015-07-17 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. - Gives perspectives on the function of live music in digital culture and the role of digital in live music - Focuses on the interaction between live and digital music - Takes the discussion of live music beyond economics and marketing, to the cultural and philosophical implications of digital culture for the art - Includes interviews with producers and players in the digital world of music production - Furthers debate by looking at access to digital music via social media, websites, and applications that recognise the impact of digital culture on the live music experience
Download or read book Live Electronic Music written by Friedemann Sallis and published by Routledge. This book was released on 2017-11-20 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.
Download or read book The New Age of Electronic Dance Music and Club Culture written by Anita Jóri and published by Springer Nature. This book was released on 2020-04-30 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book’s main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music.
Download or read book Rethinking the Music Business written by Guy Morrow and published by Springer Nature. This book was released on 2022-09-07 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: COVID-19 had a global impact on health, communities, and the economy. As a result of COVID-19, music festivals, gigs, and events were canceled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis, however, there are pre-existing trends in the music business – the rise of the streaming economy, technological change (virtual and augmented reality, blockchain, etc.), and new copyright legislation. Some of these trends were impacted by the COVID-19 crisis while others were not. This book addresses these challenges and trends by following a two-pronged approach: the first part focuses on the impact of COVID-19 on the music business, and the second features general perspectives. Throughout both parts, case studies bring various themes to life. The contributors address issues within the music business before and during COVID-19. Using various critical approaches for studying the music business, this research-based book addresses key questions concerning music contexts, rights, data, and COVID-19. Rethinking the music business is a valuable study aid for undergraduate and postgraduate students in subjects including the music business, cultural economics, cultural management, creative and cultural industries studies, business and management studies, and media and communications.
Download or read book Words Music and the Popular written by Thomas Gurke and published by Springer Nature. This book was released on 2022-01-03 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or ‘the’ popular and what role(s) does music play in it? What is the function of the popular, and is ‘pop’ a system? How can popularity be explained in certain historical and political contexts? How do class, gender, race, and ethnicity contribute to and complicate an understanding of the ‘popular’? What of the popularity of verbal art forms? How do they interact with music at particular times and throughout different media?
Download or read book Music on Stage written by Fiona Jane Schopf and published by Cambridge Scholars Publishing. This book was released on 2015-09-18 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music on Stage presents papers from the interdisciplinary “Music on Stage” conference series held biennially at Rose Bruford College, Sidcup, Kent, since 2006. Three main streams of music theatre are covered in each conference: opera, the Musical, and performance practice. The collection of papers here on opera covers a wide spectrum of operatic debate from historic (contextualising Wagner and Rimsky-Korsakov) to contemporary opera; the current debate about Werktreue and Regieoper; investigation into the genesis of one of opera’s most iconic characters, Wagner’s Wotan; exploring Nono’s Prometheo, Maher’s The Hunchback Variations Opera and Jennifer Walshe’s music theatre pieces; and also interrogating the use of animal characters on stage and their perceived threat to the human voice. Papers on the Musical explore Reich’s The Cave, Sondheim’s Sunday in the Park with George, the musical synthesis between Spanish Copla music and the Anglo-American “book” musical, and one stage not often considered in its own right when discussing music theatre—television—a domestic stage which is immediately available to all. Rose Bruford leads the world in actor-musician training, and the papers here further explore and debate this aspect of performance and its impact on stage by interrogating the whole gestalt of music and text, as well as the process of actor-musician training. Basarab Nicolescu’s transdisciplinarity idea of embracing and unifying multiple performance disciplines within the singer’s training concludes this selection of papers.
Download or read book Innovation in Music written by Russ Hepworth-Sawyer and published by Routledge. This book was released on 2019-06-25 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Innovation in Music: Performance, Production, Technology and Business is an exciting collection comprising of cutting-edge articles on a range of topics, presented under the main themes of artistry, technology, production and industry. Each chapter is written by a leader in the field and contains insights and discoveries not yet shared. Innovation in Music covers new developments in standard practice of sound design, engineering and acoustics. It also reaches into areas of innovation, both in technology and business practice, even into cross-discipline areas. This book is the perfect companion for professionals and researchers alike with an interest in the Music industry. Chapter 31 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. https://tandfbis.s3-us-west-2.amazonaws.com/rt-files/docs/Open+Access+Chapters/9781138498211_oachapter31.pdf
Download or read book Innovation in Music Technology and Creativity written by Jan-Olof Gullö and published by CRC Press. This book was released on 2024-03-27 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.
