Download or read book The Arts of India Southeast Asia and the Himalayas at the Dallas Museum of Art written by Dallas Museum of Art and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art

Download or read book The Art of South and Southeast Asia written by Steven Kossak and published by Metropolitan Museum of Art. This book was released on 2001 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.

Download or read book Indian Southeast Asian Works of Art Including Property of the Albright Knox Art Gallery Buffalo New York written by Sotheby's (Firm) and published by . This book was released on 2007 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Japanese Woodblock Prints written by William Green and published by Brill Hotei. This book was released on 1993 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ultimate research tool for the study of Japanese prints, this publication represents eight years of research by the author William Green. It lists over 6000 publications dating from 1822 to 1993, concentrating on those in English. In addition, the inclusion of newspaper and periodical reviews of the most important books and catalogs enables the academic debate concerning Japanese prints to be followed. This book is divided along thematic lines into 15 chapters and also contains three indexes, making it an easy-to-use reference work for students, scholars and collectors alike.

Download or read book Handbook of the Collection written by Elvehjem Museum of Art and published by Chazen Museum of Art. This book was released on 1990 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Highlights of the permanent collection. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison

Download or read book Art of the Himalayas written by Pratapaditya Pal and published by . This book was released on 1991 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: A millennium of paintings, textiles, metal sculptures, ritual objects; aesthetic, religious contexts.

Download or read book Newsletter East Asian Art and Archaeology written by and published by UM Libraries. This book was released on 1994 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Oriental Art Sales written by Sotheby Parke Bernet Inc and published by . This book was released on 1980-11 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book ABIA South and Southeast Asian Art and Archaeology Index written by Sita Pieris and published by BRILL. This book was released on 2010-11-19 with total page 897 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume Three offers 1643 annotated records on publications regarding the art and archaeology of South Asia, Central Asia and Tibet selected from the ABIA Index database at www.abia.net which were published between 2002 and 2007.

Download or read book Teaching South and Southeast Asian Art written by Bokyung Kim and published by Springer Nature. This book was released on 2023-04-10 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume challenges existing notions of what is “Indian,” “Southeast Asian,” and/or “South Asian” art to help educators present a more contextualized understanding of art in a globalized world. In doing so, it (re)examines how South or Southeast Asian art is being made, exhibited, circulated and experienced in new ways in the United States or in regions under its cultural hegemony. The essays presented in this book examine both historical and contemporary transformations or lived experiences of monuments and regional styles (sites) from South or Southeast Asian art in art making, subsequent usage, and exhibition-making under the rubric of “Indian,” “South Asian,” “or “Southeast Asian” Art.

Download or read book THE ART OF INDIAN HISTORY written by Aditya Vats and published by Blue Rose Publishers. This book was released on 2023-02-25 with total page 581 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting the grand sweep of Indian history from antiquity to the present, A History of India is a detailed and authority account of the major political economics social and cultural forces that have shaped the history of the Indian continent.

Download or read book Populations of the SAARC Countries written by Jayanta Sarkar and published by Sterling Publishers Pvt. Ltd. This book was released on 2003 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: The South Asian Association for Regional Co-operation (SAARC) encompasses seven countries of a large landmass containing one-fifth of the total global population. After the formation of SAARC in August 1980, several publications have been brought out by many organisations, which by and large deal with issues like economy, politics, administration and so on. This book comprises three articles, besides an introductory note by the editors and an epilogue on the important issues related to the bio-cultural relations-is the first of its kind. The book discusses, in depth, the biological and cultural affinities/linkages of the populations of these countries. While the biological affinities of the populations in respect of these countries have been traced back from the pre-historic to the contemporary period, the cultural linkages, with special reference to trade, religion, art, architecture and so on have been documented from the ancient to the medieval historical period of the region.

Download or read book Atlas of World Art written by John Onians and published by Laurence King Publishing. This book was released on 2004 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combines a survey of world art with maps showing the associations and dissemination of culture across the globe.

Download or read book The Art of Ancient India written by Susan L. Huntington and published by Motilal Banarsidass. This book was released on 2014-01-01 with total page 849 pages. Available in PDF, EPUB and Kindle. Book excerpt: To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.

Download or read book Art of Tibet written by Los Angeles County Museum of Art and published by Univ of California Press. This book was released on 1983-01-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Islamic Arms and Armor in The Metropolitan Museum of Art written by David G. Alexander and published by Metropolitan Museum of Art. This book was released on 2015-12-31 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.

Download or read book The Creative South written by Andrea Acri and published by ISEAS-Yusof Ishak Institute. This book was released on 2022-04-12 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum