Download or read book Fran ois Couperin and the French Classical Tradition written by Wilfrid Mellers and published by . This book was released on 1968 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Francois Couperin and the French Classical Tradition written by Wilfrid Mellers and published by . This book was released on 2008 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Francois Couperin written by Wilfred Mellers and published by . This book was released on 1953 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fran ois Couperin and the French Classical Tradition written by Wilfrid Howard Mellers and published by . This book was released on 1950 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fran ois Couperin and The Perfection of Music written by David Tunley and published by Routledge. This book was released on 2016-04-15 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: François Couperin's contribution to the literature of baroque keyboard music has long been recognized. François Couperin and 'The Perfection of Music' updates and expands upon David Tunley's valuable 1982 BBC Music Guide to the composer, and examines the whole of Couperin’s output including the organ masses, motets and chamber music, in addition to the well-known works for harpsichord. Taking as its focal point Couperin's concept of the perfection of music through the union of the French and Italian styles, this book takes a more analytical approach to Couperin's work. Early chapters outline the main contrasting features of the two schools in the seventeenth- and early eighteenth-centuries, and it becomes clear that Couperin's expressive power owed much to his fusion of the polarities of the French classical tradition with that of the Italian baroque. The book features a number of appendices, including the prefaces to Couperin's work both in the original French and in English translation, and a glossary of dances of the French baroque.
Download or read book Fran cois Couperin and the French Classical Tradition written by Wilfrid Mellers and published by . This book was released on 1950 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rhythmic Inequality and Tempo in French Music Between 1650 and 1740 written by Judith Eleanor Carls Caswell and published by . This book was released on 1973 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fran ois Couperin and The Perfection of Music written by David Tunley and published by Routledge. This book was released on 2016-04-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: François Couperin's contribution to the literature of baroque keyboard music has long been recognized. François Couperin and 'The Perfection of Music' updates and expands upon David Tunley's valuable 1982 BBC Music Guide to the composer, and examines the whole of Couperin’s output including the organ masses, motets and chamber music, in addition to the well-known works for harpsichord. Taking as its focal point Couperin's concept of the perfection of music through the union of the French and Italian styles, this book takes a more analytical approach to Couperin's work. Early chapters outline the main contrasting features of the two schools in the seventeenth- and early eighteenth-centuries, and it becomes clear that Couperin's expressive power owed much to his fusion of the polarities of the French classical tradition with that of the Italian baroque. The book features a number of appendices, including the prefaces to Couperin's work both in the original French and in English translation, and a glossary of dances of the French baroque.
Download or read book The Language of the Classical French Organ written by Fenner Douglass and published by Yale University Press. This book was released on 1995-01-01 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: The seventeenth and eighteenth centuries witnessed the growth of a unique relationship between the French organ and the music written for it. Until recently, however, the roots of this precise musical tradition lay hidden in the sixteenth century. Illuminating these mysteries for the modern audience, Mr. Douglass has traced the development of the French organ from the sixteenth century through the Classical Period (1655-1770).For the first time in English, an explanation is given of the role of mixtures in the plenum of the French instrument of the Classical Period. Because the plenum determines the very character of the organ, and because the mixtures exert the strongest influence upon its sonority, the reader will be able to understand why French composers were writing music for the plenum sharply different from that of their contemporaries in northern Europe. Especially useful is the first complete compilation of known sources of information about French classical organ restriction. Having assimilated the historical facts about the instrument, the reader will be ready to interpret the music of this period on a modern organ.Mr. Douglass is professor organ at the Oberlin College Conservatory of Music. This authoritative study of the French classical organ is a major source for the interpretation of early French organ music. For this new edition, the author has added a chapter on touch in early French organs and its importance for practice. The bibliography has also been extensively revised. Reviews of the previous edition: "The extensive and valuable materials assembled in this study will make it indispensable to both the performer and the scholar of French organ literature."—Almonte C. Howell, Jr., Notes "The only work of its kind in English. . . . Bringing together all of the sources into one volume was alone a task of considerable proportions, and the many conclusions drawn from a careful study of the sources make it a necessary reference for any further study. It should be not only on the shelves but also in the mind of every organ devotee."—Rudolph Kremer, Journal of the American Musicological Society "Douglass has shown us the way that organ studies ought to develop over the next few decades."—Music and Letters
Download or read book Franandccedil ois Couperin written by Philippe Beaussant and published by Hal Leonard Publishing Corporation. This book was released on 1990 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: Francois Couperin, surnamed le Grand (1668-1733), was organist and harpsicordist to Louis XIV, but also composed choral music for instrumental ensembles in addition to solo keyboard works.
Download or read book The Eighteenth Century French Cantata written by David Tunley and published by Oxford University Press. This book was released on 1997 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles.
Download or read book Fran ois Couperin written by and published by . This book was released on 1949 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Intimate Music written by John H. Baron and published by Pendragon Press. This book was released on 1998 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
Download or read book Baroque Woodwind Instruments written by Paul Carroll and published by Routledge. This book was released on 2017-07-05 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: The late 17th century through to the end of the 18th century saw rapid progress in the development of woodwind instruments and the composition of a vast body of music for those instruments. During this period a large amount of music for domestic consumption was written for a growing amateur market, a market which has regrown in the latter part of the 20th century. The last 30 years has also seen the standard of performance by professionals on these instruments rise enormously. This book provides a guide to the history of the four main woodwind instruments of the Baroque, the flute, oboe, recorder and bassoon, and this is complemented by a repertoire list for each instrument. It also guides those interested towards a basic technique for playing these instruments - a certain level of musical literacy is assumed - and it can be used by students, professionals and amateurs. Advice is also given on buying a suitable reproduction instrument from a market where now virtually any Baroque instrument can be obtained as a faithful copy. This is the first book of its kind and has its origins in the wind tutors of the 18th century.
Download or read book A Plain Easy Introduction to the Harpsichord written by Ruth Nurmi and published by Scarecrow Press. This book was released on 1986 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides basic information on the harpsichord, best-known instrument of baroque music, including physical properties, kinds of harpsichords available, instruction on tuning and common maintenance problems, explanations of technique and fingering, tempo, registration, ensemble playing, and special notational problems.
Download or read book Music written by Russell Kuhtz and published by Encyclopaedia Britannica. This book was released on 2016-07-15 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout history, music has been an important accompaniment to other art forms, most notably drama, and to traditional rituals. Today, music dominates the arts. It is broadcast to the farthest corners of the globe by means of radio, film, television, musical theatre, and the Internet. Live performances, meanwhile, have never ceased to entertain, inform, and impact contemporary society. This comprehensive volume examines music notation, sound, and structure; musical composition and form; the various characteristics of instruments as well as their classification and history, including electronic instruments; musical performance and expression; and styles and genres of music in Western cultures.
Download or read book Ornamentation in Baroque and Post Baroque Music with Special Emphasis on J S Bach written by Frederick Neumann and published by Princeton University Press. This book was released on 2020-05-05 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
