Download or read book Jorge Otero Pailos written by Eva Ebersberger and published by . This book was released on 2009 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Estoy interesado en cómo hacemos la transición como personas de una fase de la vida a otra, y como culturas de un período histórico a otro. Las transiciones son a menudo difíciles, tal vez incluso atemorizantes." Con esta presentación, podemos imaginar que el trabajo del arquitecto artista Jorge Otero-Pailos será diferente, especialmente respecto a cómo entendemos el paso del tiempo de la arquitectura en la historia. "The Ethics of Dust" evidencia la limpieza del polvo y los residuos de contaminación de reconocidos edificios y monumentos históricos. Haciendo visible lo invisible.
Download or read book Experimental Preservation written by Jorge Otero-Pailos and published by Lars Muller Publishers. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Old things, historic things, smelly dirty things, all the things that were considered the very opposite of 'contemporary, ' have suddenly irrupted forcefully into architecture and art, blurring their boundaries. This book takes stock of the emerging generation behind this turn, and examines their experimental engagements with the preservation of culturally charged objects. Structured around a series of interdisciplinary dialogues among practitioners and thinkers, and illustrated with recent projects, the book provides a window into the unfolding intellectual frameworks, aesthetic modes, cultural ambitions, and political commitments that are the basis of experimental preservation.
Download or read book Architecture s Historical Turn written by Jorge Otero-Pailos and published by . This book was released on 2010 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Architecture's Historical Turn traces the hidden history of architectural phenomenology, a movement that reflected a key turning point in the early phases of postmodernism and a legitimating source for those architects who first dared to confront history as an intellectual problem and not merely as a stylistic question. Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism's historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory--especially the theory of architectural history--a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory. Otero-Pailos reveals how, ultimately, the rise of architectural phenomenology played a crucial double role in the rise of postmodernism, creating the antimodern specter of a historical consciousness and offering the modern notion of essential experience as the means to defeat it.
Download or read book Distributed Monuments written by Jorge Otero-Pailos and published by . This book was released on 2021-10 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalogue of works by the artist Jorge Otero-Pailos, published on the occasion of the exhibition at Sapar Gallery June 18th - August 14th, 2021.
Download or read book Preservation is Overtaking Us written by Rem Koolhaas and published by . This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Preservation is Overtaking Us brings together two lectures given by Rem Koolhaas at Columbia University's Graduate School of Architecture, Planning and Preservation, along with a response (framed as a supplement to the original lectures) by Jorge Otero-Pailos. In the first essay Koolhaas describes alternative strategies for preserving Beijing, China. The second talk marks the inaugural Paul Spencer Byard lecture, named in celebration of the longtime professor of Historic Preservation at GSAPP. These two lectures trace key moments of Koolhaas' thinking on preservation, including his practice's entry into China and the commission to redevelop the State Hermitage Museum in St. Petersburg, Russia. In a format well known to Koolhaas' readers, Otero-Pailos reworks the lectures into a working manifesto, using it to interrogate OMA's work from within the discipline of preservation.
Download or read book Spatial Recall written by Marc Treib and published by Routledge. This book was released on 2013-09-13 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Architecture and designed landscapes serve as grand mnemonic devices that record and transmit vital aspects of culture and history. Spatial Recall casts a broad net over the concept of memory and gives a variety of perspectives from twelve internationally noted scholars, practicing designers, and artists such as Juhani Pallasmaa, Adriaan Geuze, Susan Schwartzenberg, Georges Descombes and Esther da Costa Meyer. Essays range from broad topics of message and audience to specific ones of landscape production. Beautifully illustrated, Spatial Recall is a comprehensive view of memory in the built environment, how we have read it in the past, and how we can create it in the future. Please note this is book is now printed digitally.
Download or read book The SAGE Handbook of Architectural Theory written by C. Greig Crysler and published by SAGE. This book was released on 2012-01-10 with total page 986 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Offers an intense scholarly experience in its comprehensiveness, its variety of voices and its formal organization... the editors took a risk, experimented and have delivered a much-needed resource that upends the status-quo." - Architectural Histories, journal of the European Architectural History Network "Architectural theory interweaves interdisciplinary understandings with different practices, intentions and ways of knowing. This handbook provides a lucid and comprehensive introduction to this challenging and shifting terrain, and will be of great interest to students, academics and practitioners alike." - Professor Iain Borden, UCL Bartlett School of Architecture "In this collection, architectural theory expands outward to interact with adjacent discourses such as sustainability, conservation, spatial practices, virtual technologies, and more. We have in The Handbook of Architectural Theory an example of the extreme generosity of architectural theory. It is a volume that designers and scholars of many stripes will welcome." - K. Michael Hays, Eliot Noyes Professor of Architectural Theory, Harvard University The SAGE Handbook of Architectural Theory documents and builds upon the most innovative developments in architectural theory over the last two decades. Bringing into dialogue a range of geographically, institutionally and historically competing positions, it examines and explores parallel debates in related fields. The book is divided into eight sections: Power/Difference/Embodiment Aesthetics/Pleasure/Excess Nation/World/Spectacle History/Memory/Tradition Design/Production/Practice Science/Technology/Virtuality Nature/Ecology/Sustainability City/Metropolis/Territory. Creating openings for future lines of inquiry and establishing the basis for new directions for education, research and practice, the book is organized around specific case studies to provide a critical, interpretive and speculative enquiry into the relevant debates in architectural theory.
