Download or read book Ghosts and Dreams in the Renaissance Drama A Comparison Between Selected Tragedies written by Tinani Van Niekerk and published by GRIN Verlag. This book was released on 2007-08 with total page 53 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Bonn (Institut f r Anglistik, Amerikanistik und Keltologie), course: Revenge in the Renaissance, 9 entries in the bibliography, language: English, abstract: Sinister, unearthly, sometimes even all-knowing: Ghosts and metaphysical entities accompany stories, legends and and superstitious tales throughout the centuries. They are doomed as evil and satanic, or used to illustrate morality by "settling" their earthly bussiness with human evil-doers. They might even be good, yet can never completely to be trusted. Their connection with the dead makes them attractive as characters with powers above the human boundries. In the Elizabethan drama as in contrast to modern dramas, supernatural events and entities such as ghosts, apparitions, dreams and visions play a major and sometimes even crucial role in the plot. In this paper I would like to take a closer look at the Elizabethan fascination with the "unseen", how authors implemented it into their plays and what roles these ghosts and dreams played. Introductory I will look at the general view of the unnatrural from the Renaissance perspective. In order to stay within the proper range of this paper I have chosen a selection of four tragedies written by four different playwrights. In each of the plays, a ghostly character appears, mostly in dreamlike visions. I would like to discuss the scenes in which these characters appear and compare the characters with another in the conclusion of the paper.
Download or read book Ghosts and dreams in the renaissance drama A comparison between selected tragedies written by Tinani van Niekerk and published by GRIN Verlag. This book was released on 2007-04-25 with total page 25 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Revenge in the Renaissance, language: English, abstract: Sinister, unearthly, sometimes even all-knowing: Ghosts and metaphysical entities accompany stories, legends and and superstitious tales throughout the centuries. They are doomed as evil and satanic, or used to illustrate morality by “settling” their earthly bussiness with human evil-doers. They might even be good, yet can never completely to be trusted. Their connection with the dead makes them attractive as characters with powers above the human boundries. In the Elizabethan drama as in contrast to modern dramas, supernatural events and entities such as ghosts, apparitions, dreams and visions play a major and sometimes even crucial role in the plot. In this paper I would like to take a closer look at the Elizabethan fascination with the “unseen”, how authors implemented it into their plays and what roles these ghosts and dreams played. Introductory I will look at the general view of the unnatrural from the Renaissance perspective. In order to stay within the proper range of this paper I have chosen a selection of four tragedies written by four different playwrights. In each of the plays, a ghostly character appears, mostly in dreamlike visions. I would like to discuss the scenes in which these characters appear and compare the characters with another in the conclusion of the paper.
Download or read book A Comparative Analysis of the Ghosts Appearances Motifs and Functions in Shakespeare s Hamlet and Kyd s The Spanish Tragedy written by Katharina Unkelbach and published by GRIN Verlag. This book was released on 2013-08-23 with total page 17 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2013 in the subject Didactics for the subject English - Literature, Works, grade: 1,7, Johannes Gutenberg University Mainz, language: English, abstract: Revenge tragedy is, as the notion implies, primarily concerned with revenge and consequently also with death. One naturally raises the question what may happen to all those dead bodies when sudden death has terminated life on earth. Is the physical death coercively accompanied by the soul’s death? The belief in an afterlife – not only concerning religious conceivabilities – has been popular ever since the beginning of human life. This paper focuses on a very special form of afterlife – the one of being a ghost. Between 1580 and 1590 those “spooky” creatures have been assigned a definite role among the dramatis personae of English (revenge) tragedies: Twenty-six plays written between 1560 and 1610 include fifty-one ghosts (cf. Prosser, 259, Moorman1, 90), being highly different concerning their outward appearances, the inner life and motifs and their general functions in the play. Aeschylus was the first author using revenge ghosts (named Darius and Clytemnestra) in his plays. Euripides introduced the very first prologue ghost named Polydorus, whose function was to summarize the plot and to connect the chain of events. Seneca, finally, was the first author to combine the Euripidean prologue ghost with the Aeschylean revenge ghost (cf. Moorman1, 85/86). This paper focuses on the ghosts in Shakespeare’s “Hamlet” and Kyd’s “Spanish Tragedy”. While Don Andrea and Revenge primary function as prologue ghost and as a commenting and judgemental chorus, dead King Hamlet’s ghost is the “lynchpin” of the play, initiating and pursuing his very own vengeance. In order to point out the ghosts ́ different dramatic functions, they will be compared in terms of the outward appearance (chapter 2.1) and their personal motifs and values (chapter 2.2). Besides, the frequency and manner of occurrences will be analyzed (chapter 3) in order to point out the ghosts ́ overall functions in the tragedies (chapter 4).
