Download or read book The Arthur of the French written by and published by University of Wales Press. This book was released on 2020-10-15 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: This major reference work is the fourth volume in the series "Arthurian Literature in the Middle Ages". Its intention is to update the French and Occitan chapters in R.S. Loomis’ "Arthurian Literature in the Middle Ages: A Collaborative History" (Oxford, 1959) and to provide a volume which will serve the needs of students and scholars of Arthurian literature. The principal focus is the production, dissemination and evolution of Arthurian material in French and Occitan from the twelfth to the fifteenth century. Beginning with a substantial overview of Arthurian manuscripts, the volume covers writing in both verse (Wace, the Tristan legend, Chretien de Troyes and the Grail Continuations, Marie de France and the anonymous lays, the lesser known romances) and prose (the Vulgate Cycle, the prose Tristan, the Post-Vulgate Roman du Graal, etc.).
Download or read book Literature of the French and Occitan Middle Ages written by Deborah M. Sinnreich-Levi and published by Dictionary of Literary Biograp. This book was released on 1999 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on French authors from the eleventh to the fifteenth century. Discusses the impact of Roman heritage and the Romance languages of this period, as well as Hagiography, epic poems, extant manuscripts, writings in Occitan by southern French lyric poets, troubadours, religious and miracle plays, novelists, moralizing fables, cynicism, parodies, polemics, the fabliau, the gradual adoption of the fixed forms, the farce, and French prose.
Download or read book Saints and Monsters in Medieval French and Occitan Literature written by Huw Grange and published by . This book was released on 2018-09-28 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: From rubbery martyrs to wraith-like ascetics, and from pestilential dragons to troublesome giants, the bodies that fascinated the Middle Ages increasingly inform theoretical debates concerning corporeality. Saints and Monsters draws on notions of the 'sublime' and the 'abject' to explore the role played by these holy and unholy bodies.
Download or read book Grains of Gold written by Sally Burley and published by . This book was released on 2015 with total page 775 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The World of the Troubadours written by Linda M. Paterson and published by Cambridge University Press. This book was released on 1995-10-05 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Occitania, known today as the "south of France," had its own language and culture in the Middle Ages. Its troubadours created "courtly love" and a new poetic language in the vernacular, which were to influence European literature for centuries. There are many books on the troubadours, but this is the first comprehensive study of the society in which they lived. For readers of literature it offers a wide-ranging insight into the realities that lay behind the poetic mystique. For historians it opens up an important and neglected area of medieval Europe.
Download or read book Medieval French Literature written by Gaston Bruno Paulin Paris and published by . This book was released on 1903 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Medieval Francophone Literary Culture Outside France written by Nicola Morato and published by Brepols Publishers. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In medieval Europe, cultural, political, and linguistic identities rarely coincided with modern national borders. As early as the end of the twelfth century, French rose to prominence as a lingua franca that could facilitate communication between people, regardless of their origin, background, or community. Between the twelfth and fifteenth centuries, literary works were written or translated into French not only in France but also across Europe, from England and the Low Countries to as far afield as Italy, Cyprus, and the Holy Land. Many of these texts had a broad European circulation and for well over three hundred years they were transmitted, read, studied, imitated, and translated.00Drawing on the results of the AHRC-funded research project Medieval Francophone Literary Culture Outside France, this volume aims to reassess medieval literary culture and explore it in a European and Mediterranean setting. The book, incorporating nineteen papers by international scholars, explores the circulation and production of francophone texts outside of France along two major axes of transmission: one stretching from England and Normandy across to Flanders and Burgundy, and the other running across the Pyrenees and Alps from the Iberian Peninsula to the Levant. In doing so, it offers new insights into how francophone literature forged a place for itself, both in medieval textual culture and, more generally, in Western cultural spheres.