Download or read book Log 31 written by Cynthia Davidson and published by . This book was released on 2014-06-16 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: [Spring / Summer 2014] New Ancients recognizes the sudden reappearance of history in the work of an emerging group of architects, curators, theorists, and, of course, historians. Drawing a parallel with the 17th-century quarrel between the Ancients and Moderns at the Academie française, guest editors Dora Epstein Jones and Bryony Roberts present the work of practitioners who explore the contemporary possibilities of history. This Spring/Summer 2014 issue particularly emphasizes drawing that synthesizes technology and precedent, including a Piranesi-inspired digital reimagining of Istanbul and an animated analytic drawing of Borromini¿s San Carlo alle Quattro Fontane linked via a QR code in the magazine.
Download or read book Log 42 written by Cynthia C. Davidson and published by . This book was released on 2018-02 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The baggage that phenomenology carries with it in architectural discourse is weighty," writes guest editor Bryan E. Norwood in Log 42. "This issue of Log aims to lighten the load, or at the very least redistribute it." Subtitled "Disorienting Phenomenology," the thematic 204-page Winter/Spring 2018 issue presents 18 essays by philosophers, theorists, art and architectural historians, and architects that range from Mark Jarzombek's close reading of the first three sentences in Husserl's Ideas: General Introduction to Pure Phenomenology to Caroline A. Jones's historical analysis of phantom phenomena in Doug Wheeler's work Synthetic Desert; from Charles L. Davis's speculations on an architectural phenomenology of blackness to Adrienne Brown's look at the role of space in producing racialization to Jos Boys's and Sun-Young Park's explorations of disability. In addition, Norwood - a philosopher/architectural historian - talks with Jorge Otero-Pailos, author of Architecture's Historical Turn: Phenomenology and the Rise of the Postmodern, a key reassessment of the idea of architectural phenomenology first put forth in the mid 20th century.As Norwood concludes, "Architecture doesn't need a phenomenology; it needs phenomenologies." Log 42 is a critical observation of those phenomenologies that reflects architecture's and society's increasing awareness of the sociocultural richness to be had in diversity.Also in this issue: Joseph Bedford rethinks the practice of phenomenology, Kevin Berry projects a new mode of being-in-the-world, Lisa Guenther infiltrates the gated community, Bruce Janz wonders about creativity, Rachel McCann exfoliates the flesh, Winifred E. Newman disputes disembodied visuality, Ginger Nolan historicizes the metahistorical, Dorothée Legrand suspends the reduction, Benjamin M. Roth seeks out meaninglessness, David Theodore inverts the Vitruvian Man, Dylan Trigg excavates a prehistory.
Download or read book The Explicit Material written by Hanna B. Hölling and published by BRILL. This book was released on 2019-05-20 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Explicit Material focuses on objects as complex constructs of material relations, and points to the increased blurring of boundaries between practices of conservation and curation, thereby announcing a shift in sensibilities and understanding of the objects’ material significance.
Download or read book Reuse Value written by Richard Brilliant and published by Routledge. This book was released on 2016-04-08 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a range of views on spolia and appropriation in art and architecture from fourth-century Rome to the late twentieth century. Using case studies from different historical moments and cultures, contributors test the limits of spolia as a critical category and seek to define its specific character in relation to other forms of artistic appropriation. Several authors explore the ethical issues raised by spoliation and their implications for the evaluation and interpretation of new work made with spolia. The contemporary fascination with spolia is part of a larger cultural preoccupation with reuse, recycling, appropriation and re-presentation in the Western world. All of these practices speak to a desire to make use of pre-existing artifacts (objects, images, expressions) for contemporary purposes. Several essays in this volume focus on the distinction between spolia and other forms of reused objects. While some authors prefer to elide such distinctions, others insist that spolia entail some form of taking, often violent, and a diminution of the source from which they are removed. The book opens with an essay by the scholar most responsible for the popularity of spolia studies in the later twentieth century, Arnold Esch, whose seminal article 'Spolien' was published in 1969. Subsequent essays treat late Roman antiquity, the Eastern Mediterranean and the Western Middle Ages, medieval and modern attitudes to spolia in Southern Asia, the Italian Renaissance, the European Enlightenment, modern America, and contemporary architecture and visual culture.
