Download or read book Hearing Rhythm and Meter written by Matthew Santa and published by Routledge. This book was released on 2019-09-04 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Period Music is the first book to present a comprehensive course text on advanced analysis of rhythm and meter. This book brings together the insights of recent scholarship on rhythm and meter in a clear and engaging presentation, enabling students to understand topics including hypermeter and metrical dissonance. From the Baroque to the Romantic era, Hearing Rhythm and Meter emphasizes listening, enabling students to recognize meters and metrical dissonances by type both with and without the score. The textbook includes exercises for each chapter and is supported by a full-score anthology. PURCHASING OPTIONS Textbook (Print Paperback): 978-0-8153-8448-9 Textbook (Print Hardback): 978-0-8153-8447-2 Textbook (eBook): 978-1-351-20431-6 Anthology (Print Paperback): 978-0-8153-9176-0 Anthology (Print Hardback): 978-0-367-34924-0 Anthology (eBook): 978-1-351-20083-7
Download or read book Anthology for Hearing Rhythm and Meter written by Matthew Santa and published by Routledge. This book was released on 2019-09-09 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: This full-score anthology for Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Period Music supports the textbook of the same name, the first book to present a comprehensive course text on advanced analysis of rhythm and meter. From the Baroque to the Romantic era, Hearing Rhythm and Meter emphasizes listening, enabling students to recognize meters and metrical dissonances by type both with and without the score. Found here are masterworks carefully chosen as the ideal context for the presentation of foundational concepts. PURCHASING OPTIONS Textbook (Print Paperback): 978-0-8153-8448-9 Textbook (Print Hardback): 978-0-8153-8447-2 Textbook (eBook): 978-1-351-20431-6 Anthology (Print Paperback): 978-0-8153-9176-0 Anthology (Print Hardback): 978-0-367-34924-0 Anthology (eBook): 978-1-351-20083-7
Download or read book Anthology for Hearing Rhythm and Meter written by Matthew. Hearing rhythm and meter Santa and published by . This book was released on 2019 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Hearing in Time written by Justin London and published by Oxford University Press. This book was released on 2012-05-24 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: When we hear music we don't just listen; we move along with it. Hearing in Time explores our innate propensity for rhythmic synchronization, drawing on research in music psychology, neurobiology, music theory, and mathematics. It looks at music from a wide range of musical styles and cultures.
Download or read book Hearing in Time written by Justin London and published by Oxford University Press. This book was released on 2012-05-03 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Our sense that a waltz is "in three" or a blues song is "in four with a shuffle" comes from our sense of musical meter. Hearing in Time explores the metric aspect of our musical experience from a psychological point of view. Musical meter is subject to a number of fundamental perceptual and cognitive constraints. These constraints are the cornerstones of Hearing in Time's account of musical meter. Hearing in Time also takes into account the fact that listening to music, like many other rhythmic activities, is something that we do a lot. It also approaches meter in the context of music as it is actually performed, with nuances of timing and dynamics, rather than as a theoretical idealization. Hearing in Time's approach to meter is not based on any particular musical style or cultural practice, and it discusses musical examples from a wide range of musical styles and cultures--from Beethoven and Bach to Brubeck and Ghanaian (Ewe) drumming. In taking this broad approach a number of fundamental similarities between a variety of different metric phenomena--such as the difference between so-called simple versus complex or additive meters - become apparent. Requiring only a modest ability to read a musical score, Hearing in Time is written for musicians, musicologists, and music theorists, as well as psychologists, linguists and cognitive scientists who are interested in rhythm and meter.
Download or read book Meter As Rhythm written by Christopher Hasty and published by Oxford University Press. This book was released on 1997-04-10 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book Christopher Hasty presents a striking new theory of musical duration. Drawing on insights from modern "process" philosophy, he advances a fully temporal perspective in which meter is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression. Part one of the book reviews oppositions of law and freedom, structure and process, determinacy and indeterminacy in the speculations of theorists from the eighteenth century to the present. Part two reinterprets these contrasts to form a highly original account of meter that engages diverse musical repertories and aesthetic issues.
