Download or read book Lieder Line by Line and Word for Word written by Lois Phillips and published by Oxford University Press. This book was released on 1996 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: German song in the nineteenth century offers some of the greatest pleasures available to the singer, pianist, and listener. The great German poets - Goethe, Schiller, Ruckert, Eichendorff, Heine, Morike, Hesse, and many lesser figures - inspired such perennial masterpieces as Schubert's song cycles Die Schone Mullerin and Winterreise, Schumann's Dichterliebe, and Mahler's Kindertotenlieder. This book provides the German texts of the most frequently studied and performed songs, and gives literal, word-for-word translations under each line, plus clear English prose versions of each poem. The composers represented are Beethoven, Schubert, Schumann, Wagner, Brahms, Wolf, Mahler, and Richard Strauss. This new edition includes numerous corrections and improvements to the translations.
Download or read book Lieder Line by Line and Word for Word written by Lois Phillips and published by Bloomsbury Academic. This book was released on 1979 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: German song in the nineteenth century offers some of the greatest pleasures available to the singer, pianist, and listener. The great German poets--Goethe, Schiller, Ruckert, Eichendorff, Heine, Morike, Hesse, and many lesser figures--inspired such perennial masterpieces as Schubert's song cycles Die Schone Mullerin and Winterreise, Schumann's Dichterliebe, and Mahler's Kindertotenlieder. This book provides the German texts of the most frequently studied and performed songs, and gives literal, word-for-word translations under each line, plus clear English prose versions of each poem. The composers represented are Beethoven, Schubert, Schumann, Wagner, Brahms, Wolf, Mahler, and Richard Strauss. This new edition includes numerous corrections and improvements to the translations.
Download or read book The Fischer Dieskau Book of Lieder written by Dietrich Fischer-Dieskau and published by Hal Leonard Corporation. This book was released on 1984 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: The original texts of lieder are accompanied by line-by-line translations
Download or read book Schubert s Dramatic Lieder written by Marjorie Wing Hirsch and published by Cambridge University Press. This book was released on 1993-08-12 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the way in which Schubert revolutionised the Lied, transforming folk song into art song through the mixture of dramatic and lyrical vocal genres. By introducing dramatic poetry and musical traits within solo song settings, he turned the Lied into a highly expressive musical medium capable of conveying the complexities and nuances of the new Romantic poetry. In so doing, he created an art form which attracted nearly every subsequent composer of the period. Schubert's numerous dramatic songs have baffled critics from his day to our own. Their unusual stylistic characteristics - through composed form, progressive tonal structures, declamatory vocal lines, illustrative accompaniments - fly in the face of traditional conceptions of the Lied. Dr Hirsch's discussion and analysis of selected dramatic Lieder illuminate Schubert's compositional innovation.
Download or read book The Cambridge Companion to the Lied written by James Parsons and published by Cambridge University Press. This book was released on 2004-07 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Download or read book The Harvard Dictionary of Music written by Don Michael Randel and published by Harvard University Press. This book was released on 2003-11-28 with total page 1020 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Download or read book Johann Leisentrit s Geistliche Lieder und Psalmen 1567 written by Richard D. Wetzel and published by Rowman & Littlefield. This book was released on 2013 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: Geistliche Lieder und Psalmen, 1567, was compiled and published by Johann Leisentrit, a Roman Catholic priest who from 1559 to the time of his death in 1586, was Dean at the Cathedral of St. Peter's in Bautzen, a town in southeastern Germany. His hymnbook appeared in three complete editions (1567, 1573, 1584), and in abridged editions in 1575, 1576, and 1589. By adapting the vernacular hymn, a genre created by Protestant reformers, Leisentrit hoped to bring back to the "true church" (wahrglaubiger Christlicher Kirchen) those who had defected to Lutheranism. This was a formidable ambition because his diocese was located adjacent to the Moravian-Bohemian regions where the Protestant movement was born and remained vital. Containing approximately 260 texts set to 175 notated melodies, many borrowed from Protestant sources and adapted to serve Roman Catholic objectives, Leisentrit's book was the second Catholic hymnbook to be published in the sixteenth century. It surpassed its Protestant and Catholic precursors in scope and provided a model for the profusion of hymnbooks of numerous confessions that appeared in Germany in the seventeenth and eighteenth centuries . Wetzel and Heitmeyer present their study in two parts: The first comprises six contextual chapters that survey earlier German achievements in hymnody, provide analyses of the texts and music in Leisentrit's book, and assess his achievement within the volatile environment of the Counter Reformation. The second gives the melodies in modern notation along with the first stanzas of the texts; provides detailed concordances and references to sources that identify textual and musical provenances; and concludes with six appendixes to facilitate scholarly cross-references. Fourteen of the seventy wood engravings from Leisentrit's book, many of which are visual representations of the prevailing confessional conflicts, are given in enlarged reproductions. The authors provide the only comprehensive study in English of a unique religious figure and his efforts to achieve confessional reconciliation in the decades following the Council of Trent. They add to a more accurate interpretation of the relationship between Lutherans and Catholics in the sixteenth century and support the hypothesis that some Lutherans remained more liturgically formal than their Catholic contemporaries.