Download or read book Subnature written by David Gissen and published by Chronicle Books. This book was released on 2012-03-20 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: We are conditioned over time to regard environmental forces such as dust, mud, gas, smoke, debris, weeds, and insects as inimical to architecture. Much of today's discussion about sustainable and green design revolves around efforts to clean or filter out these primitive elements. While mostly the direct result of human habitation, these 'subnatural forces' are nothing new. In fact, our ability to manage these forces has long defined the limits of civilized life. From its origins, architecture has been engaged in both fighting and embracing these so-called destructive forces. In Subnature, David Gissen, author of our critically acclaimed Big and Green, examines experimental work by today's leading designers, scholars, philosophers, and biologists that rejects the idea that humans can somehow recreate a purely natural world, free of the untidy elements that actually constitute nature. Each chapter provides an examination of a particular form of subnature and its actualization in contemporary design practice. The exhilarating and at times unsettling work featured in Subnature suggests an alternative view of natural processes and ecosystems and their relationships to human society and architecture. R&Sie(n)'s Mosquito Bottleneck house in Trinidad uses a skin that actually attracts mosquitoes and moves them through the building, while keeping them separate from the occupants. In his building designs the architect Philippe Rahm draws the dank air from the earth and the gasses and moisture from our breath to define new forms of spatial experience. In his Underground House, Mollier House, and Omnisport Hall, Rahm forces us to consider the odor of soil and the emissions from our body as the natural context of a future architecture. [Cero 9]'s design for the Magic Mountain captures excess heat emitted from a power generator in Ames, Iowa, to fuel a rose garden that embellishes the industrial site and creates a natural mountain rising above the city's skyline. Subnature looks beyond LEED ratings, green roofs, and solar panels toward a progressive architecture based on a radical new conception of nature.
Download or read book Don t Follow the Wind written by Nikolaus Hirsch and published by National Geographic Books. This book was released on 2021-08-24 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documenting an invisible, inaccessible exhibition within the radioactive Fukushima exclusion zone. The twelfth volume of the Critical Spatial Practices series focuses on “Don’t Follow the Wind,” the acclaimed collaborative project situated in Fukushima’s radioactive exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible? The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public—the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades—a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers. This book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean. The project was codeveloped and curated by the collective Don’t Follow the Wind, whose members include Chim↑Pom, Kenji Kubota, Eva & Franco Mattes, and Jason Waite. The participating artists include Ai Weiwei, Chim↑Pom, Nikolaus Hirsch & Jorge Otero-Pailos, Meiro Koizumi, Eva & Franco Mattes, Grand Guignol Mirai, Aiko Miyanaga, Ahmet Öğüt, Trevor Paglen, Taryn Simon, Nobuaki Takekawa, and Kota Takeuchi.
Download or read book Climates written by James Graham and published by Lars Muller Publishers. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Climates: Architecture and the Planetary Imaginary brings together discussions and projects at the intersection of architecture and climate change. Comprehensive essays consider cultural values ascribed to climate and ask how climate influences our conception of what architecture is and does. 0Which materials and conceptual infrastructures render climate legible, knowable and actionable, and what are their spatial implications? How do these interrelated questions offer new vantage points on the architectural rami?cations of climate change at the interfaces between resiliency, sustainability and eco-technology? New approaches to understanding climate in architecture based on research as well as the work of leading practitioners make this forward-thinking book invaluable. 0.
Download or read book OfficeUS Agenda written by Eva Franch i Gilabert and published by Lars Muller Publishers. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The OfficeUS Atlas collects the exhibition research in an archive of nearly 1000 architectural projects. Organized according to individual firm histories, the Atlas documents the development of U.S. architectural offices working abroad from 1914 to the present. Offices and their projects are illustrated by over 1200 photographs and architectural drawings.
Download or read book Embodied Energy and Design written by David Benjamin and published by Lars Müller Publishers. This book was released on 2017 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Architecture is increasingly understood as a field of practice that is inextricably embedded in ecologies and energy systems, and yet embodied energy-the various forms of energy required to ex- tract raw matter, to produce and transport building materials, and to assemble a given building- remains largely under-explored in its ramifications for both design and environment. As operational energy has declined as a proportion of buildings' total energy consumption, embodied energy has become an essential site for further speculation and innovation. 'Embodied Energy and Design: Making Architecture between Metrics and Narratives' asks questions about the varying scales, methods of analysis, and opportunities through which we might reconsider the making of architecture in the context of global flows of energy and resources. 120 illustrations
Download or read book Architecture and Authorship written by Tim Anstey and published by Black Dog Pub Limited. This book was released on 2007 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Architecture and Authorship is a collection of 17 essays by leading international architectural historians that explore issues of authorship, ownership and 'copyright' in architecture. The book includes both contemporary and historical case studies, tracing how since the fifteenth century, architects and architectural movements have endeavoured to maintain their status by defending what they see as their own unique territory - the origins and intentions of their work, and their signature style. Case studies include domestic space; eighteenth century landscape gardens; the Berlin of the late nineteenth and early twentieth century; postmodernism and the 'Death of the Author'. The book also explores the work of luminaries from Ernst Neufert and Cedric Price to Lewis Caroll, Rem Koolhaas, and Peter Eisenman. The result of the Annual Meeting of The Society of Architectural Historians held in Vancouver in 2005, Architecture and Authorship is global in scope and farreaching in its implications. An alternative look at the history and culture of architecture, Architecture and Authorship includes original research into themes that are of increasing importance to contemporary architectural theory and practice relating to indemnity, ownership, gender, and the writing of history.