Download or read book When the Bad Bleeds written by Imke Pannen and published by V&R unipress GmbH. This book was released on 2010 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mantic elements are manifold in the English drama of the Renaissance period: they are supernatural manifestations and have a prophetic, future-determining function within the dramatic plot, which can be difficult to discern. Addressing contemporaries of Shakespeare, this study interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general conclusions about the use of mantic elements in this genre. The analysis of the cultural context and the functionalisation of mantic elements in revenge tragedy of the Elizabethan, Jacobean, and Caroline era show their essential function in the construction of the plot. Mantic elements create and stimulate audience expectations. They are not only rhetoric decorum, but structural elements, and convey knowledge about the genre, the fate of which is determined by retaliation. An interpretation of revenge tragedy is only possible if mantic providentialism is taken into account.
Download or read book Roman Historical Drama written by Patrick Kragelund and published by Oxford University Press. This book was released on 2016 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roman Historical Drama is the first comprehensive interpretation of ancient historical drama in relation to the Octavia, revealing how the play mirrors the genre's traditions by mixing formats and stock characters from traditional tragedy with elements drawn from new developments of the Hellenistic and Roman stage.
Download or read book Dream and Prediction in the Aeneid written by Patrick Kragelund and published by Museum Tusculanum Press. This book was released on 1976 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: A semiotic interpretation of the dreams of Aeneas and Turnus.
Download or read book A Comparative Analysis of the Ghosts Appearances Motifs and Functions in Shakespeare s Hamlet and Kyd s the Spanish Tragedy written by Katharina Unkelbach and published by . This book was released on 2013-08 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2013 in the subject English - Literature, Works, grade: 1,7, Johannes Gutenberg University Mainz, language: English, abstract: Revenge tragedy is, as the notion implies, primarily concerned with revenge and consequently also with death. One naturally raises the question what may happen to all those dead bodies when sudden death has terminated life on earth. Is the physical death coercively accompanied by the soul's death? The belief in an afterlife - not only concerning religious conceivabilities - has been popular ever since the beginning of human life. This paper focuses on a very special form of afterlife - the one of being a ghost. Between 1580 and 1590 those "spooky" creatures have been assigned a definite role among the dramatis personae of English (revenge) tragedies: Twenty-six plays written between 1560 and 1610 include fifty-one ghosts (cf. Prosser, 259, Moorman, 90), being highly different concerning their outward appearances, the inner life and motifs and their general functions in the play. Aeschylus was the first author using revenge ghosts (named Darius and Clytemnestra) in his plays. Euripides introduced the very first prologue ghost named Polydorus, whose function was to summarize the plot and to connect the chain of events. Seneca, finally, was the first author to combine the Euripidean prologue ghost with the Aeschylean revenge ghost (cf. Moorman, 85/86). This paper focuses on the ghosts in Shakespeare's "Hamlet" and Kyd's "Spanish Tragedy." While Don Andrea and Revenge primary function as prologue ghost and as a commenting and judgemental chorus, dead King Hamlet's ghost is the "lynchpin" of the play, initiating and pursuing his very own vengeance. In order to point out the ghosts different dramatic functions, they will be compared in terms of the outward appearance (chapter 2.1) and their personal motifs and values (chapter 2.2). Besides, the frequency and manner of occurrences will be analyzed (chapter 3) in ord
Download or read book Renaissance Revivals written by Wendy Griswold and published by University of Chicago Press. This book was released on 1986-10 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object.
