Download or read book Globalizing Contemporary Art written by Lotte Philipsen and published by Aarhus Universitetsforlag. This book was released on 2010-10-31 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, contemporary art is a global phenomenon. Biennales, museums, art fairs, galleries, auction houses, academies and audiences for contemporary visual art are all institutions whose presence on a global scale has widened tremendously during the past two decades. Thus, by including contemporary art from non-Western regions, these traditional Western art institutions have not only broadened their scope to a greater extent, but have also been challenged themselves by the new cultural, economic and media world order of globalization. How contemporary art is made 'international' is the subject of this book, tracing as it does developments during the past two decades, while focusing particularly on the mechanisms of 'globality' which are at work in the art world today. The book critically investigates fundamental questions like: What is 'New Internationalism' in contemporary art, and how it affected the art world? How does New Internationalism relate to concepts like ethnicity, aesthetics, standard art history, and new media? And how is New Internationalism, rather paradoxically, furthered to a greater extent by global capitalism than it is by seemingly progressive art projects?
Download or read book Avant Garde Internationalism and Politics written by Andrea Giunta and published by Duke University Press. This book was released on 2007-07-16 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.
Download or read book Globalizing Contemporary Art written by Lotte Philipsen and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, contemporary art is a global phenomenon. Biennales, museums, art fairs, galleries, auction houses, academies and audiences for contemporary visual art are all institutions whose presence on a global scale has widened tremendously during the past two decades. Thus, by including contemporary art from non-Western regions, these traditional Western art institutions have not only broadened their scope to a greater extent, but have also been challenged themselves by the new cultural, economic and media world order of globalization. How contemporary art is made 'international' is the subject of this book, tracing as it does developments during the past two decades, while focusing particularly on the mechanisms of 'globality' which are at work in the art world today. The book critically investigates fundamental questions like: What is 'New Internationalism' in contemporary art, and how it affected the art world? How does New Internationalism relate to concepts like ethnicity, aesthetics, standard art history, and new media? And how is New Internationalism, rather paradoxically, furthered to a greater extent by global capitalism than it is by seemingly progressive art projects?
Download or read book Internationalism and the Arts in Britain and Europe at the Fin de Si cle written by Grace Brockington and published by Peter Lang. This book was released on 2009 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays stems from the conference 'Internationalism and the Arts: Anglo-European Cultural Exchange at the Fin de Siècle' held at Magdalene College, Cambridge, in July 2006. The growth of internationalism in Europe at the fin de siècle encouraged confidence in the possibility of peace. A wartorn century later, it is easy to forget such optimism. Flanked by the Franco-Prussian war and the First World War, the late nineteenth and early twentieth centuries were marked by rising militarism. Themes of national consolidation and aggression have become key to any analysis of the period. Yet despite the drive towards political and cultural isolation, transnational networks gathered increasing support. This book examines the role played by artists, writers, musicians and intellectuals in promoting internationalism. It explores the range of individuals, media and movements involved, from cosmopolitan characters such as Walter Sickert and Henri La Fontaine, through internationalist art societies, to periodicals, performance, and the mobility of the Arts and Crafts Movement. The discussion takes in the geographical breadth of Europe, incorporating Belgium, Bohemia, Britain, France, Germany, Hungary, Italy, Norway, Poland, Russia and Slovakia. Drawing on the work of scholars from across Europe and America, the collection makes a statement about the complexity of European identities at the fin de siècle, as well as about the possibilities for interdisciplinary research in our own era.
Download or read book Global Visions written by Jean Fisher and published by . This book was released on 1994-01-01 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology of papers, presented at the INIVA symposium in London in April 1994, presents a critique of notions of internationalism, the role of curatorial practice, the modern museum and art history, particularly in relation to the debates on cultural identity and difference, and the nature of innovation in visual culture at the end of the millennium.
Download or read book Exploring Site specific Art written by Judith Rugg and published by I.B. Tauris. This book was released on 2010-02-28 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Site-specific art is mushrooming across the world. This book contains an illustrated exploration of international site-specific artworks.
