Download or read book Gender in Play on the Shakespearean Stage written by Michael Shapiro and published by . This book was released on 1996 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguiseman-playing-woman-playing-manin all its theatrical and social complexity. Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England.
Download or read book Gender in Play on the Shakespearean Stage written by Michael Shapiro and published by University of Michigan Press. This book was released on 1994 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cross-dressing in Shakespeare: a context for Elizabethan gender studies
Download or read book Time and Gender on the Shakespearean Stage written by Sarah Lewis and published by Cambridge University Press. This book was released on 2020-09-24 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: An original study of the ways in which temporal concepts and gendered identities intersect in early modern theatre and culture.
Download or read book Occult Knowledge Science and Gender on the Shakespearean Stage written by Mary Floyd-Wilson and published by Cambridge University Press. This book was released on 2013-07-11 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized.
Download or read book Midsummer night s dream Romeo and Juliet written by William Shakespeare and published by . This book was released on 1884 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Medieval and Renaissance Drama in England written by John Pitcher and published by Fairleigh Dickinson Univ Press. This book was released on 1997-07 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Download or read book Enacting Gender on the English Renaissance Stage written by Viviana Comensoli and published by University of Illinois Press. This book was released on 1999 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collection of essays which engages debates over gender in the English Renaissance theater--Cover.
Download or read book Shakespeare Without Women written by Dympna Callaghan and published by Routledge. This book was released on 2002-09-11 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Shakespeare and Feminist Performance written by Sarah Werner and published by Routledge. This book was released on 2005-07-08 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do performances of Shakespeare change the meanings of the plays? In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest. Werner concentrates particularly on: The influential training methods of Cicely Berry and Patsy Rodenburg The history of the RSC Women's Group Gale Edwards' production of The Taming of the Shrew She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions. By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.
Download or read book Shakespearean Tragedy and Gender written by Shirley Nelson Garner and published by Indiana University Press. This book was released on 1996-02-22 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: While considering Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume covers the major tragic period, giving special attention to Othello.
Download or read book Shakespeare and Gender in Practice written by Terri Power and published by Bloomsbury Publishing. This book was released on 2015-12-01 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cross-gender performance was an integral part of Shakespearean theatre: from boys portraying his female characters, to those characters disguising themselves as men within the story. This book examines contemporary trends in staging cross-gender performances of Shakespeare in the UK and USA. Terri Power surveys the field of gender in performance through an intersectional feminist and queer theoretical lens. In depth discussions of key productions reveal processes adapted by companies for their performances. The book also looks at how contemporary performance responds to new cultural politics of gender and creates a critical language for understanding that within Shakespeare. This book features: - First-hand interviews with professional artists - Case studies of individual performances - A practical workshop section with innovative exercises
Download or read book Costuming the Shakespearean Stage written by Robert I. Lublin and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed.
Download or read book Oral Traditions and Gender in Early Modern Literary Texts written by Mary Ellen Lamb and published by Routledge. This book was released on 2017-11-28 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proposing a fresh approach to scholarship on the topic, this volume explores the cultural meanings, especially the gendered meanings, of material associated with oral traditions. The collection is divided into three sections. Part One investigates the evocations of the 'old nurse' as storyteller so prominent in early modern fictions. The essays in Part Two investigate women's fashioning of oral traditions to serve their own purposes. The third section disturbs the exclusive associations between the feminine and oral traditions to discover implications for masculinity, as well. Contributors explore the plays of Shakespeare and writings of Spenser, Sidney, Wroth and the Cavendishes, as well as works by less well known or even unknown authors. Framed by an introduction by Mary Ellen Lamb and an afterword by Pamela Allen Brown, these essays make several important interventions in scholarship in the field. They demonstrate the continuing cultural importance of an oral tradition of tales and ballads, even if sometimes circulated in manuscript and printed forms. Rather than in its mode of transmission, contributors posit that the continuing significance of this oral tradition lies instead in the mode of consumption (the immediacy of the interaction of the participants). Oral Traditions and Gender in Early Modern Literary Texts confirms the power of oral traditions to shape and also to unsettle concepts of the masculine as well as of the feminine. This collection usefully complicates any easy assumptions about associations of oral traditions with gender.
Download or read book Shakespeare s Body Language written by Miranda Fay Thomas and published by Bloomsbury Publishing. This book was released on 2019-11-14 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why do the Capulets bite their thumbs at the Montagues? Why do the Venetians spit upon Shylock's Jewish gaberdine? What is it about Volumnia's act of kneeling that convinces Coriolanus not to assault the city of Rome? Shakespeare's Body Language is a ground-breaking new study of Shakespearean drama, revealing the previously unseen history of social tensions found within the performance of gestures – and how such gestures are used to shame those within the body politic of early modern England. The first full study of shaming gestures in Shakespearean drama, this book establishes how shame is often rooted in the gendered expectations of the Renaissance era. Exploring how the performance of gestures such as figging, the cuckold's horns, and even the in-action of stillness created shaming spectacles on the early modern stage and its wider society, Shakespeare's Body Language argues that gestures are embodied social metaphors which epitomise the personal as political. It reveals the tensions of everyday life as key motivators behind the actions of Shakespeare's characters, and considers how honour and its opposite, shame, are constructed in terms of gender norms. Featuring in-depth analyses of plays across Shakespeare's career, this book explores how the playwright's understanding of shame and humiliation is rooted in performance anxiety and gender politics, explaining how theatrical gestures can create dramatic tension in a way that words alone cannot. It offers both rich insights into the early modern context of Shakespeare's drama and confirms the startling relevance of his work to modern audiences.
Download or read book A Feminist Companion to Shakespeare written by Dympna Callaghan and published by John Wiley & Sons. This book was released on 2016-05-23 with total page 581 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
Download or read book The Diva s Gift to the Shakespearean Stage written by Pamela Allen Brown and published by Oxford University Press. This book was released on 2021 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress whoradically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in allgenres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the typemore engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, andShakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, andtragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figuredthem as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radicalchallenge that pushed English playwrights to break with the past in enormously generative and provocative ways.
Download or read book The transgression of Gender in Shakespeare s Comedy Twelfth Night written by Annika Bolten and published by GRIN Verlag. This book was released on 2012-11-06 with total page 25 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Wuppertal, language: English, abstract: Women mistaken for men, men mistaken for women, disguised as men - this play with identity and gender does not seem to be a new topic for the theatre audience of the 21. century. But in Elizabethan England, where identity and the question of class were very important for society, these confusing relationships shown on stage must have been puzzling. Although confusions over identity are nothing new in comedy since classical times, it is Shakespeare who mainly focused on the issue of gender in his comedies. In 'Twelfth Night' he plays with the cultural constructions of his time, for example the question of gender and erotic attraction, even between partners of the same sex.
