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Book Nina Pazza Per Amore

Download or read book Nina Pazza Per Amore written by Pietro Antonio Coppola and published by . This book was released on 1847 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Journal of Comparative Literature

Download or read book Journal of Comparative Literature written by George Edward Woodberry and published by . This book was released on 1903 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Journal of Comparative Literature

Download or read book Journal of Comparative Literature written by and published by . This book was released on 1903 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Landscape and Gender in Italian Opera

Download or read book Landscape and Gender in Italian Opera written by Emanuele Senici and published by Cambridge University Press. This book was released on 2005-08-11 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: An unusual look at Italian opera in the nineteenth century.

Book Music

    Book Details:
  • Author :
  • Publisher :
  • Release : 1900
  • ISBN :
  • Pages : 764 pages

Download or read book Music written by and published by . This book was released on 1900 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Essays on Opera  1750 1800

Download or read book Essays on Opera 1750 1800 written by JohnA. Rice and published by Routledge. This book was released on 2017-07-05 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.

Book Sentimental Opera

    Book Details:
  • Author : Stefano Castelvecchi
  • Publisher : Cambridge University Press
  • Release : 2013-10-24
  • ISBN : 0521632145
  • Pages : 298 pages

Download or read book Sentimental Opera written by Stefano Castelvecchi and published by Cambridge University Press. This book was released on 2013-10-24 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart.

Book A Mary Shelley Encyclopedia

Download or read book A Mary Shelley Encyclopedia written by Lucy Morrison and published by Bloomsbury Publishing USA. This book was released on 2003-06-30 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt: Frankenstein is one of the most popular classroom texts in high school and college, and Shelley's other works are attracting renewed attention. This reference is a comprehensive guide to her life and career. Included are hundreds of alphabetically arranged entries about her works, friends, relatives, residences, fictional characters, allusions, and more. Mary Shelley has only recently emerged from the shadows of her famous parents, Mary Wollstonecraft and William Godwin, and that of her husband, Percy Bysshe Shelley. Today, Frankenstein (1818, 1831) is one of the most popular classroom texts in high school and college, and Mary Shelley's other works are attracting renewed attention. These works reveal much about the Romantic literary period and Shelley's ongoing development as a writer. In addition to her novels, Shelley wrote short stories, poems, and dramas. These texts illustrate the difficulties of a shifting literary marketplace, while her travel writings illuminate her rich personal experiences and keen intellect. This reference is a comprehensive guide to her life and career. Included are hundreds of alphabetically arranged entries about her works, friends, relatives, residences, fictional characters, allusions, and more. Some entries briefly identify and contextualize their topics, while others offer more extensive discussions. Many entries cite sources of further information, and the volume closes with a bibliography. The work is fully cross-referenced and includes a detailed index and an appendix that discusses the sources of Shelley's quotations.

Book The Man Verdi

Download or read book The Man Verdi written by Frank Walker and published by University of Chicago Press. This book was released on 1982 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this classic biography of composer Giuseppe Verdi, Frank Walker reveals Verdi the man through his connections with the individuals who knew him best. “Walker focuses on some of the more significant people in Verdi’s life and carefully scrutinizes his relationships with them. His wife, Giuseppina Strepponi; his student and amanuensis, Emanuele Muzio; the conductor who first fully understood Verdi’s mature art, Angelo Mariani; the great prima donna, Teresa Stolz; the incomparable librettist and friend of his old age, Arrigo Boito—each passes before our eyes in Walker’s meticulous reconstruction. As we learn more about them, we learn more about Verdi. We see him through the eyes of his closest friends, we watch his daily activities, his daily thoughts, his habits, his warmth, his domestic tyranny. The myth dissolves and a human being stands before us.”—Philip Gossett, from the introduction

Book Catalog of Pre 1900 Vocal Manuscripts in the Music Library  University of California at Berkeley

Download or read book Catalog of Pre 1900 Vocal Manuscripts in the Music Library University of California at Berkeley written by John A. Emerson and published by Univ of California Press. This book was released on 2023-07-28 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

Book Supplement to the Musical Library

Download or read book Supplement to the Musical Library written by and published by . This book was released on 1834 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Catalogue of Printed Music in the Library of the Royal College of Music  London

Download or read book Catalogue of Printed Music in the Library of the Royal College of Music London written by Royal College of Music (Great Britain) and published by . This book was released on 1909 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Historical Dictionary of Opera

Download or read book Historical Dictionary of Opera written by Scott L. Balthazar and published by Scarecrow Press. This book was released on 2013-07-05 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.

