Download or read book Issues of Authenticity in Chinese Painting written by Judith G. Smith and published by Metropolitan Museum of Art. This book was released on 1999 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with a December 1999 symposium held at the Metropolitan Museum of Art, New York, and an exhibition, "The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection." Twelve contributions give dissenting opinions regarding a book recently published by The Museum titled Along the Riverbank, which seeks to attribute the painting called "Riverbank" to the 10th-century landscape master Dong Yuan--an attribution that would call for the rewriting of early Chinese painting history. This volume contains 239 bandw illustrations to support the contributors' efforts to explain their opinions. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Perspectives on Connoisseurship of Chinese Painting written by Jason C. Kuo and published by New Academia Publishing/ The Spring. This book was released on 2008 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume reflects on the fundamental issues in the theory and practice of connoisseurship of Chinese painting in particular and those of connoisseurship of art in general.
Download or read book Beyond Representation written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 1992 with total page 571 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.
Download or read book Inter culturality and Philosophic Discourse written by Yolaine Escande and published by Cambridge Scholars Publishing. This book was released on 2014-07-24 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Responding to a deep and universal need of philosophizing in the context of intensive intercultural interaction among all philosophical traditions in the process of globalization, this timely book offers a unique collection of excellent papers on inter-translatability, art, and ethics; subjects which are most crucial for intercultural conversations today. Instead of opting for a “comparative philosophy” that suggests the superiority of philosophy in comparison with other forms of thought, this book explores “inter-translatability” between East and West, given that any dialogue between heterogeneous cultures and systems of thought has to start with translation, which constitutes the first part of this book. Art and ethics are the two areas that most obviously link philosophies of the past and the present and constitute a fundamental part of Chinese long-living and practical philosophy. The value of art and aesthetic appreciation, no less than ethics, is at the core of Chinese culture and, indeed, promises a great deal for the future world. Thus, they are dealt with here in the second and third parts. This book is also relevant to inter-culturalism in philosophy itself, as the contributors, firstly, come from several different continents and, secondly, though most of them are philosophers, all contributors are well-versed in other disciplines, such as anthropology, literature, religion, aesthetics, history of art, sinology, cognitive sciences, and social sciences.
Download or read book Illustrated Guide to 50 Masterpieces of Chinese Paintings written by Kunfeng Huang and published by Shanghai Press. This book was released on 2021-11-15 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over thousands of years, the art of Chinese painting has evolved, while also staying loyal to its traditional roots. Despite various schools of thought, styles and techniques, three primary categories have emerged across the discipline: landscape, figure and bird-and-flower. Using fine ink and water brush strokes on paper or silk, Chinese artists have developed a unique style—one that's famous throughout the world.This book highlights 50 Chinese paintings, pulled from museum collections in China and around the world, including British Museum (London), Museum of Fine Arts (Boston), Metropolitan Museum of Art (New York), Nelson-Atkins Museum of Art (Kansas), Osaka City Museum of Art (Osaka), Palace Museum (Beijing), Palace Museum (Taibei) and Shanghai Museum. The paintings shown are representative of the categories, historical periods and styles of this artistic tradition.Detailed professional interpretations and notes allow readers to learn more about the pieces themselves, the artists and the context in which they were created. Plus, photo enlargements of key details get readers up close to these masterpieces.As one of the world's oldest continuous art forms, Chinese painting has a truly special history. This comprehensive guide allows modern readers to travel through time, experiencing important moments in Chinese history and society through beautiful pieces of artwork.