Download or read book The Nineteenth Century German Lied written by Lorraine Gorrell and published by Rowman & Littlefield. This book was released on 2005-11-01 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.
Download or read book Songs in Motion written by Yonatan Malin and published by Oxford University Press. This book was released on 2010-05-26 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Qualities of motion and emotion in song come from poetic images, melody, harmony, and voice leading, but they also come from rhythm and meter-the flow and articulation of words and music in time. This book explores rhythm and meter in the nineteenth-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterized especially by the fusion of poetry and music. Poetic meter itself has expressive qualities, and rhythmic variations contribute further to the modes of signification. These features often carry over into songs, even as they are set in the more strictly determined periodicities of musical meter. A new method of declamatory-schema analysis is presented to illustrate common possibilities for setting trimeter, tetrameter, and pentameter lines. Degrees of rhythmic regularity and irregularity are also considered. There has been a wealth of new work on metric theory and analysis in the past thirty years; here this research is reviewed and applied in song analysis. Topics include the nature of metric entrainment (drawing on music psychology), metric dissonance, hypermeter, and phrase rhythm. Whereas narrative accounts of the nineteenth-century Lied typically begin with Schubert, here forms of expansion and elision in songs by Hensel provide a point of departure. Repetition links up directly with motion in songs by Schubert, including his famous "Gretchen am Spinnrade." The doubling and reverberation of vocal melody creates a form of interiorized resonance in Schumann's songs. Brahms and Wolf are typically understood as polar opposites in the later nineteenth century; here the differences are clarified along with deeper affinities. Songs by both Brahms and Wolf may be understood as musical performances of poetic readings, and in this regard they both belong to a late period of cultural history.
Download or read book Song written by Carol Kimball and published by Hal Leonard Corporation. This book was released on 2006-12-01 with total page 603 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carol Kimball's comprehensive survey of art song literature has been the principal one-volume American source on the topic. Now back in print after an absence of several years this newly revised edition includes biographies and discussions of the work of
Download or read book German Lieder in the Nineteenth Century written by Rufus Hallmark and published by Routledge. This book was released on 2009-09-10 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.
Download or read book Basic Music Reference written by Alan Green and published by A-R Editions, Inc.. This book was released on 2012-11-01 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: Basic Music Reference is a quick-start guide designed to introduce library employees to the basic tools and techniques involved in answering questions related to music. As in every specialist subject area, music has its own terminology, but unlike most, it also has a multitude of formatson paper and other materialsas well as special notation and frequent use of foreign languages in titles and texts. These features make it particularly difficult for library employees to answer users questions and thus a guide such as this one is essential. Not all libraries with a music collection can afford to hire a music reference librarian. Even libraries with such a specialist rely on support staff and student employees to answer questions when the music librarian is not available. Whatever the scenario, this volume will serve as a helpful training tool for library employees to learn about the basic music reference tools, and to develop the techniques of greatest use when answering the most common types of music-related questions
Download or read book Romantic Lieder and the Search for Lost Paradise written by Marjorie Wing Hirsch and published by Cambridge University Press. This book was released on 2007 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the theme of lost paradise in Lieder by nineteenth-century composers including Franz Schubert.
Download or read book Pronouncing Musical Dictionary of Technical Words Phrases and Abbreviations written by William Ludden and published by . This book was released on 1875 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art Song written by Carol Kimball and published by Hal Leonard Corporation. This book was released on 2013-05-01 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Book). Art Song: Linking Poetry and Music is a follow-up to author Carol Kimball's bestselling Song: A Guide to Art Song Style and Literature . Rather than a general survey of art song literature, the new book clearly and insightfully defines the fundamental characteristics of art song, and the integral relationship between lyric poetry and its musical settings. Topics covered include poetry basics for singers, exercises for singers in working with poetry, insights into composers' musical settings of poetry, building recital programs, performance suggestions, and recommended literature for college and university classical voice majors. The three appendices address further aspects of poetry, guidelines for creating a recital program, and representative classical voice recitals of various descriptions. Art Song: Linking Poetry and Music is extremely useful as an "unofficial" text for college/university vocal literature classes, as an excellent resource for singers and voice teachers, and of interest to all those who are fascinated by the rich legacy of the art song genre.
Download or read book German Song Onstage written by Natasha Loges and published by Indiana University Press. This book was released on 2020-05-05 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods—including the United States, the United Kingdom, Russia, and Germany—from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.
Download or read book A Guide to Library Research in Music written by Pauline Shaw Bayne and published by Scarecrow Press. This book was released on 2008-09-18 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Guide to Library Research in Music introduces the process and techniques for researching and writing about music. This informative textbook provides concrete examples of different types of writing, offering a thorough introduction to music literature. It clearly describes various information-searching techniques and library-based organizational systems and introduces the array of music resources available. Each chapter concludes with learning exercises to aid the students' concept application and skill development. Appendixes provide short cuts to specific topics in library organizational systems, including Library of Congress Subject Headings and Classification. The concluding bibliography provides a quick overview of music literature and resources, emphasizing electronic and print publications since 2000, but including standard references that all music researchers should know.
