Download or read book La Gran enciclopedia de Puerto Rico M sica written by and published by . This book was released on 1976 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La gran enciclopedia de Puerto Rico written by and published by . This book was released on 1981 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La Gran enciclopedia de Puerto Rico Mus ca written by and published by . This book was released on 1976 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book M sica written by Vicente Báez and published by . This book was released on 1981 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music in Latin America and the Caribbean An Encyclopedic History REANNOUNCE F05 Volume 2 Performing the Caribbean Experience written by Kuss, Malena and published by University of Texas Press. This book was released on with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: The music of the peoples of South and Central America, Mexico, and the Caribbean is treated with unprecedented breadth in this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. From these texts, music emerges as the powerful tool that negotiates identities, enacts resistance, performs beliefs, and challenges received aesthetics. More than two decades in the making, this work privileges the perspectives of cultural insiders and emphasizes the role that music plays in human life. Volume 2, Performing the Caribbean Experience, focuses on the reconfiguration of this complex soundscape after the Conquest and on the strategies by which groups from distant worlds reconstructed traditions, assigning new meanings to fragments of memory and welding a fascinating variety of unique Creole cultures. Shaped by an enduring African presence and the experience of slavery and colonization by the Spanish, French, British, and Dutch, peoples of the Caribbean islands and circum-Caribbean territories resorted to the power of music to mirror their history, assert identity, gain freedom, and transcend their experience in lasting musical messages. Essays on pan-Caribbean themes, surveys of traditions, and riveting personal accounts capture the essence of pluralistic and spiritualized brands of creativity through the voices of an unprecedented number of Caribbean authors, including a representative contingent of distinguished Cuban scholars whose work is being published in English translation for the first time in this book. Two CDs with 52 recorded examples illustrate the contributions to this volume.
Download or read book Made in Puerto Rico written by Hugo R. Viera-Vargas and published by Taylor & Francis. This book was released on 2024-10-01 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Made in Puerto Rico: Studies in Popular Music serves as a comprehensive introduction to the history, culture, and musicology of 20th and 21st century popular music in Puerto Rico. The essays in this volume, written by both local experts and leading scholars, contextualize under-researched areas of Puerto Rican popular music-making in relation to ideologies, aesthetics, and symbolism, and propose new ways of thinking about Puerto Rican musical cultures. A groundbreaking introduction to Puerto Rican musical culture, the volume covers the major figures, styles, and social contexts of popular music in Puerto Rico, while also going beyond conventional narratives. Rather than simply providing histories of key genres, these insightful essays focus on the ways in which Puerto Rican musicians reimagine their distinctive musical language as it transmutes from local practices into global expressions. Offering both a survey of Puerto Rican popular music and pathways into deeper critical inquiry, Made in Puerto Rico is an essential resource for scholars and students of music and of Puerto Rican, Caribbean, Latin American, and African Diaspora Studies.
Download or read book Music Education in the Caribbean and Latin America written by Raymond Torres-Santos and published by Rowman & Littlefield. This book was released on 2017-01-13 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Education in the Caribbean and Latin America: A Comprehensive Guide, features music education from twenty of the most important Latin American countries and Caribbean islands. The islands and countries represented are: Central America: Costa Rica, El Salvador, Guatemala, México, Nicaragua and Panamá South America: Argentina, Brazil, Chile, Colombia, Ecuador, Perú, Uruguay and Venezuela Caribbean: Cuba, Dominican Republic, Jamaica, Puerto Rico and Trinidad and Tobago Each chapter will address some -or all- of the following aspects: the early days, music education in Roman Catholic education/convents, Protestant education, public school/music in the schools, cultural life, music in the community, teacher training, private teaching, conservatory and other institutions, music in university/higher education, instrumental and vocal music, festivals and competitions, teacher education and curriculum development, and professional organizations.
Download or read book Jes s Mar a Sanrom written by Alberto Hernández and published by Scarecrow Press. This book was released on 2008-05-02 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Puerto Rican born Jesús María Sanromá (1902-1984) was one of the leading pianists in the United States. After graduating from the New England Conservatory, he embarked on an enviable concert career as official pianist for the Boston Symphony Orchestra, as well as soloist with other leading American orchestras. He was an accompanist, a recording artist, and a teacher, and he also stimulated and commissioned composers to write new music, fueled by his eagerness to present it to the general public. Jesús María Sanromá: An American Twentieth-Century Pianist is the first biography of this talented performer and one of the first books written about a native Puerto Rican classical musician. The book depicts many facets of Sanromá's life: his youth in Puerto Rico; his training at the Conservatory and abroad; his amazing concert career and collaboration with first-class musicians, conductors, and composers; his historical performances and recordings; and the zenith of his musical life when he returned home. Alberto Hernández provides abundant information about Sanromá's life, career, and professional relationships, uniquely documenting the pianist's close association and collaboration with Paul Hindemith, Serge Koussevitzky, Walter Piston, Nicolas Slonimsky, Vladimir Dukelsky, Mrs. Edward MacDowell, Arthur Fiedler, William Primrose, and many others. Two appendixes offer the complete sound archives and a list of Sanromá's impressive orchestra repertory, making this book a valuable reference as well as an informative read for music lovers and students of American and Latin American history.
