Download or read book Painting and Illumination in Early Renaissance Florence 1300 1450 written by Laurence B. Kanter and published by Metropolitan Museum of Art. This book was released on 1994 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: . By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.
Download or read book Italian Painting Before 1400 written by David Bomford and published by National Gallery London. This book was released on 1989 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Italy between 1270 and 1370 the whole tradition of European painting underwent a radical and enduring change of direction. This attractive and unusual study of Italian painted panels of the Early Renaissance examines the materials with which this transformation was effected and demonstrates how modern technology has increased our understanding of medieval panel painting. The authors survey the primarily religious function of these works and the professional context in which the artists worked. They provide explanations of the construction of panels and the preparation of wood for painting and of the preparation and application of gold leaf. The substantial sections on pigments and color represent original research done at the Gallery that has enabled the writers to provide the first comprehensive survey of how paints were prepared, mixed, and applied.
Download or read book Renaissance Cassoni written by Graham Hughes and published by . This book was released on 1997 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book introduces, for the first time in English, a fascinating yet strangely neglected aspect of Italian Renaissance art. During the quattrocento painting became more popular and probably more beautiful than at any time before or since. House interiors and furniture were painted with exotic stories and symbols, one of the most fashionable possessions in the grandest room in the palazzo being the painted cassone or marriage chest." /
Download or read book The Italian Schools Before 1400 written by National Gallery (Great Britain) and published by . This book was released on 2001 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edition of Martin Davies's work, revised by Dillian Gordon, incorporates the advances made in the study of Trecento painting, involving new attributions, the reconstruction of the original appearance of altarpieces, and information on patronage, original location and iconography. The catalogue also takes account of the results of technical investigation by the National Gallery's Scientific and Conservation Departments after the cleaning of some of the paintings.
Download or read book The Dawn of Italian Painting 1250 1400 written by Alastair Smart and published by . This book was released on 1978 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The years 1250-1400 in Italy constitute one of the richest and most inspiring periods in the development of European art. In this elegant volume, one of the world's leading authorities on Italian painting provides an acute and attractively written introduction to the great masters of the thirteenth and fourteenth centuries."-- Back cover.
Download or read book The Italian Paintings Before 1400 written by National Gallery (Great Britain) and published by National Gallery London. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The National Gallery houses one of the most important collections of early Italian paintings outside Italy, including works by Cimabue, Duccio, Giotto and the di Cione brothers. Since these were last catalogued there have been four new acquisitions, while reexamination of the collection has revealed, through infrared reflectography, the significance of underdrawings in early Italian paintings, together with other new information about technique. In reviewing and in some cases reattributing the works catalogued here, the author takes account of the substantial body of new research published over the last twenty years.
Download or read book Dress in Italian Painting 1460 1500 written by Elizabeth Birbari and published by John Murray Publishers. This book was released on 1975 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art and Love in Renaissance Italy written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2008 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
Download or read book Early Italian Painting written by Joseph Archer Crowe and published by Parkstone International. This book was released on 2023-12-28 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.
Download or read book Italian Art 1400 1500 written by Creighton Gilbert and published by . This book was released on 1992 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Fifteenth Century Italian Paintings written by Dillian Gordon and published by National Gallery Publications Limited. This book was released on 2003 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new, illustrated catalogue deals with artists the bulk of whose work falls within the first half of the fifteenth century, around 1400-1460, predominantly in Tuscany. Yet within this relatively narrow chronological and geographical confine we find some of the most influential and innovative painters of the Italian Renaissance, including Masaccio, Fra Angelico, Pisanello and Uccello. An essay by Susanna Avery-Quash traces the growth of interest in early Italian painting in Britain. Every picture has been re-examined with conservators, and new information gleaned about its technique and condition. All the paintings are reproduced full-page, in colour, together with many details, comparative illustrations and reconstructions.
Download or read book Italian Renaissance Art written by Laurie Schneider Adams and published by Routledge. This book was released on 2018-05-04 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
Download or read book Painting in Italy 1500 1600 written by Sydney Joseph Freedberg and published by Yale University Press. This book was released on 1993-01-01 with total page 768 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art.
Download or read book The Dawn of Italian Painting 1250 1400 written by Alastair Smart and published by . This book was released on 1978 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The years 1250-1400 in Italy constitute one of the richest and most inspiring periods in the development of European art. In this elegant volume, one of the world's leading authorities on Italian painting provides an acute and attractively written introduction to the great masters of the thirteenth and fourteenth centuries."-- Back cover.
Download or read book A Short History of Italian Painting written by Alice Van Vechten Brown and published by . This book was released on 1914 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Italian Painting written by John Charles Van Dyke and published by . This book was released on 1902 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Painting as a Modern Art in Early Renaissance Italy written by Robert Brennan and published by Harvey Miller. This book was released on 2019 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.
