Download or read book French Royal Academy of Painting and Sculpture Engraved Reception Pieces 1672 1789 written by W. McAllister Johnson and published by Kingston [Ont.] : Agnes Etherington Art Centre, Queen's University. This book was released on 1982 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Royal Academy of Painting and Sculpture Engraved Reception Pi ces 1672 1789 written by W. Mac Allister Johnson and published by . This book was released on 1982 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Acad mie Royale de Peinture et de Sculpture written by Christian Michel and published by Getty Publications. This book was released on 2018-02-06 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.
Download or read book Painting and Sculpture in France 1700 1789 written by Michael Levey and published by Yale University Press. This book was released on 1993-01-01 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.
Download or read book Canons and Values written by Larry Silver and published by Getty Publications. This book was released on 2019-08-27 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: A critical rethinking of the way canons are defined, constructed, dismantled, and revised. A century ago, all art was evaluated through the lens of European classicism and its tradition. This volume explores and questions the foundations of the European canon, offers a critical rethinking of ancient and classical art, and interrogates the canons of cultures and regions that have often been left at the margins of art history. It underscores the historical and geographical diversity of canons and the local values underlying them. Twelve international scholars consider how canons are constructed and contested, focusing on the relationship between canonical objects and the value systems that shape their hierarchies. Deploying an array of methodologies—including archaeological investigations, visual analysis, and literary critique—the authors examine canon formation throughout the world, including Africa, India, East Asia, Mesoamerica, South America, ancient Egypt, classical Greece, and Europe. Global studies of art, which are dismantling the traditionally Eurocentric canon, promise to make art history more inclusive. But enduring canons cannot be dismissed. This volume raises new questions about the importance of canons—including those from outside Europe—for the wider discipline of art history.
Download or read book Creativity and Reproduction written by Susanne Anderson-Riedel and published by Cambridge Scholars Publishing. This book was released on 2010-02-19 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study investigates the engravers’ rise within the French academic system and demonstrates their success in transforming a reproductive medium into a creative and original art genre. In the nineteenth century, graphic artists developed an artistic language that was independent and on par with the original model that they reproduced. The Académie royale de peinture et de sculpture welcomed graphic artists into its ranks in 1655. As talented reproductive artists were able to disseminate works of art produced at the Academy, engravers rose to occupy administrative positions at the compagnie in the eighteenth century. Their success notwithstanding, graphic artists remained unable to overcome the perception of being reproductive artisans rather than creative and original fine artists. The proof of their predicament was the continuous refusal of advanced artistic training for graphic artists within the French academic system. The Section de Gravure at the Institut de France, established in 1803, was the first academic institution that distinguished between imitative and creative artistic execution in the reproductive graphic arts. Through patronage, the supervision of competitions, and the administration of the Prix de Rome program for graphic artists, the Engraving Department established specific guidelines for artistic reproduction and encouraged the formulation of an independent, artistic language in the reproductive arts. Finally, it defined the characteristics of fine engraving as a creative art medium. The Prix de Rome for engraving was crucial in consolidating the new understanding of engraving as an original art form. The engravers’ participation in the Grand Prix competition transformed their artisanal training practice in the master’s workshop into an artistic and academic education of graphic artists in the engraving ateliers. Furthermore, their sojourn at the French Academy in Rome encouraged the collegial collaboration between painters, sculptors, and engravers, leading engravers to develop a free and graphic interpretation of their model. The reproductive engraver was now able to rival painters and sculptors and, consequently, he emerged as a creative and original artist.
Download or read book Artists and Amateurs written by Perrin Stein and published by Yale University Press. This book was released on 2013-10-29 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Download or read book The Age of Watteau Chardin and Fragonard written by Musée des beaux-arts du Canada (Ottawa) and published by Yale University Press. This book was released on 2003-01-01 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading scholars shed light on the development of genre painting in this heavily illustrated volume.
