Download or read book Guillermo Kuitca written by Guillermo Kuitca and published by . This book was released on 2009 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argentinean artist Guillermo Kuitca was born in Buenos Aires in 1961 and continues to live and work

Download or read book Theatre Collages written by Guillermo Kuitca and published by Scalo Publishers. This book was released on 2005 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: La obra está centrada en el trabajo desarrollado por el artista entre 2003 y 2004 e inspirada en los planos de famosos teatros y óperas.

Download or read book Map As Art The Contemporary Artists Explore Cartography written by Katharine A. Harmon and published by Princeton Architectural Press. This book was released on 2009-09-23 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is filled with 350 works by well-known artists such as Joyce Kozloff, Ed Ruscha, Julian Schnabel, and Olafer Eliasson. All are wayfinders, charting the highways and byways of the spirit and the topography of the soul.

Download or read book Guillermo Kuitca written by Guillermo Kuitca and published by . This book was released on 1992 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Guillermo Kuitca written by Hervé Chandès and published by . This book was released on 2015 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt: En octobre 2014, la Fondation Cartier pour l'art contemporain présente Les Habitants, une idée du peintre argentin Guillermo Kuitca. Empruntant son titre au film du cinéaste arménien Artavazd Pelechian, l'exposition Les Habitants propose une immersion au sein d'un espace pictural et sonore dans lequel Guillermo Kuitca met en scène un réseau de relations entre son oeuvre et celles de Tarsila do Amaral, Francis Bacon, Vija Celmins, David Lynch, Artavazd Pelechian et Patti Smith. A cette occasion, la Fondation Cartier publie un livre réalisé en étroite collaboration avec l'artiste composé de vues de l'exposition, de dessins préparatoires, de reproductions d'oeuvres et de documents inédits, permettant au lecteur de découvrir le processus de création et de réalisation de cette exposition hors du commun.

Download or read book A Book Based on Guillermo Kuitca written by and published by Contemporary Art Foundation, Amsterdam. This book was released on 1993 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book My Two Worlds written by Sadie Flemig Bozeman and published by Booksurge Publishing. This book was released on 2008-06 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The memoirs of Sadie Flemig Bozeman, a British Citizen, born in Burma and raised in China and Japan from 1926 to 1956 before coming to the United States. Sadie provides a enriching story of daily life as a young girl struggling to fit into a different culture absent her father. Raised by a step-mother she enters her teen years in pre-WWII Japan and finds herself fatherless and trapped in Japan during the outbreak of WWII. She provides a glimpse of life in war-torn Japan and the devastation in Nagasaki after the dropping of the atomic bomb. Meeting Ernest Flemig, a United States Army Officer, in post-war Japan offers her hope for a life outside of the only life she has known. My Two Worlds is Sadie's reflections on her life in two different cultures and her journey as a child, a young woman, and finally as a mother looking for stability and security for her children. An Afterword by her son provides a heartwarming reconnection to this world she left behind.

Download or read book Art School written by Steven Henry Madoff and published by MIT Press. This book was released on 2009-09-11 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle

Download or read book Guillermo Kuitca Paintings written by Guillermo Kuitca and published by . This book was released on 1995 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Art of the Fold written by Hedi Kyle and published by Laurence King Publishing. This book was released on 2018-10-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The influential artist Hedi Kyle and renowned architecture graduate Ulla Warchol shows you how to create their unique designs using folding techniques. From creating flag books and fishbones, to blizzards and nesting boxes, you'll gain an invaluable insight into the work of two skilled artists with this fun read! With the help of their thorough instructions and simple illustrations, you'll be on your way to becoming a pro paper crafter in no time at all" – Sew magazine "A wonderful insight into the work of a truly skilled artist" – PaperCrafter The renowned and influential book artist Hedi Kyle shows you step–by–step how to create her unique designs using folding techniques in The Art of the Fold. Bookbinding and paper craft projects include flag books, blizzard books, the fishbone fold, and nesting boxes. Written by the doyenne of artists' books, Hedi Kyle, The Art of the Fold is a wonderful insight into the work of a truly skilled artist. Hedi will show you how to bind a book and fold paper to create over 35 of her cut–fold book designs. The book is beautifully illustrated with Hedi's finished works of art. An excerpt from the book: 'I can still remember the thrill I experienced when my first folded book structure emerged from my fingers – how eager I was to explore its possibilities and to share it with whoever was interested. The Flag Book, as I now call it, is a simple accordion and has interlocking pages oriented in opposite directions. Little did I know that this simple structure would have legs and be the catalyst for the next forty–plus years of thinking about and making books. The common perception of the book today is fairly straightforward: a series of pages organized around a spine and protected on either side by two covers. This format allows for easy access, storage and retrieval of information. Yet what happens when the book is stripped away of centuries of preconceptions and is allowed to reveal something else: playfulness, utility, invention? Expanding the notion of the book is what the structures in the following chapters of The Art of the Fold attempt to do. Exploring its tactile, sculptural form, primarily through folding methods, the book as a structural object is celebrated while content is considered in a new and unconventional way. My range in this medium has always been broad. In part this is due to my introduction to the world of bookbinding and some chance encounters. In the 1970s in New York City, the art and craft of hand bookbinding and papermaking were experiencing an unprecedented revival. I was fortunate to arrive in the city at just this moment. With an art–school background and an impulse to make things, I was naturally drawn to pursue this new opportunity. The Center for Book Arts, the famous forerunner of so many centers yet to come, was located in a small storefront just down the street from where I lived on the Lower East Side of Manhattan. Under the direction of founder Richard Minsky, it had a radical mission: to push concept, materials, printing and making of artist books in a new direction. When Richard dared me to teach at the Center one evening a week, I was hooked. My career as a book conservator and a book artist has now spanned over 45 years. As head conservator at the American Philosophical Society in Philadelphia, I've had the opportunity to handle some of the rarest volumes and manuscripts in the world. I have also dealt with decrepit books, torn maps and countless curiosities discovered in stacks and archives. All were endless sources for ideas and provided a springboard for a departure from tradition. Leading book–arts workshops around the world and a 25 year tenure teaching in the graduate program for Book Arts and Printmaking at the University of the Arts in Philadelphia have shown me, in retrospect, that the more I taught, t