Book The Cambridge Companion to Eighteenth Century Opera

Download or read book The Cambridge Companion to Eighteenth Century Opera written by Anthony R. DelDonna and published by Cambridge University Press. This book was released on 2009-06-25 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.

Book Op  ra Comique

    Book Details:
  • Author : Robert Ignatius Letellier
  • Publisher : Cambridge Scholars Publishing
  • Release : 2010-04-16
  • ISBN : 1443821683
  • Pages : 780 pages

Download or read book Op ra Comique written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2010-04-16 with total page 780 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en vaudevilles, that were a feature of the theatres held at the seasonal Parisian fairs of St Germain and St Laurent, and of the Comédie-Italienne. The similarity of the entertainments provided by the Comédie-Italienne and the fairs resulted in their amalgamation on 3 February 1756, when they established a theatre for their joint productions, the Hôtel Bourgogne. Their type of entertainment, combining existing popular tunes with spoken sections, lent its generic name to this house, which, regardless of its changing venue, would become known as the Opéra-Comique. The genre of opéra-comique exercised a powerful popular appeal because of its unique fusion of fixed musical form with fluid improvised dialogue. The well-known airs of the day, invariably strophic, came to be the genre’s staple medium of artistic expression—the couplets. But opéra-comique was not necessarily comic or light in nature. Indeed, the most famous example, Bizet’s Carmen (1875), is a tragedy. The genre, with its unique mixture of comedy and drama, its captivating musical fluency, its handling of serious and Romantic themes—expertly crafted by its most famous librettist Augustin-Eugène Scribe (1791-1861)—became universally popular in the masterpieces of its heyday between 1820 and 1870: Adrien Boieldieu’s La Dame blanche (1825), Daniel-François-Esprit Auber’s Fra Diavolo (1830) and Le Domino noir (1837), Ferdinand Hérold’s Zampa (1831) and Le Pré aux clercs (1832), Fromental Halévy’s L’Éclair (1835) and Ambroise Thomas’s Mignon (1866). The history of the opéra-comique between 1762 and 1915 reflects the political and cultural life of France—from the last days of the ancien régime, through the tumult of the Revolution and Napoleonic era, the July Monarchy and Second Empire, to the shattering defeat of France by Prussia in 1870. After this, apart from isolated works (by Bizet, Delibes, Offenbach, Massenet), new works by the younger generation of musicians now tended to be French adaptations of the Wagnerian aesthetic and the record of success is very thin. Hardly any native French works in this imitative mode premiered at the Opéra-Comique between 1870 and 1915 have survived—apart from Debussy’s unique Pelléas et Mélisande (1902). This study serves as a sourcebook for this very French genre, with details of forgotten composers, their operas—performance dates, plot summaries, the singers who created them, the names of important numbers in the works (from libretti and scores that are either now to be found only in the Paris libraries, or are lost completely), often with contemporary observations about the reception of particular works, the effectiveness of their dramaturgy and music. It provides a resource for operatic culture and convention, from the late 18th to the early 20th centuries. The record of the fortunes of the Opéra-Comique provides a way into the changing culture and aesthetic values of an age.

Book Literary Gazette and Journal of Belles Lettres  Arts  Sciences  Etc

Download or read book Literary Gazette and Journal of Belles Lettres Arts Sciences Etc written by William Jerdan and published by . This book was released on 1818 with total page 860 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Music  Neurology  and Neuroscience  Historical Connections and Perspectives

Download or read book Music Neurology and Neuroscience Historical Connections and Perspectives written by and published by Elsevier. This book was released on 2015-02-12 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music, Neurology, and Neuroscience: Historical Connections and Perspectives provides a broad and comprehensive discussion of history and new discoveries regarding music and the brain, presenting a multidisciplinary overview on music processing, its effects on brain plasticity, and the healing power of music in neurological and psychiatric disorders. In this context, the disorders that plagued famous musicians and how they affected both performance and composition are critically discussed, as is music as medicine and its potential health hazard. Additional topics, including the way music fits into early conceptions of localization of function in the brain, its cultural roots in evolution, and its important roles in societies and educational systems are also explored. - Examines music and the brain both historically and in the light of the latest research findings - The largest and most comprehensive volume on "music and neurology" ever written - Written by a unique group of real world experts representing a variety of fields, ranging from history of science and medicine, to neurology and musicology - Includes a discussion of the way music has cultural roots in evolution and its important role in societies