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Book The European Illustrated Press and the Emergence of a Transnational Visual Culture of the News  1842 1870

Download or read book The European Illustrated Press and the Emergence of a Transnational Visual Culture of the News 1842 1870 written by Thomas Smits and published by Routledge. This book was released on 2019-12-05 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at the roots of a global visual news culture: the trade in illustrations of the news between European illustrated newspapers in the mid-nineteenth century. In the age of nationalism, we might suspect these publications to be filled with nationally produced content, supporting a national imagined community. However, the large-scale transnational trade in illustrations, which this book uncovers, points out that nineteenth-century news consumers already looked at the same world. By exchanging images, European illustrated newspapers provided them with a shared, transnational, experience.

Book Displaying the Orient

    Book Details:
  • Author : Zeynep Ç Elik
  • Publisher : Univ of California Press
  • Release : 1992-01-01
  • ISBN : 9780520074941
  • Pages : 268 pages

Download or read book Displaying the Orient written by Zeynep Ç Elik and published by Univ of California Press. This book was released on 1992-01-01 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.

Book The Printed and the Built

Download or read book The Printed and the Built written by Mari Hvattum and published by Bloomsbury Publishing. This book was released on 2018-06-28 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Printed and the Built explores the intricate relationship between architecture and printed media in the fast-changing nineteenth century. Publication history is a rapidly expanding scholarly field which has profoundly influenced architectural history in recent years. Yet, while groundbreaking work has been done on architecture and printing in the Renaissance, the Enlightenment, and the twentieth century, the nineteenth century has received little attention. This is the omission that The Printed and the Built seeks to address, thus filling a significant gap in the understanding of architecture's cultural history. Lavishly illustrated with colourful and eclectic visual material, from panoramas to printed ephemera, adverts, penny magazines, early photography, and even crime reportage, The Printed and the Built consists of five in-depth thematic essays accompanied by 25 short pieces, each examining a particular printed form. Altogether, they illustrate how new genres communicated architecture to a mass audience, setting the stage for the modern architectural era.

Book Architecture of Instruction and Delight

Download or read book Architecture of Instruction and Delight written by Pieter van Wesemael and published by 010 Publishers. This book was released on 2001 with total page 856 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Scrapbook of Illustrations Relating to the Exposition Universelle  Paris  1867

Download or read book Scrapbook of Illustrations Relating to the Exposition Universelle Paris 1867 written by and published by . This book was released on 1851 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book First Proofs of the Universal Catalogue of Books on Art

Download or read book First Proofs of the Universal Catalogue of Books on Art written by National Art Library (Great Britain) and published by . This book was released on 1870 with total page 1142 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Supplement to the Universal Catalogue of Books on Art

Download or read book Supplement to the Universal Catalogue of Books on Art written by National Art Library (Great Britain) and published by . This book was released on 1877 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A list of books in the National art library illustrating furniture

Download or read book A list of books in the National art library illustrating furniture written by Victoria and Albert museum libr and published by . This book was released on 1885 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book L Exposition universelle de 1867 illustre  e  Tome 1

Download or read book L Exposition universelle de 1867 illustre e Tome 1 written by Exposition Universelle de 1867 À Paris and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Un aperçu complet de l'Exposition Universelle de 1867, qui s'est tenue à Paris. Inclus des illustrations en couleur et en noir et blanc de tous les pavillons, expositions et attractions de l'événement. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Book Universal Catalogue of Books on Art  L to Z

Download or read book Universal Catalogue of Books on Art L to Z written by National Art Library (Great Britain) and published by . This book was released on 1870 with total page 1140 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Exposition Universelle de 1867

Download or read book Exposition Universelle de 1867 written by and published by . This book was released on 1867 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The First Proofs of the Universal Catalogue of Books on Art

Download or read book The First Proofs of the Universal Catalogue of Books on Art written by Victoria and Albert museum (Londres). National art library and published by . This book was released on 1877 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Great World s Fairs and Expositions

Download or read book The Great World s Fairs and Expositions written by and published by . This book was released on 1986 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Daumier and Exoticism

    Book Details:
  • Author : Elizabeth C. Childs
  • Publisher : Peter Lang
  • Release : 2004
  • ISBN : 9780820469454
  • Pages : 276 pages

Download or read book Daumier and Exoticism written by Elizabeth C. Childs and published by Peter Lang. This book was released on 2004 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Best known as a satirist of Parisian politics and daily life, Honoré Daumier (1808-1879) was a prolific caricaturist. This book is the first to examine the role of exoticism in his art, and to offer a detailed history of the journal Le Charivari in which the lithographs appeared. These satires of China, Haiti, the United States, Africa, and the Middle East not only target the theater of international politics, but also draw on a broad range of physical stereotypes supported by contemporary ideas about race and cultural difference. In an art of comic inversion, Daumier used the exotic to expose the foibles and pretensions of the Parisian bourgeoisie. A pacifist and a Republican, Daumier also satirized the non-European world in order to covertly attack the imperialism of Napoléon III in an age of press censorship. Idealistic as well as pragmatic, he used humor to stage political critique as well as to envision a more unified and compassionate world.

Book The Rise of Heritage

    Book Details:
  • Author : Astrid Swenson
  • Publisher : Cambridge University Press
  • Release : 2013-12-19
  • ISBN : 0521117623
  • Pages : 433 pages

Download or read book The Rise of Heritage written by Astrid Swenson and published by Cambridge University Press. This book was released on 2013-12-19 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.

Book Reports of the United States Commissioners to the Paris Universal Exposition  1867

Download or read book Reports of the United States Commissioners to the Paris Universal Exposition 1867 written by Universal Exhibition (1867, Paris) and published by . This book was released on 1870 with total page 802 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Painting of Modern Life

Download or read book The Painting of Modern Life written by T.J. Clark and published by Knopf. This book was released on 2017-06-28 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.