Download or read book Chinese Painting and Its Audiences written by Craig Clunas and published by Princeton University Press. This book was released on 2023-10-17 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Download or read book A Companion to Chinese Art written by Martin J. Powers and published by John Wiley & Sons. This book was released on 2022-04-26 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history. Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism
Download or read book The Making of Masterpieces Chinese Painting and Calligraphy from the Palace Museum written by Raphael Wong, Jiang Fangting and published by 聯合電子出版有限公司（代理）. This book was released on 2022-12-23 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Making of Masterpieces 是第一本從故宮博物院收藏的金至元（226-1368 年）書畫中精選的傑出藝術珍品的英文出版物。本書講述藝術品的歷史，包括創作過程，以及藝術品如何在長達數百年的旅程中通過不同的收藏而成為「傑作」。讓我們一起踏進藝術珍品被藝術家、收藏家、鑑賞家和學者解讀和詮釋的傳奇旅程。
Download or read book Art written by David A. Scott and published by Cotsen Institute of Archaeology Press. This book was released on 2016-12-31 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a detailed account of authenticity in the visual arts from the Paleolithic to the postmodern. The restoration of works of art can alter the perception of authenticity and may result in the creation of fakes and forgeries. These interactions set the stage for the subject of this book, which initially examines the conservation perspective, then continues with a detailed discussion of notions of authenticity and philosophical background. There is a disputed territory between those who view the present-day cult of authenticity as fundamentally flawed and those who have analyzed its impact upon different cultural milieus, operating across performative, contested, and fragmented ground. The book discusses several case studies where the ideas of conceptual authenticity, aesthetic authenticity, and material authenticity can be incorporated into an informative discourse about art from the ancient to the contemporary, illuminating concerns relating to restoration and art forgery.
Download or read book Posthumous Art Law and the Art Market written by Sharon Hecker and published by Routledge. This book was released on 2022-04-29 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book takes an interdisciplinary, transnational and cross-cultural approach to reflect on, critically examine and challenge the surprisingly robust practice of making art after death in an artist's name, through the lenses of scholars from the fields of art history, economics and law, as well as practicing artists. Works of art conceived as multiples, such as sculptures, etchings, prints, photographs and conceptual art, can be—and often are—remade from original models and plans long after the artist has passed. Recent sales have suggested a growing market embrace of posthumous works, contemporaneous with questioning on the part of art history. Legal norms seem unready for this surge in posthumous production and are beset by conflict across jurisdictions. Non-Western approaches to posthumous art, from Chinese emulations of non-living artists to Native American performances, take into account rituals of generational passage at odds with contemporary, market-driven approaches. The book will be of interest to scholars working in art history, the art market, art law, art management, museum studies and economics.
Download or read book Between Two Cultures written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 2001 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.
Download or read book Stones from Other Mountains written by Jason C. Kuo and published by New Academia Publishing/ The Spring. This book was released on 2009 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume addresses questions of canon, value, historiographical interest, and large-scale historical structures as they apply to Chinese art history in the context of post-colonial studies. As the field of Chinese art history moves into postcolonial studies, institutional critique, and economic and social contextualization, it is especially important that questions of canon, value, historiographical interest, and large-scale historical structures not be left behind. The aim of this book is to examine critically the historiography of the field of Chinese painting, to assess what achievements have been made, and to understand what and how personal backgrounds of scholars and institutional constraints may have affected various practices in the field. "This volume is a comprehensive and critically self-aware introduction to the history of Chinese art historiography in America, and includes reflections on more general issues of the encounters between East and West. This is a timely, much-needed book." -Olga Lomová, Director, Institute of East Asian Studies, Charles University, Prague, and Dircetor, Chiang Ching-kuo Foundation International Sinological Center, Prague; Editor of Recarving the Dragon: Understanding Chinese Poetics. "This volume provides a true dialogical interaction of ideas in scholarship and reveals Western, Chinese and Japanese approaches to Far Eastern artistic heritage. The mutual elucidation of pedagogical wisdoms brings about salutary heuristic lessons that help readers overcome assumptions in which Western theoretical methodology has been trapped for so long." -Shigemi Inaga, Professor, International Research Center for Japanese Studies (Kyoto, Japan); John Kluge Chair of Modern Culture in the Kluge Center at the Library of Congress; Editor of Crossing Cultural Borders: Beyond Reciprocal Anthropology; author of Kaiga no tasogare: Eduaru Mane botsugo no toso . "This volume contributes importantly toward understanding the current state of Chinese art history in the US and its complicated historiography. It is provocatively argued, engagingly written, and passionately felt." -Katharine P. Burnett, Associate Professor of Art History, University of California at Davis, has published articles in Art History, Word & Image, and Orientations and is working on a book, Dimensions of Originality: Essays in Seventeenth-Century Chinese Art. "This volume is the next in Jason Kuo's long bibliography of original and important contributions to the study of Chinese painting. Each essay raises questions that draw Chinese painting into the discourse of modernism more generally." -Nancy S. Steinhardt, Professor of East Asian Art and Curator of Chinese Art at the Museum of Archaeology and Anthropology, University of Pennsylvania. Author of Chinese Traditional Architecture, Chinese Imperial City Planning, and Liao Architecture. Editor and adaptor of Chinese Architecture, and co-editor of Hawaii Reader in Traditional Chinese Culture.
