Download or read book The Grove Encyclopedia of Medieval Art and Architecture written by Colum Hourihane and published by . This book was released on 2012 with total page 4064 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Download or read book The Antiquaries Journal written by and published by . This book was released on 1923 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Sculpture in Britain the Middle Ages written by Lawrence Stone and published by Viking Adult. This book was released on 1955 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Egerton Genesis written by Mary Coker Joslin and published by University of Toronto Press. This book was released on 2001-01-01 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Egerton Genesis is a pictorial narrative of the biblical Genesis, supplemented by legendary material. It was commissioned in the fourteenth century for the entertainment of a middle-class patron and his friends.

Download or read book Catalog written by Warburg Institute. Library and published by . This book was released on 1961 with total page 1024 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Medieval Art in Britain written by and published by . This book was released on 1981 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Push Me Pull You written by and published by BRILL. This book was released on 2011-05-10 with total page 1402 pages. Available in PDF, EPUB and Kindle. Book excerpt: Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them. Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.

Download or read book Aspects of British Painting 1550 1800 written by Sarah Campbell Blaffer Foundation and published by . This book was released on 1988 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Labors of Innocence in Early Modern England written by Joanna Picciotto and published by Harvard University Press. This book was released on 2010-06-15 with total page 888 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Joanna Picciotto's Labors of Innocence in Early Modern England is a splendid study of the origins, devlopment, and eventual decline of the Experimentalist tradition in seventeenth-and early eighteenth-century English letters. In tracing out the arc of this intellectual and professional trajectory, Picciotto engages productively with the crucial religious, socio-economic, philosophical, and literary movements associated with the ongoing labors of the `innocent eye'".---Eileen Reeves, Princetion University --

Download or read book Publications written by Folklore Society (Great Britain) and published by . This book was released on 1951 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book English Medieval Alabasters written by Francis Cheetham and published by Boydell & Brewer Ltd. This book was released on 2005 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Francis Cheetham's classic survey of English medieval alabasters includes a richly illustrated catalogue of the Victoria and Albert Museum's unparalleled collection. English alabasters represent a unique contribution to medieval art. Less sophisticated, perhaps, than other contemporary forms of religious art, they were a neglected area of study until this volume was first published in 1984. Stories from the New Testament and The Golden Legend were the most favoured subjects, and the numerous examples that survive in churches and museums throughout Europe attest to their wide and enduring appeal. FrancisCheetham examines here all aspects of their production and demonstrates how the panels and altarpieces can aid our understanding of life and devotional practice in medieval times. At the heart of this fascinating study is arichly illustrated catalogue of the 260 examples in the collection of London's Victoria and Albert Museum: a collection "so comprehensive that it would be possible to write a survey of the subject almost without recourse to pieces elsewhere," as Sir Roy Strong notes in his Foreword. Their division into subject categories is an invaluable aid to identification and classification. The late Francis Cheetham was an acknowledged expert on medieval English alabasters, and this reissue of his classic work will be welcomed by historians, art historians, collectors and dealers alike, taking its place alongside his Alabaster Images of Medieval England which was published by the Boydell Press in 2003.

Download or read book English Medieval Industries written by John Blair and published by A&C Black. This book was released on 1991-01-01 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is intended as a modern successor to L.F. Salzman's "English Industries in the Middle Ages" (1913). The approach to each industry is by material, discussing its acquisition, working and sale as a finished product. Only industries that resulted in the production of consumer goods and where substantial numbers of artefacts survive from the Middle Ages are dealt with (fishing and brewing are therefore omitted); the text is illustrated by pictures of surviving objects and contemporary representations of medieval work.

Download or read book Library Catalog of the Metropolitan Museum of Art New York written by Metropolitan Museum of Art (New York, N.Y.). Library and published by Macmillan Reference USA. This book was released on 1980 with total page 738 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cut in Alabaster written by Kim Woods and published by Distinguished Contributions to. This book was released on 2018-09 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: While marble is associated with Renaissance Italy, alabaster was the material commonly used elsewhere in Europe and has its own properties, traditions and meanings. It enjoyed particular popularity as a sculptural material during the two centuries 1330-1530, when alabaster sculpture was produced both for indigenous consumption and for export. Focussing especially on England, the Burgundian Netherlands and Spain, three territories closely linked through trade routes, diplomacy and cultural exchange, this book explores and compares the material practice and visual culture of alabaster sculpture in late medieval Europe. Cut in Alabaster charts sculpture from quarry to contexts of use, exploring practitioners, markets and functions as well as issues of consumption, display and material meanings. It provides detailed examination of tombs, altarpieces and both elite and popular sculpture, ranging from high status bespoke commissions to small, low-cost carvings produced commercially for a more popular clientele.

Download or read book Notes and Queries written by and published by . This book was released on 1922 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Brooklyn Museum Bulletin written by and published by . This book was released on 1948 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Poetics of the Incarnation written by Cristina Maria Cervone and published by University of Pennsylvania Press. This book was released on 2013-02-11 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Gospel of John describes the Incarnation of Christ as "the Word made flesh"—an intriguing phrase that uses the logic of metaphor but is not traditionally understood as merely symbolic. Thus the conceptual puzzle of the Incarnation also draws attention to language and form: what is the Word; how is it related to language; how can the Word become flesh? Such theological questions haunt the material imagery engaged by medieval writers, the structural forms that give their writing shape, and even their ideas about language itself. In Poetics of the Incarnation, Cristina Maria Cervone examines the work of fourteenth-century writers who, rather than approaching the mystery of the Incarnation through affective identification with the Passion, elected to ponder the intellectual implications of the Incarnation in poetical and rhetorical forms. Cervone argues that a poetics of the Incarnation becomes the grounds for working through the philosophical and theological implications of language, at a point in time when Middle English was emerging as a legitimate, if contested, medium for theological expression. In brief lyrics and complex narratives, late medieval English writers including William Langland, Julian of Norwich, Walter Hilton, and the anonymous author of the Charters of Christ took the relationship between God and humanity as a jumping-off point for their meditations on the nature of language and thought, the elision between the concrete and the abstract, the complex relationship between acting and being, the work done by poetry itself in and through time, and the meaning latent within poetical forms. Where Passion-devoted writing would focus on the vulnerability and suffering of the fleshly body, these texts took imaginative leaps, such as when they depict the body of Christ as a lily or the written word. Their Incarnational poetics repeatedly call attention to the fact that, in theology as in poetics, form matters.