Download or read book La Caccia di Enrico IV or Henry the IVth of France s hunting party An heroi comic opera in two acts etc Ital Eng written by B. Serafino BUONAIUTI and published by . This book was released on 1812 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book La Caccia di Enrico IV or Henry the IVth of France s Hunting Party An heroi comic opera in two acts taken from a comedy by Monsieur Coll by S Buonaiuti totally altered and re written as represented at the King s Theatre etc Ital Eng written by Charles COLLÉ and published by . This book was released on 1809 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary catalogue of Operas and Operettas which Have Been Performed on the Public Stage written by John Towers and published by . This book was released on 1910 with total page 1056 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of Opera Librettos Printed Before 1800 written by Library of Congress. Music Division and published by . This book was released on 1914 with total page 1196 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A History of Early Ninteenth Century Drama 1800 1850 written by and published by CUP Archive. This book was released on with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Opera in the Tropics written by Rogério Budasz and published by Oxford University Press. This book was released on 2019-03-22 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different purposes, at the hands of missionaries, intellectuals, bureaucrats, political leaders, and cultural producers. While Budasz demonstrates a continuity from Portuguese theatrical practices, primarily through the circulation of artists and repertory, he also examines a number of localized departures from the metropolitan model, particularly in the ethnic and gender profile of theatrical workers, in the modifications determined by local tastes, priorities, and materials, and in the political use of theater as an ideological and civilizing tool within the paradoxical context of a slave society. An eye-opening narrative of the transformations and uses of a colonial art form, Opera in the Tropics will be essential reading for all interested in the music and theater in Iberian and Latin American culture.

Download or read book Catalogue of Printed Books written by and published by . This book was released on 1885 with total page 598 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of Printed Books in the Library of the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1885 with total page 1082 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Harmonicon written by and published by . This book was released on 1830 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Harmonicon written by William Ayrton and published by . This book was released on 1830 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1881 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary catalogue of Operas and Operettas Dictionary of operas and operettas written by John Towers and published by . This book was released on 1967 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary catalogue of Operas and Operettas which Have Been Performed on the Public Stage Catalogue of operas and operettas written by and published by . This book was released on 1910 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Mime Music and Drama on the Eighteenth Century Stage written by Edward Nye and published by Cambridge University Press. This book was released on 2011-07-21 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.

Download or read book The Letters of Samuel Wesley written by Samuel Wesley and published by OUP Oxford. This book was released on 2001 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: Samuel Wesley (1766-1837) was the son of the hymn-writer Charles Wesley and the nephew of John Wesley, the founder of Methodism. He was one of the leading composers in late eighteenth- and early nineteenth-century England, and the finest organist of his day. He was also a misfit and a rebel, renowned for his outspoken views, his frequently wild behavior, and his irregular personal life. His music has become increasingly well known in recent years, and these letters to his friends and fellow musicians, over 400 of which are gathered together here for the first time, present both a witty, perceptive, and unparalleled portrait of Wesley the man, and an insiders view of life in the music profession in London in the early nineteenth-century.

Download or read book Music Entries at Stationers Hall 1710 1818 written by Michael Kassler and published by Routledge. This book was released on 2016-04-29 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.

Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark and published by Oxford University Press, USA. This book was released on 2020 with total page 639 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been controversial, not only because of how vastly expensive it is to produce. It has historically been a vital and complex mixture of high art and commerce, socially elite and popular or middle-class, the new and the increasingly old. When a city wants a new landmark building, an opera house is very often the solution: why should this still be the case? The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by looking at how it evolved from a market entirely driven by novelty to one of the most arthritically canonic art forms still in existence. This new collection addresses questions that are key to opera's past, present and future. Why is the art form apparently so arthritically canonical, with the top ten titles, all more than a century old, accounting for nearly a quarter of all performances world-wide? Why is this top-heavy system of production becoming still more restrictive, even while the repertory is seemingly expanding, notably to include early music? Why did the operatic canon evolve so differently from that of concert music? And why has that evolution attracted so comparatively little attention from scholars? Why, finally, if opera houses all over the world are dutifully honoring their audiences' loyalty to these favorite works, are they having to struggle so hard financially? Answers to these and other problems are offered here by 26 musicologists, historians, and industry professionals working in a wide range of contexts. Topics range from the seventeenth century to the present day, and from Russia to England and continental Europe to the Americas. In an effort to reflect the contested nature of most of the issues facing opera, each topic is addressed by two essays, introduced jointly by the respective authors, and followed by a jointly compiled list of further reading. These paired essays complement each other in different ways: for example, by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions and expectations, and breathes fresh air into the fields of music and cultural history.