Download or read book Exploring Site specific Art written by Judith Rugg and published by . This book was released on 2010 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Site-specific art is mushrooming across the world. This book contains an illustrated exploration of international site-specific artworks.
Download or read book Representing the Past in the Art of the Long Nineteenth Century written by Matthew C. Potter and published by Taylor & Francis. This book was released on 2021-09-30 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
Download or read book Art Since Mid century written by and published by . This book was released on 1971 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Imagined Cosmopolis written by Charlotte Ashby and published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften. This book was released on 2019 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: What role did the arts play in the rise of internationalism at the turn of the twentieth century? The essays presented here explore the ways in which the arts operated internationally during this crucial period and how they helped challenge national conceptions of citizenship, society, homeland and native language.
Download or read book A Fruitful Incoherence written by Institute of International Visual Arts and published by . This book was released on 1998 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Mechanics of Internationalism written by Martin H. Geyer and published by Oxford University Press. This book was released on 2001 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by American and European scholars traces the origins of modern internationalism and the emergence of global society in the nineteenth century. It offers a fresh approach to the study of international history by looking at the structural prerequisites of the thriving internationalism before the First World War. Thus it links political and social movements trying to reform society and politics by way of transnational co-operation with the process of internationalizing cultural, political, and economic practices. The volume is less concerned with classical diplomatic history than with the increased, yet ambivalent, transnational linking of societies. The subjects covered range from the creation of international standards, the search for a monarchical international, and the making of international women's organizations to the emergence of fashionable meeting places. The book provides a genuine historical perspective on present phenomena.
Download or read book Art Since Mid century written by Werner Haftmann and published by . This book was released on 1971 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Avant Garde Internationalism and Politics written by Andrea Giunta and published by Duke University Press. This book was released on 2007-07-16 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVAn exploration of the impact of the 1960s and the U.S. post-cold war moment on the reception of Latin American art and artists./div
Download or read book Art beyond Borders written by Jérôme Bazin and published by Central European University Press. This book was released on 2016-01-01 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe’s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists’ strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period.
Download or read book Internationalist Aesthetics written by Edward Tyerman and published by Columbia University Press. This book was released on 2021-12-07 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner, 2022 AATSEEL Best Book in Literary Studies, American Association of Teachers of Slavic and European Languages Honorable Mention, 2022 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association Following the failure of communist revolutions in Europe, in the 1920s the Soviet Union turned its attention to fostering anticolonial uprisings in Asia. China, divided politically between rival military factions and dominated economically by imperial powers, emerged as the Comintern’s prime target. At the same time, a host of prominent figures in Soviet literature, film, and theater traveled to China, met with Chinese students in Moscow, and placed contemporary China on the new Soviet stage. They sought to reimagine the relationship with China in the terms of socialist internationalism—and, in the process, determine how internationalism was supposed to look and feel in practice. Internationalist Aesthetics offers a groundbreaking account of the crucial role that China played in the early Soviet cultural imagination. Edward Tyerman tracks how China became the key site for Soviet debates over how the political project of socialist internationalism should be mediated, represented, and produced. The central figure in this story, the avant-garde writer Sergei Tret’iakov, journeyed to Beijing in the 1920s and experimented with innovative documentary forms in an attempt to foster a new sense of connection between Chinese and Soviet citizens. Reading across genres and media from reportage and biography to ballet and documentary film, Tyerman shows how Soviet culture sought an aesthetics that could foster a sense of internationalist community. He reveals both the aspirations and the limitations of this project, illuminating a crucial chapter in Sino-Russian relations. Grounded in extensive sources in Russian and Chinese, this cultural history bridges Slavic and East Asian studies and offers new insight into the transnational dynamics that shaped socialist aesthetics and politics in both countries.
Download or read book Nationalism and Internationalism written by Jeremy Aynsley and published by ACC Distribution. This book was released on 1993 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nationalism and Internationalism looks at the way designers have addressed the national and international context of their work during this century. Text and 66 illustrations demonstrate the positive response to avant-garde ideas and belief in the social relevance of designs on an international level. By contrast, the varied responses to materials, techniques and sources of ideas to reinforce national identity are also considered.