Download or read book The Cambridge Companion to Rhythm written by Russell Hartenberger and published by Cambridge University Press. This book was released on 2020-09-24 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
Download or read book Meter As Rhythm written by Christopher Hasty and published by Oxford University Press, USA. This book was released on 2020 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: ""In thinking about music it is difficult to avoid representing any concrete instance as if it were a stable and essentially pre-formed entity composed of fully determinate and ultimately static objects or relations. Certainly, in the actual performance of music there is no escaping the contingency and indeterminacy that inhere in every temporal act. When we attempt to analyze the musical event, however, it is most convenient to imagine that the intricate web of relationships that comes into play on such an occasion has already been woven in a prior compositional act or in a determinate and determining order of values and beliefs. We can, for example, point to the score as a fixed set of instructions for the recreation of an essentially self-same work or as a repository wherein the traces of a composer's thought lie encoded awaiting faithful decoding by a receptive performer/listener. Or, with even greater abstraction, we can point to the presence of an underlying tonal system, the governing rules of a style or "common practice," the reflection of a set of existing social relations, or the role of hardened ideologies in music's production and reception. It must be said that there is some truth in the variety of determinacies that intellectual analysis would ascribe to music (if little truth in the claims of any one perspective to speak for the whole). But it must also be said that, to the extent the abstractions of analysis deny or suppress the creativity, spontaneity, and novelty of actual musical experience, analysis will have misrepresented music's inescapably temporal nature. The challenge of taking this temporal nature into account lies in finding ways of speaking of music's very evanescence and thus of developing concepts that would capture both the determinacy and the indeterminacy of events in passage. Stated in this way, such an enterprise appears to be loaded with paradox. However, much of the paradox disappears if we can shift our attention from objects or products to process and from static being to dynamic becoming. Indeed, such a shift might provide a perspective from which the great variety of determinacies we ascribe to music could be seen as inseparable components of musical communication. ""--
Download or read book Fantasy Pieces written by Harald Krebs and published by New York : Oxford University Press. This book was released on 1999 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of "their" metrical practices.
Download or read book The Rhythms of English Poetry written by Derek Attridge and published by Routledge. This book was released on 2014-07-10 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the way in which poetry in English makes use of rhythm. The author argues that there are three major influences which determine the verse-forms used in any language: the natural rhythm of the spoken language itself; the properties of rhythmic form; and the metrical conventions which have grown up within the literary tradition. He investigates these in order to explain the forms of English verse, and to show how rhythm and metre work as an essential part of the reader's experience of poetry.
Download or read book Poetic Rhythm written by Derek Attridge and published by Cambridge University Press. This book was released on 1995-09-28 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: A straightforward and practical introduction to rhythm and meter in poetry in English.
Download or read book Stravinsky and the Russian Period written by Pieter C. van den Toorn and published by Cambridge University Press. This book was released on 2012-05-10 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh look at Stravinsky's musical style, from a variety of analytical, critical and aesthetic angles.
Download or read book Hearing Homophony written by Megan Kaes Long and published by Oxford University Press. This book was released on 2020-04-28 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question of tonality's origins in music's pitch content has long vexed many scholars of music theory. However, tonality is not ultimately defined by pitch alone, but rather by pitch's interaction with elements like rhythm, meter, phrase structure, and form. Hearing Homophony investigates the elusive early history of tonality by examining a constellation of late-Renaissance popular songs which flourished throughout Western Europe at the turn of the seventeenth century. Megan Kaes Long argues that it is in these songs, rather than in more ambitious secular and sacred works, that the foundations of eighteenth century style are found. Arguing that tonality emerges from features of modal counterpoint - in particular, the rhythmic, phrase structural, and formal processes that govern it - and drawing on the arguments of theorists such as Dahlhaus, Powers, and Barnett, she asserts that modality and tonality are different in kind and not mutually exclusive. Using several hundred homophonic partsongs from Italy, Germany, England, and France, Long addresses a historical question of critical importance to music theory, musicology, and music performance. Hearing Homophony presents not only a new model of tonality's origins, but also a more comprehensive understanding of what tonality is, providing novel insight into the challenging world of seventeenth-century music.
Download or read book Poetry and Language written by Michael Ferber and published by Cambridge University Press. This book was released on 2019-09-05 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible introduction to poetry's unusual uses of language that tackles a wide range of poetic features from a linguistic point of view. Equally appealing to the non-expert and more experienced student of linguistics, this book delivers an engaging and often witty summary of how we define what poetry is.
Download or read book The Sound Sense of Poetry written by Peter Robinson and published by Cambridge University Press. This book was released on 2018-09-13 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robinson explains how poetry makes things happen through the interaction of its chosen words and forms with the reader's responses.
Download or read book Rhythm and Meter for All Musicians Complete written by Robert Anthony and published by CreateSpace. This book was released on 2014-11-01 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Both Book One and Book Two are contained within this book: Book One is a progressive set of exercises that thoroughly covers Simple and Compound Meters. Starting with basic rhythms in 4/4 time, the book immediately trains the student to play and count rhythms in 2/4, 3/4, and 5/4. The latter half does the same for compound meters such as 6/8, 9/8, 12/8, and 15/8. Book Two is a progressive set of exercises that thoroughly covers Complex Meters. Picking up where Book One left off, Book Two trains the musician to be able to read and play in Complex Meters such as 7/8, 9/8, 11/8, 7/16, 9/16, and 11/16.
Download or read book Hearing in Time written by Justin London and published by OUP USA. This book was released on 2012-05-24 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: When we hear music we don't just listen; we move along with it. Hearing in Time explores our innate propensity for rhythmic synchronization, drawing on research in music psychology, neurobiology, music theory, and mathematics. It looks at music from a wide range of musical styles and cultures.