Download or read book Multilingualism and Mother Tongue in Medieval French Occitan and Catalan Narratives written by Catherine E. Léglu and published by Penn State Press. This book was released on 2016-11-29 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Occitan literary tradition of the later Middle Ages is a marginal and hybrid phenomenon, caught between the preeminence of French courtly romance and the emergence of Catalan literary prose. In this book, Catherine Léglu brings together, for the first time in English, prose and verse texts that are composed in Occitan, French, and Catalan-sometimes in a mixture of two of these languages. This book challenges the centrality of "canonical" texts and draws attention to the marginal, the complex, and the hybrid. It explores the varied ways in which literary works in the vernacular composed between the twelfth and fifteenth centuries narrate multilingualism and its apparent opponent, the mother tongue. Léglu argues that the mother tongue remains a fantasy, condemned to alienation from linguistic practices that were, by definition, multilingual. As most of the texts studied in this book are works of courtly literature, these linguistic encounters are often narrated indirectly, through literary motifs of love, rape, incest, disguise, and travel.
Download or read book Culture and Society in Medieval Occitania written by Linda Paterson and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval Occitania, a geographical and linguistic area often referred to as 'the South of France', 'the South', 'the Midi', or more loosely 'Provence', was politically diverse but culturally coherent. It was here that the troubadours created Courtly Love and a new poetic language, which together were to affect the whole course of European literature and sensibilities. The essays made readily accessible in this collection reflect the author's many-sided interests in the troubadours and the society from which they sprang: the historical and cultural place of the women forming the ostensible objects of their desire, veneration, or anxieties; the extent to which French notions of chivalry penetrated the South; the nature and meaning of various elements of court culture; the precocious development of medical science in this region; its complex responses to the Crusades; and the question of Occitan identity. Mostly complementing her major publications (The World of the Troubadours, collaborative editions of the songs of the troubadour Marcabru, of the epic fragment the Canso d'Antioca, and of the medieval Occitan tensos and partimens), they provide either more detailed material than found its way into those works, or developments from them. 'Occitan literature and the Holy Land' anticipates a new project on responses to the Crusades in Occitan and Old French lyrics.
Download or read book The Arthur of the French The Arthur of the French written by Karen Pratt (other adaptation) Glyn Burgess (other adaptation) and published by . This book was released on 2020 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gender and Genre in Medieval French Literature written by Simon Gaunt and published by Cambridge University Press. This book was released on 1995-05-11 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wide-ranging study of gender and the underlying ideologies of Old French and Occitan literature.
Download or read book Culture and Society in Medieval Occitania written by Linda Paterson and published by Taylor & Francis. This book was released on 2023-05-31 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval Occitania, a geographical and linguistic area often referred to as 'the South of France', 'the South', 'the Midi', or more loosely 'Provence', was politically diverse but culturally coherent. It was here that the troubadours created Courtly Love and a new poetic language, which together were to affect the whole course of European literature and sensibilities. The essays made readily accessible in this collection reflect the author's many-sided interests in the troubadours and the society from which they sprang: the historical and cultural place of the women forming the ostensible objects of their desire, veneration, or anxieties; the extent to which French notions of chivalry penetrated the South; the nature and meaning of various elements of court culture; the precocious development of medical science in this region; its complex responses to the Crusades; and the question of Occitan identity. Mostly complementing her major publications (The World of the Troubadours, collaborative editions of the songs of the troubadour Marcabru, of the epic fragment the Canso d'Antioca, and of the medieval Occitan tensos and partimens), they provide either more detailed material than found its way into those works, or developments from them. 'Occitan literature and the Holy Land' anticipates a new project on responses to the Crusades in Occitan and Old French lyrics.
Download or read book Literatures of Medieval France written by Michel Zink and published by Collège de France. This book was released on 2017-02-13 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: This long tradition would certainly not be a reason in itself to keep or restore the subject, had it not something to do with the subject itself. All of the associations between the past and literature, all of the signs that point towards an essential link between the notion of literature and a feeling for the past, are crystallized in medieval literature. The curiosity that medieval literature has aroused since it was rediscovered at the dawn of Romanticism presupposes such associations. The very forms of this literature bear indications of them. They encourage us to consider jointly the interest of modern times in the medieval past and the signs of the past with which the Middle Ages marked its own literature. Even more, they invite us to seek in the relationship with the past a defining criterion for literature, a most necessary task with reference to a time when words are not understood in their modern sense, and there is no guarantee that a corresponding notion exists. The best reason to continue with this hundred-and-fifty-year-old teaching is that its object may not even exist.
