Download or read book Jaroslav R ssler Drawing and Paintings written by Jaroslav Rössler and published by Kant. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A protagonist of Czech avant-garde photography, Jaroslav Rössler (1902-1990) is less well known for his paintings and drawings, which in the 1920s were an equal part of his output. Resembling the pre-Suprematist paintings of Malevich or the careful compositions of Juan Gris, these works are presented for the first time in this monograph.
Download or read book Jaroslav R ssler written by Jaroslav Rössler and published by . This book was released on 2006-02-17 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jaroslav Rössler (1902-1990) was one of the Czech avant-garde photographers of the first half of the 20th century whose work has only recently become known outside Eastern Europe. This text documents each stage of Rössler's career with a generous selection of duotone images, some of which have never been published before.
Download or read book Jarom r Funke Jaroslav R ssler written by and published by . This book was released on 1985 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Emerging Contours of the Medium written by Richard Müller and published by Bloomsbury Publishing USA. This book was released on 2024-01-11 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Emerging Contours of the Medium explores a crucial aspect of media thinking, focusing particularly on the 'mediality' of literature, a medium that remains today on the margins of the theoretical discussion of media. The book was written by a collective of authors based in the Institute of Czech Literature, Czech Academy of Sciences, Czech Republic. Even though interest in the technological and media aspects of literature has been slowly building momentum in the past several decades, from comparative perspectives to written culture to new media, the concept of the medium has not informed this process, and its systematic integration into literary studies has never been effectively carried out. Nor has the specific mediality of literature been successfully integrated into the general concept of media/lity in media science. Contributors to this work provide both an explanation of and solution to this mutual blindness, setting out from the question: What are the conditions for elaborating a media-theoretical framework in which to situate literature as a medium? The Emerging Contours of the Medium, available for the first time in English, is divided into three parts, which correlate to the three main research areas of the principles for a media theory of literature. Part 1 develops a perspective of the (pre)history of media thinking, grounding the principles of the genealogical integration. Part 2 concentrates on and develops the related perspectives of media philosophy and media anthropology. Part 3's main focus is the way media – as dispositifs interlinking the parameters of perception and communication – provide the ground for making emergent media phenomena visible, whether it be between media (in their mutual synergy or discrepancies), between media artefacts, or between human and apparatus. Stanislava Fedrová is Head of the Department of Art Historiography and Theory at the Institute of Art History at the Czech Academy of Sciences, researcher at the Institute of Czech Literature of the Czech Academy of Sciences and Assistant Professor of Literature and Intercultural Communication at Masaryk University, Czech Republic. Her scholarly interests include literary theory, art theory, visual culture and intermedial research, with a focus on the relations between verbal and visual media. She is co-author, with Alice Jedlicková, of Visible Descriptions: Visuality, Suggestivity and Intermediality of Literary Description (2016). Tomáš Chudý works as an independent researcher, translator (Kittler, Luhmann, Taylor etc.) and lawyer for the Czech National Bank. His research interests include media philosophy and the interrelation of technical and humanist paradigms by means of working with signs, as well as interlinking social and economic aspects in technically mediated communication. He has published in scholarly journals, such as Social Studies, and he is the co-author, with Richard Müller et al., of the Czech edition of The Emerging Contours of the Medium: Literature and Mediality (2020). Alice Jedlickova is Senior Researcher at the Institute of Czech Literature of the Czech Academy of Sciences, and Associate Professor of Literature and Intercultural Communication at Masaryk University, Czech Republic. Her research interests include intermedial studies (socio-spatial relations of cultural representations) and its history, literary theory, diachronic poetics and the theory of narrative. She is the editor of, and principle contributor to Narrative Modes of 19th Century Czech Prose (2022), and co-author, with Stanislava Fedrová, of the interdisciplinary inquiry Visible Descriptions: Visuality, Suggestivity and Intermediality of Literary Description (2016). She has published on transmediation as a marker of cultural continuity and on the potential of intermedial approach in education recently. Richard Müller is Senior Researcher at the Institute of Czech Literature of the Czech Academy of Sciences, professor of Comparative Literature at New York Univeristy Prague, and professor of Literary Criticism and Writing at the Prague School of Creative Communication. His research interests include the contextual transformations of literary mediality, the history of semiotics, (post)structuralism and cultural materialism, the genealogies of literary and media theory, and the writings of Franz Kafka. He is the editor of the scholarly journal Czech Literature, co-author, with Tomáš Chudý et al., of the Czech edition of The Emerging Contours of the Medium: Literature and Mediality (2020), and co-author, with Pavel Šidák et al., of The Dictionary of Modern Literary Theory (2011). Martin Ritter is Senior Researcher at the Institute of Philosophy of the Czech Academy of Sciences. His research interests lie in phenomenology (especially concerning Jan Patocka), critical theory and German medial philosophy. As editor and translator, he has prepared a three-volume edition of Walter Benjamin's work, and is author of Walter Benjamin's Philosophy of Language (2009). His most recent book is Into the World: The Movement of Patocka's Phenomenology (2019, in English). Josef Šebek is Assistant Professor of Czech and Comparative Literature at the Faculty of Arts of Charles University in Prague, Czech Republic. His research concerns cultural materialism, the sociology of Pierre Bourdieu and current French sociology of literature and works also on contemporary theory of discourse and rhetoric, media theory of literature, genres of life writing and queer studies. He is the editor of the scholarly journal Word &Sense, and author of Literature and the Social: Bourdieu, Williams, and Their Successors (2019). Pavel Šidák is researcher at the Institute of Czech Literature of the Czech Academy of Sciences editor-in-chief of the scholarly journal, Czech Literature, and professor of Literary Criticism and Writing at Prague School of Creative Communication, Czech Republic. His research interests include literary theory, literary genology and the relation between literature and folklore. He is the co-author, with Richard Müller et al., of The Dictionary of Modern Literary Theory (2011) and author of Introduction into the Study of Genres (2018). Josef Vojvodík is Professor of Czech and Comparative Literature at the Faculty of Arts at Charles University in Prague, Czech Republic. His research focuses on modern literature and visual arts (specifically, symbolicist and post-symbolicist modernism and the avant-garde movements of the 1920s–1930s with 'transhistoric' links to Mannerism and Baroque), as well as German and French media, social and cultural anthropology, and phenomenology. He is the author of Surface, Latency, Ambivalence: Mannerism, Baroque and the (Czech) Avant-Garde (2008) and Pathos in Czech Art, Poetry and Artistic-Aesthetic Thinking of 1940's (2014).
