Download or read book Islamic Art in the 19th Century written by Doris Behrens-Abouseif and published by BRILL. This book was released on 2006 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.
Download or read book Private Collectors of Islamic Art in Late Nineteenth Century London written by Isabelle Gadoin and published by Routledge. This book was released on 2021-09-09 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.
Download or read book l orientale Collecting Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries written by Francine Giese and published by BRILL. This book was released on 2019-11-04 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present volume offers an overview of collecting and displaying Islamic art during the long nineteenth century. A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels. Special attention is given to little-known collections in Eastern Europe and beyond. L’ouvrage fournit un panorama du collectionnisme d’art islamique au cours du long XIXe siècle, en mettant l’accent sur la figure d’Henri Moser Charlottenfels et des collections méconnues situées en Europe central, et au-delà.
Download or read book Occidentalism written by Stephen Vernoit and published by Oxford University Press. This book was released on 1997 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A survey of nineteenth-century Islamic art which explores the contrast between traditionally-styled objects and those influenced by Europe. Each item is described, and the material is orgainized and discussed under four main headings: - Royal Patronage - Religion and Customs - Manufacturing and Technology - Historical Revivalism
Download or read book Technologies of the Image written by David J. Roxburgh and published by Yale University Press. This book was released on 2017-01-01 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: -This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-
Download or read book Early Islamic Art and Architecture written by Jonathan M. Bloom and published by Routledge. This book was released on 2017-05-15 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Download or read book Discovering Islamic Art written by Stephen Vernoit and published by I.B. Tauris. This book was released on 2000-02-29 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how collecting and scholarship in the field of Islamic Art developed between c.1850 and c.1950, the period when the intellectual foundations for the study of Islamic art were established. Stephen Vernoit outlines the formation of collections, the role of exhibitions, museums and libraries, the growth of the art market, and the emergence of scholarship.
Download or read book Islamic Art from Michigan Collections written by Elsie Holmes Peck and published by . This book was released on 1982 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Islamic Art in the Metropolitan Museum of Art written by Navina Najat Haidar and published by Scala Arts Publishers Incorporated. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: -Provides an accessible walking tour of the Metropolitan Museum's world-famous Islamic Art Galleries -Features the popular Damascus Room and many other highlights of the Metropolitan's collection -Only guide available to the Islamic galleries of The Metropolitan Museum of Art The museum's superlative collection of Islamic art, from as far west as Spain and as far east as India, ranges in date from the 7th to the 19th century and reflects the diversity and scope of Islamic cultures and the richness of their artistic traditions. This essential guide to the collection is organized into four thematic tours.
Download or read book DISCOVER ISLAMIC ART in the Mediterranean written by Benabed, Aicha; Bisheh, Ghazi; Al-Asad, Mohammad and published by Museum With No Frontiers, MWNF (Museum Ohne Grenzen). This book was released on 2024-04-09 with total page 607 pages. Available in PDF, EPUB and Kindle. Book excerpt: The great Islamic Dynasties of the Mediterranean are the protagonists of this book, together with their fascinating artistic and cultural legacy. Thirty-nine scholars, museum curators and experts in cultural heritage, from 14 countries in Europe, North Africa and the Middle East, are the authors of the 22 chapters that take the reader through 13 centuries of Islamic history from the period of the Prophet Muhammad up until the end of the Ottoman Empire (1922). Discover Islamic Art in the Mediterranean is a collaborative work that was written for all those who share our idea that there is not only one history, but that at least as many histories as peoples exist. The idea of this book is to contribute to a historically more accurate and thus more authentic understanding of Islam by offering different perspectives of interpreting history, art and culture. This Book is published to complement the www.discoverislamicart.org Virtual Museum and its cycle of 18 Virtual Exhibitions Discover Islamic Art in the Mediterranean.
Download or read book Making Modernity in the Islamic Mediterranean written by Margaret S. Graves and published by Indiana University Press. This book was released on 2022-04-19 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.