Download or read book Renaissance Drama written by Derek Traversi and published by . This book was released on 1980 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Staging Women and the Soul Body Dynamic in Early Modern England written by Sarah E. Johnson and published by Routledge. This book was released on 2016-04-01 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though the gender-coded soul-body dynamic lies at the root of many negative and disempowering depictions of women, Sarah Johnson here argues that it also functions as an effective tool for redefining gender expectations. Building on past criticism that has concentrated on the debilitating cultural association of women with the body, she investigates dramatic uses of the soul-body dynamic that challenge the patriarchal subordination of women. Focusing on two tragedies, two comedies, and a small selection of masques, from approximately 1592-1614, Johnson develops a case for the importance of drama to scholarly considerations of the soul-body dynamic, which habitually turn to devotional works, sermons, and philosophical and religious treatises to elucidate this relationship. Johnson structures her discussion around four theatrical relationships, each of which is a gendered relationship analogous to the central soul-body dynamic: puppeteer and puppet, tamer and tamed, ghost and haunted, and observer and spectacle. Through its thorough and nuanced readings, this study redefines one of the period’s most pervasive analogies for conceptualizing women and their relations to men as more complex and shifting than criticism has previously assumed. It also opens a new interpretive framework for reading representations of women, adding to the ongoing feminist re-evaluation of the kinds of power women might actually wield despite the patriarchal strictures of their culture.
Download or read book Death and Drama in Renaissance England written by William E. Engel and published by Oxford University Press, USA. This book was released on 2002 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Download or read book Shakespeare Studies written by Leeds Barroll and published by Fairleigh Dickinson Univ Press. This book was released on 2003-10-15 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare Studies, edited by Leeds Barroll, a Scholar in Residence at the Folger Shakespeare Library, is an international volume published every year in hardcover, containing essays and studies by critics and cultural historians from both hemispheres. It includes substantial reviews of significant books and essays dealing with the cultural history of early modern England, as well as the place of Shakespeare's productions--and those of his contemporaries--within it. Volume XXXI presents a new feature, the first in an annual series of articles on "Early Modern Drama around the World." Specialists in each national drama being presented in other areas of the globe during the time of Shakespeare will discuss the state of scholarly study in each area. In this volume Grant Shen discusses late Ming drama in China, and Richard Pym writes on drama in Golden Age Spain. Full-length articles by Gustave Ungerer, Patricia Parker, Thomas Moisan, and Jennifer Lewin deal with The Merchant of Venice, Hamlet, Much Ado about Nothing, and Shakespeare's final plays. These are supplemented by review-articles by Raphael Falco and David Harris Sacks: "Is the Renaissance an Aesthetic Category?" and "Imagination in History." Volume XXXI also includes twenty-one reviews of books written by distinguished scholars on topics such as witchcraft, vagrancy, public devotion in early modern England, as well as on editions of the collected works of Elizabeth I.
Download or read book Renaissance Drama 35 written by Mary Floyd-Wilson and published by Northwestern University Press. This book was released on 2006-06-22 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. This special issue of Renaissance Drama "Embodiment and Environment in Early Modern Drama and Performance" is guest-edited by Mary Floyd-Wilson and Garrett A. Sullivan, Jr. Anatomized, fragmented, and embarrassed, the body has long been fruitful ground for scholars of early modern literature and culture. The contributors suggest, however, that period conceptions of embodiment cannot be understood without attending to transactional relations between body and environment. The volume explores the environmentally situated nature of early modern psychology and physiology, both as depicted in dramatic texts and as a condition of theatrical performance. Individual essays shed new light on the ways that travel and climatic conditions were understood to shape and reshape class status, gender, ethnicity, national identity, and subjectivity; they focus on theatrical ecologies, identifying the playhouse as a "special environment" or its own "ecosystem," where performances have material, formative effects on the bodies of actors and audience members; and they consider transactions between theatrical, political, and cosmological environments. For the contributors to this volume, the early modern body is examined primarily through its engagements with and operations in specific environments that it both shapes and is shaped by. Embodiment, these essays show, is without borders.
Download or read book A Counter History of Crime Fiction written by Maurizio Ascari and published by Springer. This book was released on 2007-09-05 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.
Download or read book Philosophers on Shakespeare written by Paul A. Kottman and published by Stanford University Press. This book was released on 2009 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume assembles for the first time writings from the past two hundred years by philosophers engaging the dramatic work of William Shakespeare.
Download or read book Literature East and West written by Rabindra Kumar Dasgupta and published by Allied Publishers. This book was released on 1995 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Hamlet Protestantism and the Mourning of Contingency written by John E. Curran Jr and published by Routledge. This book was released on 2016-04-22 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new.