Download or read book Stolen Song written by Eliza Zingesser and published by Cornell University Press. This book was released on 2020-03-15 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stolen Song documents the act of cultural appropriation that created a founding moment for French literary history: the rescripting and domestication of troubadour song, a prestige corpus in the European sphere, as French. This book also documents the simultaneous creation of an alternative point of origin for French literary history—a body of faux-archaic Occitanizing songs. Most scholars would find the claim that troubadour poetry is the origin of French literature uncomplicated and uncontroversial. However, Stolen Song shows that the "Frenchness" of this tradition was invented, constructed, and confected by francophone medieval poets and compilers keen to devise their own literary history. Stolen Song makes a major contribution to medieval studies both by exposing this act of cultural appropriation as the origin of the French canon and by elaborating a new approach to questions of political and cultural identity. Eliza Zingesser shows that these questions, usually addressed on the level of narrative and theme, can also be fruitfully approached through formal, linguistic, and manuscript-oriented tools.
Download or read book The Church and Vernacular Literature in Medieval France written by Dorothea Kullmann and published by PIMS. This book was released on 2009 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rapid rise of vernacular literature in medieval France, within a culture which continued to acknowledge Latin as its vehicular language, is a fact that literary historians tend too easily to take for granted. Within a relatively short period, stretching roughly from the end of the eleventh century to the thirteenth century, French and Occitan literatures acquired an output and a level of sophistication that made them the leading models for other European literatures. New genres and new subject matters appear one after the other; new ideologies (such as the concept of love developed by the troubadours) are first expressed in vernacular creations; and even learned Latin authors soon feel obliged to take notice of these developments. Should we describe this astonishing chapter of cultural history as the development of a 'lay', or 'profane', literature alongside a Church-dominated learned and religious one, or as the emancipation of vernacular literature from the tutorship of the Church? Is the borderline between 'lay' and 'religious' texts and genres really as clear-cut as some literary histories would make us believe? How then did these new genres of written literature come into being in a culture in which the Church held the monopoly on education, including training in writing? Did the Church as an institution play any role in the birth and expansion of vernacular literature? In the present volume, specialists from the disciplines of linguistics, literature, history and musicology address the various aspects of this complex of questions. The examples studied here are witnesses not only to a constant interaction between lay and religious cultures but also to the productive tension that resulted from the particular situation of the Church in medieval France.
Download or read book Troubadour Poems from the South of France written by William Doremus Paden and published by DS Brewer. This book was released on 2007 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry written by Jennifer Saltzstein and published by DS Brewer. This book was released on 2013 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: A survey of the use of the refrain in thirteenth and fourteenth-century French music and poetry, showing how it was skilfully deployed to assert the validity of the vernacular. The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies, from motets, trouvère song, plays, romance, vernacular translations, and proverb collections, to show that medieval composers quoted refrains as vernacular auctoritates; she argues that their appropriation of scholastic, Latinate writing techniques workedto authorize Old French music and poetry as media suitable for the transmission of knowledge. Beginning with an exploration of the quasi-scholastic usage of refrains in anonymous and less familiar clerical contexts, the book goeson to articulate a new framework for understanding the emergence of the first two named authors of vernacular polyphonic music, the cleric-trouvères Adam de la Halle and Guillaume de Machaut. It shows how, by blending their craftwith the writing practices of the universities, composers could use refrain quotation to assert their status as authors with a new self-consciousness, and to position works in the vernacular as worthy of study and interpretation. Jennifer Saltzstein is Assistant Professor of Musicology at the University of Oklahoma.