Download or read book The Other Argentina written by Amy K. Kaminsky and published by State University of New York Press. This book was released on 2021-04-01 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Other/Argentina looks at literature, film, and the visual arts to examine the threads of Jewishness that create patterns of meaning within the fabric of Argentine self-representation. A multiethnic yet deeply Roman Catholic country, Argentina has worked mightily to fashion itself as a modern nation. In so doing, it has grappled with the paradox of Jewishness, emblematic both of modernity and of the lingering traces of the premodern. By the same token, Jewishness is woven into, but also other to, Argentineity. Consequently, books, movies, and art that reflect on Jewishness play a significant role in shaping Argentina's cultural landscape. In the process they necessarily inscribe, and sometimes confound, norms of gender and sexuality. Just as Jewishness seeps into Argentina, Argentina's history, politics, and culture mark Jewishness and alter its meaning. The feminized body of the Jewish male, for example, is deeply rooted in Western tradition; but the stigmatized body of the Jewish prostitute and the lacerated body of the Jewish torture victim acquire particular significance in Argentina. Furthermore, Argentina's iconic Jewish figures include not only the peddler and the scholar, but also the Jewish gaucho and the urban mobster, troubling conventional readings of Jewish masculinity. As it searches for threads of Jewishness, richly imbued with the complexities of gender and sexuality, The Other/Argentina explores the patterns those threads weave, however overtly or subtly, into the fabric of Argentine national meaning, especially at such critical moments in Argentine history as the period of massive state-sponsored immigration, the rise of labor and anarchist movements, the Perón era, and the 1976–83 dictatorship. In arguing that Jewishness is an essential element of Argentina's self-fashioning as a modern nation, the book shifts the focus in Latin American Jewish studies from Jewish identity to the meaning of Jewishness for the nation. This book is freely available in an open access edition thanks to the National Endowment for the Humanities Fellowships Open Book Program—a limited competition designed to make outstanding humanities books available to a wide audience. Learn more at the Fellowships Open Book Program website at: https://www.neh.gov/grants/odh/FOBP, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/1711.

Download or read book Bernard Frize written by David Rhodes and published by Contemporary Painters Series. This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is the first full-length monograph on the paintings of Bernard Frize (b.1949), an artist whose work straddles movements and styles from Colour Field to Minimalism, Fluxus, and Conceptual Art. Frize's works utilise a carefully constructed range of tools, processes, choreography and collaboration to catalogue, in complex and unexpected abstract form and colour, the possibilities of his chosen materials. Emerging from the politicised 1970s onwards, Frize swam against the tide of opinion regarding painting's apparent obsolescence to develop a painting practice that could express political commitment and social concerns, while avoiding both overt statement and pure decoration. David Rhodes' text provides a detailed consideration of Frize's development, from the earliest works onwards. Placing his paintings in a broader art-historical and philosophical context, a wider conversation about painting itself is presented alongside Frize's significant place within the medium's history. Exhibition: Centre Pompidou, Paris, France (29.05.-26.08.2019)."--

Download or read book Jos Antonio Su rez Londo o written by José Antonio Suárez Londoño and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication evolves from Colombian artist José Antonio Suárez Londoño's 2012 exhibition at The Drawing Center in New York. The volume features full-color plates of drawings from a selection of Londoño's notebooks (or "yearbooks") dating from 1997 to the present and taken from the artist's ongoing project in which he creates a daily drawing based on a book or series of books that he reads over the course of a year. These literary touchstones have included such diverse sources as the diaries of Paul Klee, Franz Kafka and Eugène Delacroix; Ovid's Metamorphoses; W.G. Sebald's The Rings of Saturn; and Patti Smith's poetry. The drawings themselves are refined and spare, imbued with a true classical draughtsman's eye for nuance and detail, in a unique approach to depicting contemporary artifacts. The accompanying essay is by curator Claire Gilman.