Download or read book Walker Evans written by Judith Keller and published by Getty Publications. This book was released on 1995-11-02 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: Walker Evans is widely recognized as one of the greatest American photographers of the twentieth century, and the J. Paul Getty Museum owns one of the most comprehensive collections of his work, including more of his vintage prints than any other museum in the world. This lavishly illustrated volume brings together for the first time all of the Museum’s Walker Evans holdings. Included here are familiar images—such as Evans’s photographs of tenant farmers and their families, made in the 1930s and later published in Let Us Now Praise Famous Men—and images that are much less familiar—such as the photographs Evans made in the 1940s of the winter quarters of the Ringling Brothers circus, or his very late Polaroids, made in the 1970s. In addition, many previously unpublished Evans photographs, and variant croppings of classic images, appear here for the first time. Author Judith Keller has written a lively, informative text that places these photographs in the larger context of Evans’s life and career and the culture—especially the popular culture—of the time. In so doing, she has produced an indispensible volume for anyone interested in the history of photography or American culture in the twentieth century. Also included is the most comprehensive bibliography on Walker Evans published to date.
Download or read book The Photograph Collector written by and published by . This book was released on 2001 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Artbibliographies Modern written by and published by . This book was released on 2005 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Suburbia written by Bill Owens and published by . This book was released on 1999 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: A photojournalism monograph on suburbia.
Download or read book Foto mont tiskem written by Jindřich Toman and published by Modern Czech Book. This book was released on 2009 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Höch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the Austro-Hungarian Empire collapsed. For these artists, namely Polish and Czech, photomontage manifested itself in a Surrealist approach to cut-and-paste imagery that emphasized its potential for visual poetry. Photo/Montage in Print traces the explosion of photomontage art in book cover design and illustrated magazines in the interwar period. Documenting the remarkable contributions of Czech artists in the creation of the visual language of modern print media, the publication includes some of the leading artists of the Czech avant garde such as Karel Teige, Jindrich Styrsky, Toyen, Ladislav Sutnar and Frantisek Muzika.
Download or read book Art Now U S A written by and published by . This book was released on 1984 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Images from Within written by Edmund Teske and published by . This book was released on 1980 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Central European Avant Gardes written by Timothy O. Benson and published by Mit Press. This book was released on 2002-03 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents an interpretive overview of the complex webs of interaction among the artists and intellectuals of early 20th-century Central Europe.
Download or read book The Photographer Franti ek Drtikol written by Vladimír Birgus and published by . This book was released on 2000 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Although the book covers many aspects of Drtikol's career and life-work, it is mainly devoted to his photographs. 120 duotone and 8 colour full-page reproductions of Drtikol's works from the Museum of Decorative Arts in Prague and a number of other public and private collections illustrate representative selections from all his creative periods, with an emphasis on Drtikol's masterly nudes from the second half of the 1920s, when he moved gradually from his beginnings in pictorialism and symbolism to react in his highly individual way to current avant-garde trends. The text, supplemented with almost fifty other reproductions, analyzes and characterizes Drtikol's photographs and locates them in the wider spiritual and artistic context of their time with the help of quotations from Drtikol's notes and correspondence. The monograph also contains a complete exhibition history, bibliographic listing, and a number of little known works, some never before published."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book Object photo written by Mitra Abbaspour and published by Museum of Modern Art, New York. This book was released on 2014 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Download or read book The Worldwide Art Catalogue Bulletin written by and published by . This book was released on 1986 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Register of the Spencer Museum of Art written by Helen Foresman Spencer Museum of Art and published by . This book was released on 2001 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shape of Light written by Simon Baker and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London's Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the story of photography and its relationship with abstraction from around 1915 to the present day, and will include historic works in a variety of media from painting and sculpture to montage and kinetic installations. Beginning with the works of cubism and vorticism, the catalogue then highlights the key contributions of Bauhaus, constructivist and surrealist artists of the 1920's and 1930's. It then moves into the s̀ubjective photography' of the 1940's and 1950's, exploring the global scope of this movement through works by artists from Latin America and Asia, before considering the impacts of photography of abstract expressionism, op art and minimalism in Europe and the US.0Bringing together iconic as well as rarely seen works, Photography and Abstract Art explores the development of photography in relation to abstract art, tracing the key moments of innovation in new techniques and practice.