Download or read book A Companion to Asian Art and Architecture written by Rebecca M. Brown and published by John Wiley & Sons. This book was released on 2015-06-22 with total page 691 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Asian Art and Architecture presents a collection of 26 original essays from top scholars in the field that explore and critically examine various aspects of Asian art and architectural history. Brings together top international scholars of Asian art and architecture Represents the current state of the field while highlighting the wide range of scholarly approaches to Asian Art Features work on Korea and Southeast Asia, two regions often overlooked in a field that is often defined as India-China-Japan Explores the influences on Asian art of global and colonial interactions and of the diasporic communities in the US and UK Showcases a wide range of topics including imperial commissions, ancient tombs, gardens, monastic spaces, performances, and pilgrimages.
Download or read book Painting History written by Jiawei Shen and published by . This book was released on 2018 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celebrity artist Shen Jiawei's history paintings are held in national museums and in public or private collections all around the world, including the Vatican. In this book, he chronicles the contexts in which his paintings were done, giving us rare insights of the national histories behind the canvas of his works.
Download or read book Chinese Painters written by Raphaël Petrucci and published by . This book was released on 1920 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Enchanted by Lohans written by Minna Törmä and published by Hong Kong University Press. This book was released on 2013-08-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Finnish-Swedish art historian Osvald Sirén (1879–1966) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia: 1918, 1921–23, 1929–30 and 1935. This was a pivotal period in Chinese archaeology, art studies and formation of Western collections of Chinese art. Sirén gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. But when he was almost 40 years old, he was captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew, in a way. He has left his mark in several fi elds in Chinese art studies: architecture, sculpture, painting and garden art. The study charts Sirén’s itineraries during his travels in Japan, Korea and China; it introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. It also explores the impact of theosophical ideas in his work.
Download or read book Daitokuji written by Gregory P. A. Levine and published by University of Washington Press. This book was released on 2005 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Zen Buddhist monastery Daitokuji in Kyoto has long been revered as a cloistered meditation centre, a repository of art treasures, and a wellspring of the "Zen aesthetic." Gregory Levine's Daitokuji unsettles these conventional notions with groundbreaking inquiry into the significant and surprising visual and social identities of sculpture, painting, and calligraphy associated with this fourteenth-century monastery and its enduring monastic and lay communities. The book begins with a study of Zen portraiture at Daitokuji that reveals the precariousness of portrait likeness; the face that gazes out from an abbot's painting or statue may not be who we expect it to be or submit quietly to interpretation. By tracing the life of Daitokuji's famed statue of the chanoyu patriarch Sen no Riky-u (1522-91), which was all but destroyed by the ruler Toyotomi Hideyoshi (1537-98) but survived in Rash-omon-like narratives and reconstituted sculptural forms, Levine throws light upon the contested status of images and their mytho-poetic potential. Levine then draws from the seventeenth-century journal of K-ogetsu S-ogan, Bokuseki no utsushi, to explore practices of calligraphy connoisseurship at Daitokuji and the pivotal role played by the monastery's abbots within Kyoto art circles. The book's final section explores Daitokuji's annual airings of temple treasures not merely as a practice geared toward preservation but also as a space in which different communities vie for authority over the artistic past. An epilogue follows the peripatetic journey of the monastery's scrolls of the 500 Luohan from China to Japan, to exhibition and partial sale in the West, and back to Daitokuji. Illuminating canonical and heretofore ignored works and mining a trove of documents, diaries, and modern writings, Levine argues for the plurality of Daitokuji's visual arts and the breadth of social and ritual circumstances of art making and viewing within the monastery. This diversity encourages reconsideration of stereotyped notions of "Zen art" and offers specialists and general readers alike opportunity to explore the fertile and sometimes volatile nexus of the visual arts and religious sites in Japan.