Download or read book My Music Is My Flag written by Ruth Glasser and published by Univ of California Press. This book was released on 1997-05-23 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape. Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music. Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text.
Download or read book Salsiology written by Vernon Boggs and published by . This book was released on 1992 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Boggs presents a readable, exciting history of Salsa, showing how Afro-Cuban music was embraced in New York City and how it has undergone cycles of popularity and been replicated abroad. From its roots in Cuba through present-day Salsa clubs, Boggs provides a tour of a popular music form that has had a significant impact on the Latin community as well as contemporary musicians and composers. Extensively illustrated with photographs of the bands and clubs as well as the key leaders and promoters, the book also contains interviews with top performers and others instrumental in making salsa what it is today.
Download or read book Music in Latin America and the Caribbean An Encyclopedic History written by Malena Kuss and published by Joe R. and Teresa Lozano Long. This book was released on 2004 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: The music of the peoples of South and Central America, Mexico, and the Caribbean has never received a comprehensive treatment in English until this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, Creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Within a history marked by cultural encounters and dislocations, music emerges as the powerful tool that negotiates identities, enacts resistance, performs belief, and challenges received aesthetics. This work, more than two decades in the making, was conceived as part of "The Universe of Music: A History" project, initiated by and developed in cooperation with the International Music Council, with the goals of empowering Latin Americans and Caribbeans to shape their own musical history and emphasizing the role that music plays in human life. The four volumes that constitute this work are structured as parts of a single conception and gather 150 contributions by more than 100 distinguished scholars representing 36 countries. Volume 1, Performing Beliefs: Indigenous Cultures of South America, Central America, and Mexico, focuses on the inextricable relationships between worldviews and musical experience in the current practices of indigenous groups. Worldviews are built into, among other things, how music is organized and performed, how musical instruments are constructed and when they are played, choreographic formations, the structure of songs, the assignment of gender to instruments, and ritual patterns. Volume 2, Performing the Caribbean Experience, focuses on the reconfiguration of this complex soundscape after the Conquest and on the strategies by which groups from distant worlds reconstructed traditions, assigning new meanings to fragments of memory and welding a fascinating variety of unique Creole cultures. Shaped by an enduring African presence and the experience of slavery and colonization by the Spanish, French, British, and Dutch, peoples of the Caribbean islands and circum-Caribbean territories resorted to the power of music to mirror their history, assert identity, gain freedom, and transcend their experience in lasting musical messages. Essays on pan-Caribbean themes, surveys of traditions, and riveting personal accounts capture the essence of pluralistic and spiritualized brands of creativity through the voices of an unprecedented number of Caribbean authors, including a representative contingent of distinguished Cuban scholars whose work is being published in English translation for the first time in this book. Two CDs with 52 recorded examples illustrate the contributions to this volume. [Publisher description].
Download or read book Latin American Music Review written by and published by . This book was released on 2008 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gran enciclopedia de la m sica written by and published by . This book was released on 1995 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Louis Moreau Gottschalk written by S. Frederick Starr and published by University of Illinois Press. This book was released on 2000 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Innovating American composer, virtuoso pianist, and swashbuckling Romantic hero, Louis Moreau Gottschalk produced immensely popular works combining the French, Hispanic, and African influences of his native New Orleans. Many of his syncopated compositions anticipated ragtime by half a century. S. Frederick Starr's biography, originally published as Bamboula!, is the most extensive chronicle available of Gottschalk's eventful life. Starr examines Gottshalk's music, his frenetic life on the road, his virtuosity as a performer, his effect on his audiences, and the scandals surrounding his romantic dalliances. He also reveals a generous and compassionate man who sponsored a host of young musicians and provided financial support for his many siblings."
Download or read book Barrios and Borderlands written by Denis Lynn Daly Heyck and published by Routledge. This book was released on 2014-02-25 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique anthology highlights the diversity of Latino cultural expressions and points out the distinctive features of the three major Latino populations: Mexican, Puerto Rican and Cuban. It is organized around six central cultural issues: family, religion, community, the arts, (im)migration and exile, and cultural identity. Each chapter focuses on a particular theme by presenting readings from a variety of genres, including short stories, poems, essays, excerpts from novels, a play, photographs, even a few songs and recipes.
Download or read book Early Romantic Era written by Alexander L. Ringer and published by Springer. This book was released on 2016-01-08 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of a series examining the development of music in specific places during particular times. This volume looks at the development of music in the early Romantic era, 1789-1849, in Paris, Berlin, Dresden, Leipzig, London, Italy, the USA, Moscow, St Petersburg and Latin America.
Download or read book Ethnomusicology written by Helen Myers and published by W. W. Norton & Company. This book was released on 1993 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt: Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.