Download or read book Modern Islamic Art written by Wijdan Ali and published by . This book was released on 1997 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The first monograph to successfully address the dual questions of the development of painting in the Islamic lands in the 19th and 20th centuries and the significance of an indigenous 20th-century artistic tradition . . . presents a lucid and objective discussion of provocative questions related to the evolution of contemporary painting from Islamic lands, including the role of colonial institutions, indigenous patronage, art education, and the formation of a national artistic identity."--Layla S. Diba, associate curator for Islamic art, Brooklyn Museum In this beautifully illustrated book, Wijdan Ali offers a historical survey of the development of modern painting in the Islamic world from the 19th century to the present. She provides background on dominant artistic traditions before 1900 as well as an evaluation of the loss of traditional aesthetics under the impress of Western culture. Ali also explores the persistence and reemergence of calligraphic art as an expression of national artistic identity, and hers is the first book to consider in depth the modern calligraphic school. Ali's account begins with a descriptive survey of the development of contemporary art in the heartland of Islam, from Morocco to Iran. Her discussion incorporates the historical, political, social, and economic factors that brought about artistic and aesthetic changes in the region. Building on this survey, she analyzes the factors behind the evolution of various styles of calligraphic art, their substyles and adherents, and their respective places within the contemporary calligraphic school. In an appendix, she provides biographical data on the most influential modern Islamic artists. More than 150 color and black-and-white photographs allow the reader to see and appreciate the beauty and importance of these works. While a few recent collection catalogs have hinted at the growing interest in the art of the Islamic world, Ali's study is by far the most comprehensive yet undertaken of Islamic art in the contemporary period. It will substantially expand the study and concept of "modern art" beyond the narrow province of American and western European schools and establish a broad foundation for future investigation of modern artistic movements in the Middle East. Wijdan Ali is a painter, art historian, and lecturer at the Institute of Diplomacy, Amman, Jordan. Her most recent publications are What Is Islamic Art? (1996) and Modern Art in Jordan (1996).
Download or read book Displaying the Orient written by Zeynep Ç Elik and published by Univ of California Press. This book was released on 1992-01-01 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.
Download or read book Rethinking Place in South Asian and Islamic Art 1500 Present written by Deborah S. Hutton and published by Routledge. This book was released on 2016-10-04 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Place plays a fundamental role in the structuring of the discipline of Art History. And yet, place also limits the questions art historians can ask and impairs analysis of objects and locations in the interstices of established, ossified categories. The chapters in this interdisciplinary volume investigate place in all of its dynamism and complexity: several call into question traditional constructions regarding place in Art History, while others explore the fundamental role that place plays in lived experience. The particular nexus for this collection lies at the intersection and overlap of two major subfields in the history of art: South Asia and the Islamic world, both of which are seemingly geographically determined, yet at the same time uncategorizable as place with their ever-shifting and contested borders. The eleven chapters brought together here move from the early modern through to the contemporary, and span particular monuments and locations ranging from Asia and Europe to Africa and the Americas. The chapters take on the question of place as it operates in more obvious settings, such as architectural monuments and exhibitionary contexts, while also probing the way place operates when objects move or when the very place they exist in transforms dramatically. This volume engages place through the movement of objects, the evocation of senses, desires, and memories and the on-going project of articulating the parameters of place and location.
Download or read book Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2011 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Download or read book Making Modernity in the Islamic Mediterranean written by Margaret S. Graves and published by Indiana University Press. This book was released on 2022-04-19 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.
Download or read book the art and architecture of islamic cairo written by richard yeomans and published by Garnet & Ithaca Press. This book was released on 2006 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cairo is full of masterpieces of medieval art and architecture reflecting the status of Egypt as the centre of several significant Muslim empires. This book redresses the cultural balance and examines the art and architectural treasures of Cairo from the Arab to the Ottoman conquests (642-1517). It is fully illustrated with over 200 photographs.
