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Book Juan Bermudo

    Book Details:
  • Author : R. Stevenson
  • Publisher : Springer Science & Business Media
  • Release : 2012-12-06
  • ISBN : 940150735X
  • Pages : 152 pages

Download or read book Juan Bermudo written by R. Stevenson and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: BERMUDO alone of the many Spanish theorists and composers of the 16th century seems to have written anything specifically for New World use. All the more fitting is it, then, to have completed this monograph in a part of the Spanish Indies that was stirring every Andalusian's imagination during the days when he was first sending his books across the Atlantic. In every way his was a remarkable personality. He was the first to compose and publish any organ music in Spain. As if the publication of such music in staff-notation were not enough he also published the first Spanish keyboard piece in tablature. He was the first in Spain to print any music in score. He is cited by Pincherle as the first to publish a harp method anywhere. He pioneered with the first treatise specifically designed for female use. He also "enjoys" the distinction of having become in Tapia's Verge! de Musica (1570) the most ruthlessly plagiarized writer in Spanish musical history. If bulk determines preeminence he stands above even Tomas de Santa Maria - who published only one volume, and that containing considerably less text. If range of interests determines rank no one else writing in Spanish during his century even approaches him. Nor does anyone else in Spanish have so many authorities at his fingertips.

Book Juan Bermudo   Mit Notenbeisp     The Hague  Nijhoff 1960  97 S  4

Download or read book Juan Bermudo Mit Notenbeisp The Hague Nijhoff 1960 97 S 4 written by Robert Stevenson and published by Hague : M. Nijhoff. This book was released on 1960 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Spanish Music Ficta According to Juan Bermudo

Download or read book Spanish Music Ficta According to Juan Bermudo written by Joan Brooks Wallace Myers and published by . This book was released on 1966 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Music Education in the Middle Ages and the Renaissance

Download or read book Music Education in the Middle Ages and the Renaissance written by Susan Forscher Weiss and published by Indiana University Press. This book was released on 2010-07-16 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.

Book The Organ

Download or read book The Organ written by Douglas Earl Bush and published by Psychology Press. This book was released on 2006 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt: Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.

Book The Guitar and Its Music

Download or read book The Guitar and Its Music written by James Tyler and published by . This book was released on 2002 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.

Book Heinrich Schenker

    Book Details:
  • Author :
  • Publisher : Pendragon Press
  • Release : 1978
  • ISBN : 9780918728999
  • Pages : 572 pages

Download or read book Heinrich Schenker written by and published by Pendragon Press. This book was released on 1978 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.

Book Tuning  Temperament and Pedagogy for the Vihuela in Juan Bermudo s Declaracion de Instrumentos Musicales  1555

Download or read book Tuning Temperament and Pedagogy for the Vihuela in Juan Bermudo s Declaracion de Instrumentos Musicales 1555 written by Maria Therese Annoni and published by . This book was released on 1989 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Musical Offering

    Book Details:
  • Author : Martin Bernstein
  • Publisher : Pendragon Press
  • Release : 1977
  • ISBN : 9780945193838
  • Pages : 784 pages

Download or read book A Musical Offering written by Martin Bernstein and published by Pendragon Press. This book was released on 1977 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the great tradition of the German Festschrift, this book brings together articles by Professor Bernstein's colleagues, friends and students to honor him on his 70th birthday. Ranging in subject from the trouv e song through esoteric aspects of Renaissance studies and authenticity in 18th-century musical sources to a lively and irreverent attack on performance practices today, the twenty essays by many of America's most distinguished scholars reflect the breadth and variety of Martin Bernstein's far-reaching interests and demonstrates the vitality and relevance of what is best in musicology today.

Book The Harpsichord and Clavichord

Download or read book The Harpsichord and Clavichord written by Igor Kipnis and published by Routledge. This book was released on 2013-04-15 with total page 1323 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.

Book The History of Keyboard Music to 1700

Download or read book The History of Keyboard Music to 1700 written by Willi Apel and published by Indiana University Press. This book was released on 1997 with total page 900 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic work is a meticulous chronological survey of music for the keyboard from the earliest extant manuscripts of the 14th century to the end of the 17th. Apel traces the evolution of keyboard instruments, genres, national schools and styles (from Poland to Portugal), and the oeuvre of many composers. A monument of scholarship, this indispensable reference work is also remarkably user-friendly and engagingly written throughout.

Book The Organ

    Book Details:
  • Author : Douglas Bush
  • Publisher : Routledge
  • Release : 2004-06
  • ISBN : 1135947961
  • Pages : 694 pages

Download or read book The Organ written by Douglas Bush and published by Routledge. This book was released on 2004-06 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.

Book Adrian Willaert and the Theory of Interval Affect

Download or read book Adrian Willaert and the Theory of Interval Affect written by Timothy R. McKinney and published by Routledge. This book was released on 2016-03-23 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This "theory of interval affect" originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations "major" and "minor" no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of "majorness" or "minorness" that could be manipulated for expressive purposes. This book engages with the madrigals of Willaert's landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaert's theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.

Book The Baroque Guitar in Spain and The New World

Download or read book The Baroque Guitar in Spain and The New World written by Frank Koonce and published by Mel Bay Publications. This book was released on 2010-10-07 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. for the uninitiated, just knowing where to start can be difficult.This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar.

Book The erudition of Pedro Cerone  about some non musical sources of   El melopeo y maestro  1613

Download or read book The erudition of Pedro Cerone about some non musical sources of El melopeo y maestro 1613 written by Christophe DUPRAZ and published by Ediciones Universidad de Salamanca. This book was released on 2014-07-04 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Interpreting Historical Keyboard Music

Download or read book Interpreting Historical Keyboard Music written by Andrew Woolley and published by Routledge. This book was released on 2016-05-23 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.

Book Reforming Music

    Book Details:
  • Author : Chiara Bertoglio
  • Publisher : Walter de Gruyter GmbH & Co KG
  • Release : 2017-03-06
  • ISBN : 3110520818
  • Pages : 871 pages

Download or read book Reforming Music written by Chiara Bertoglio and published by Walter de Gruyter GmbH & Co KG. This book was released on 2017-03-06 with total page 871 pages. Available in PDF, EPUB and Kindle. Book excerpt: Five hundred years ago a monk nailed his theses to a church gate in Wittenberg. The sound of Luther’s mythical hammer, however, was by no means the only aural manifestation of the religious Reformations. This book describes the birth of Lutheran Chorales and Calvinist Psalmody; of how music was practised by Catholic nuns, Lutheran schoolchildren, battling Huguenots, missionaries and martyrs, cardinals at Trent and heretics in hiding, at a time when Palestrina, Lasso and Tallis were composing their masterpieces, and forbidden songs were concealed, smuggled and sung in taverns and princely courts alike. Music expressed faith in the Evangelicals’ emerging worships and in the Catholics’ ancient rites; through it new beliefs were spread and heresy countered; analysed by humanist theorists, it comforted and consoled miners, housewives and persecuted preachers; it was both the symbol of new, conflicting identities and the only surviving trace of a lost unity of faith. The music of the Reformations, thus, was music reformed, music reforming and the reform of music: this book shows what the Reformations sounded like, and how music became one of the protagonists in the religious conflicts of the sixteenth century.