Download or read book Le Prophete A Lyric Drama in 4 Acts The Music by Meyerbeer the Libretto translated from the French of E Scribe by Manfredo Maggioni as Represented at the Royal Italian Opera Covent Garden written by Manfredo Maggioni and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nineteenth Century Short title Catalogue phase 1 1816 1870 written by and published by . This book was released on 1984 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalog of the Theatre and Drama Collections written by New York Public Library. Research Libraries and published by . This book was released on 1967 with total page 970 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionary Catalog of the Music Collection written by New York Public Library. Reference Department and published by . This book was released on 1964 with total page 866 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cyclopedia of Music Musicians written by John Denison Champlin and published by . This book was released on 1893 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Le Proph te written by Giacomo Meyerbeer and published by . This book was released on 1849 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Opera at Covent Garden written by Harold D. Rosenthal and published by London : Gollancz. This book was released on 1967 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book London Assurance written by Dion Boucicault and published by . This book was released on 1889 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Agamemnon in Performance 458 BC to AD 2004 written by Fiona Macintosh and published by Oxford University Press, USA. This book was released on 2005-12-08 with total page 501 pages. Available in PDF, EPUB and Kindle. Book excerpt: This interdisciplinary, multi-author volume is devoted to the performance reception of Aeschylus's 'Agamemnon', the first play in a trilogy. The eighteen essays trace the story of the impact of this seminal play, from its original performance in Athens, through ancient Rome and the European Renaissance until the present day.
Download or read book Foreign Opera at the London Playhouses written by Christina Fuhrmann and published by Cambridge University Press. This book was released on 2015-09-24 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: London operatic adaptations have been maligned, but this comprehensive study demonstrates their importance to theatre, opera and canon formation.
Download or read book Opera in London written by Theodore Fenner and published by SIU Press. This book was released on 1994 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
Download or read book Fashionable Acts written by Jennifer Hall-Witt and published by UPNE. This book was released on 2007 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: A vibrant look at changes in British elite culture through the lens of opera-going
Download or read book Morality and the Market in Victorian Britain written by Geoffrey Russell Searle and published by OUP Oxford. This book was released on 1998 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: How could Victorian capitalist values be harmonized with Christian beliefs and concepts of public morality and social duty? This book explores ideas about citizenship and public virtue and how public morality was reconciled with the market.
Download or read book Changing the Score written by Hilary Poriss and published by Oxford University Press. This book was released on 2009-08-26 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Download or read book Music in London written by Norman Lebrecht and published by White Lion Publishing. This book was released on 1992 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Athenian Captive written by Sir Thomas Noon Talfourd and published by . This book was released on 1838 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Classics and the Uses of Reception written by Charles Martindale and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This landmark collection presents a wide variety of viewpoints on the value and role of reception theory within the modern discipline of classics. A pioneering collection, looking at the role reception theory plays, or could play, within the modern discipline of classics. Emphasizes theoretical aspects of reception. Written by a wide range of contributors from young scholars to established figures, from Europe, the UK and the USA. Draws on material from many different fields, from translation studies to the visual arts, and from politics to performance. Sets the agenda for classics in the future.