Download or read book Bernard Picart and the First Global Vision of Religion written by Lynn Hunt and published by Getty Publications. This book was released on 2010 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: In an era of intense religious conflict in Europe and ongoing exploration of the lands beyond Europe, Cérémonies et coutumes religieuses de tous les peuples du monde (1723-37) set a new agenda for thinking about faith and provided a lasting visual template for representing the world's religions. In the work's seven massive volumes, Jean Frederic Bernard and the renowned engraver Bernard Picart invited readers to view religions and their institutions as cultural practices. Bernard Picart and The First Global Vision of Religion approaches this much-cited but little-studied work from a variety of angles. Its fifteen scholarly essays examine Bernard and Picart's authorial and artistic strategies, the handling of religious difference in Cérémonies et coutumes religieuses, and the cultural context that fostered the creation of one of the most influential works of comparative religion ever published.
Download or read book Artists and Amateurs written by Perrin Stein and published by Metropolitan Museum of Art. This book was released on 2013 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Download or read book A God Or a Bench written by Anne Betty Weinshenker and published by Peter Lang. This book was released on 2008 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking a new approach to consideration of the sculpture created in France during the seventeenth and eighteenth centuries, this book is concerned with its societal roles and the ways in which it was received. The author draws on an extensive range of texts by artists, critics, art theoreticians and other writers as well as on images, setting contemporary conceptions of the nature and purposes of sculpture and individual works into the contexts of the elite and popular cultures of the time. Among topics included are investigations of the employment of statuary for political and religious communication, pictorial representations of sculpture, the comparative roles of painting and sculpture, and the social status of various kinds of sculptors. Previous treatments have dealt with these productions primarily in terms of stylistic developments or of the accomplishments of individual sculptors. This study however approaches its subject thematically rather than chronologically or biographically, while nevertheless acknowledging developments and variations that occurred during the period.
Download or read book A Portrait of the Artist 1525 1825 written by James Clifton and published by Museum of Fine Arts (Houston). This book was released on 2005-11 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue of an exhibition at the Museum of Fine Arts, Houston, Feb. 27-May 22, 2005; and at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y., Sept. 3, 2005-Jan. 1, 2006.
Download or read book Female Printmakers Printsellers and Print Publishers in the Eighteenth Century written by Cristina S. Martinez and published by Cambridge University Press. This book was released on 2024-03-31 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Integrates the vital contributions of women as printmakers, printsellers and print publishers into the history of eighteenth-century art.
Download or read book The Worldwide Art Catalogue Bulletin written by and published by . This book was released on 1983 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Printing the Grand Manner written by Louis Marchesano and published by Getty Publications. This book was released on 2010 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: By exploring the intense interaction between painting and printmaking between art theory and unbridled artistic ambition, Printing the Grand Manner breaks new ground in its analysis of both the reproductive prints and Le Brun's original compositions. --Book Jacket.
Download or read book Manet Baudelaire and Photography written by Larry LeRoy Ligo and published by . This book was released on 2006 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book represents a radical reappraisal of the life and work of Edouard Manet. Through a thorough examination and interpretation of nearly every major painting (and many of the prints) Manet exhibited publicly between 1861 and 1882, the author arrived at the following conclusions. First, Manet was vitally and consistently concerned with the iconographical content of his major work; second, the iconographical content of Manet's work throughout his career was determined by a single underlying set of principles; third, the underlying principles from which Manet's iconography consistently derived had their origins in the aesthetics of Charles Baudelaire; fourth, the "form" of Manet's Baudelairean "content" was consistently derived from the appearance and ontology of mid-nineteenth century photography; fifth, Manet consistently presented emblematic, veiled self-portraits in his work; and sixth, the particular feature of Baudelairean aesthetic employed by Manet at any given time in his career was determined, to a large extent, by autobiographical concerns. The author argues that Manet's widely acknowledged adaptation of japonisme and "impressionism" can also be seen as further manifestations of his underlying Baudelairean cosmology."--Publisher's website.
