Download or read book The Baroque Libretto written by Domenico Pietropaolo and published by University of Toronto Press. This book was released on 2011-01-01 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Baroque Libretto catalogues the Baroque Italian operas and oratorios in the Thomas Fisher Library at the University of Toronto and offers an analysis of how the study of libretto can inform the understanding of opera.
Download or read book Catalogue of Opera Librettos Printed Before 1800 written by Library of Congress. Music Division and published by . This book was released on 1911 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Power of Pastiche written by Alison DeSimone and published by Liverpool University Press. This book was released on 2021-04-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.
Download or read book A New Chronology of Venetian Opera and Related Genres 1660 1760 written by Eleanor Selfridge-Field and published by Stanford University Press. This book was released on 2007 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.
Download or read book Catalogue of Opera Librettos Printed Before 1800 written by Oscar George Theodore Sonneck and published by . This book was released on 1914 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cyclopedia of Music Musicians written by John Denison Champlin and published by . This book was released on 1893 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Abaco Dyne written by John Denison Champlin and published by . This book was released on 1899 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Europ ische Musiker in Venedig Rom und Neapel 1650 1750 written by Anne-Madeleine Goulet and published by Bärenreiter-Verlag. This book was released on 2018-11-07 with total page 723 pages. Available in PDF, EPUB and Kindle. Book excerpt: Der Abschlussband des deutsch-französischen ANR-DFG-Projekts MUSICI widmet sich der Musikermigration im Europa der Frühen Neuzeit mit einem kultur- und musikgeschichtlichen Blick auf Venedig, Rom und Neapel als Reiseziele und Wirkungsorte von Instrumentalisten, Sängern, Komponisten und Instrumentenbauern, die nicht von der italienischen Halbinsel stammten. Im Sinne einer "histoire croisée" werden Netzwerke, Integrations- und Austauschprozesse aufgedeckt, mit denen fremde Musiker zwischen musikalischem Alltag und herausragenden Festlichkeiten konfrontiert waren. Auf dieser Grundlage wird eine systematische Betrachtung der frühneuzeitlichen Musikermigration sowie eine Untersuchung musikalischer Stile jenseits nationaler Forschungstraditionen möglich.
Download or read book Baroque Music Eighteenth century written by and published by . This book was released on 1985 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Viking Opera Guide written by Amanda Holden and published by Viking Adult. This book was released on 1993 with total page 1338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book, which was published early this year and is available unbundled from the CD-ROM for $69.95, contains information on more than 800 composers and examines some 1,500 operas in detail. Each composer's musical career is outlined, with an assessment of his or her overall contribution to opera. Opera entries include cast lists and orchestral forces, a commentary on the background of the work, a synopsis of the plot, and a musical analysis identifying musical highlights and points of interest. Recording and edition information is included. For those who don't like to turn pages, prefer to read from the screen, or just like the click-click of the mouse, the CD-ROM provides computer access via Windows to the information and pictures (small black and whites) of the book. The CD-ROM holds some enhancements: notably, three hours of music excerpts (unheard by this reviewer who lacks the needed 16-bit sound card; some, according to the press release, are as long as three to five minutes). Annotation copyright by Book News, Inc., Portland, OR
Download or read book Baroque Music written by and published by . This book was released on 1985 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Royal Academy of Music 1719 1728 written by Elizabeth Gibson and published by Garland Publishing. This book was released on 1989 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Opera Without Drama written by Robert Freeman and published by . This book was released on 1981 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ero E Leandro written by Luigi Mancinelli and published by . This book was released on 1896 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Antonio Caldara written by Brian W. Pritchard and published by Aldershot, England : Scolar Press. This book was released on 1987 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studie over leven en werk van de Italiaanse componist (1670-1736)
Download or read book Eighteenth Century Theatre Capitals From Lisbon to St Petersburg written by Iskrena Yordanova and published by Hollitzer Wissenschaftsverlag. This book was released on 2022-06-24 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifth volume of the series Cadernos de Queluz intends to broaden the conceptual and geographical perspectives on the pan-European history of music theatre. The cultural and ceremonial patterns common to eighteenth-century European courts created complex webs of meaning around the sovereigns who communicated via the arts, which found expression in an architectural, artistic, and musical code. The existence of a common artistic language among European countries facilitated the circulation of musicians, theatrical companies, architects, librettists, and craftsmen within a single network, challenging the orthodox conceptual distinctions between European cultural traditions. This book is a virtual journey among the artistic exchanges between the European capitals, weaving them into one single narrative, underlining the common patterns of musical practices throughout the Continent, from West to East. The road map starts from the kingdom of Portugal and passes through Madrid, Paris, the Papal States, Naples, Milan, Vienna, and ends in St. Petersburg.