Download or read book Distemper written by Neal David Benezra and published by Distributed Art Publishers (DAP). This book was released on 1996 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Guillermo Kuitca Everything written by Guillermo Kuitca and published by . This book was released on 2009 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Chaos and Awe written by Mark W. Scala and published by National Geographic Books. This book was released on 2018-02-23 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty paintings, reproduced in color, by an international array of contemporary artists, show the aptness and relevance of painting in an era of uncertainty. In an age of global instability, the threat of chaos looms. Or is the threat more spectral than real? The fear of chaos may simply be our response to living in a world controlled by powerful forces beyond our understanding. Chaos and Awe demonstrates the aptness and relevance of painting as a medium for expressing the uncertainty of our era. It presents more than fifty paintings, by an international array of contemporary artists, that induce sensations of disturbance, curiosity, and expansiveness—the new sublime, derived not from the unfathomable mystery of nature but from the hidden and often insidious forces of culture. Essays by art historians and “painters who write” offer context and illumination. Chaos and Awe, which accompanies a major exhibition at the Frist Art Museum in Nashville, shows that painting's capacity to represent the liminal space between the real and the virtual allows it to portray the shifting ground of today's social imaginary. With suggestions of fragmentation, instability, and murkiness, these paintings enclose what seems to be (as Simon Morley writes in his essay) “wholly unenclosable.” The paintings presented offer visions of interconnected forces invisibly shaping contemporary global experience; portray the intractability of veiled racial animus and the phantoms of the past that continue to haunt the present; suggest, through semi-abstract languages, long-term conflicts played out through nationalism and extremism; depict the conjunction of cultures not as flashpoints but in terms of cross-fertilization and a new hybridity; convey the role of digital technology in intertwining knowledge and doubt; express the elusive nature of perception through floating forms, liquid, gas, flame, and light; and cast instability and chaos as opportunities to expand our perceptions of the connectedness of knowledge, intuition, and spirituality. Painters Franz Ackermann, Ahmed Alsoudani, Ghada Amer, Korakrit Arunanondchai, Radcliffe Bailey, Ali Banisadr, Pedro Barbeito, Jeremy Blake, Matti Braun, Dean Byington, Hamlett Dobbins, Nogah Engler, Anoka Faruqee, Barnaby Furnas, Ellen Gallagher, Adrian Ghenie, Wayne Gonzales, Wade Guyton, Rokni Haerizadeh, Peter Halley, Eddy Kamuanga Ilunga, Rashid Johnson, Guillermo Kuitca, Heather Gwen Martin, Julie Mehretu, Jiha Moon, Wangechi Mutu, James Perrin, Neo Rauch, Matthew Ritchie, Rachel Rossin, Pat Steir, Barbara Takenaga, Dannielle Tegeder, Kazuki Umezawa, Charline von Heyl, Sarah Walker, Corinne Wasmuht, Sue Williams Contributors Media Farzin Media Farzin is a writer, editor, and educator. Her writings have appeared in Bidoun, Artforum, Afterimage, and Art-Agenda online. She is a faculty member at the School of Visual Arts and the Sotheby's Institute of Art, New York. Simon Morley is an artist and Professor at Dankook University in Korea. He is the author of Writing on the Wall: Word and Image in Modern Art and editor of The Sublime (MIT Press/Whitechapel Gallery). Matthew Ritchie's work is regularly exhibited worldwide and is in the collections of the Museum of Modern Art (New York), the San Francisco Museum of Modern Art, the Guggenheim, the Whitney Museum of American Art. He has written for Artforum, Flash Art, Art & Text, October, and the Contemporary Arts Journal. He lectures widely and is currently a Mentor Professor in the Graduate Visual Arts Program at Columbia University. Copublished with the Frist Art Museum, Nashville

Download or read book Hans Ulrich Obrist Infinite Conversations written by Hans Ulrich Obrist and published by Fondation Cartier Pour l'Art Contemporain, Paris. This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 2014, on the occasion of the 30th anniversary of the Fondation Cartier, Hans Ulrich Obrist imagined "The Infinite Conversation" - a title borrowed from Maurice Blanchot - a series of conversations with artists, scientists and thinkers close to the Fondation Cartier and its exhibition program. Since then, Hans Ulrich Obrist and the Fondation Cartier have renewed their collaboration. After Vivid Memories (2014), the exhibitions The Great Animal Orchestra (2016), Junya Ishigami, Freeing Architecture (2018), and Southern Geometries, from Mexico to Patagonia (2018) were the occasion of new "marathon dialogues" with other artists and contributors. The book, Infinite Conversations, gathers together all these 31 conversations in an invitation to transcend the borders between art disciplines.