Download or read book Forgotten French Art from the First to the Second Empire written by Heim Gallery and published by . This book was released on 1978 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Oil Sketches and the Academic Tradition written by Joanna Barnes and published by . This book was released on 1994 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This catalogue explores the diversity and evolution of the oil sketch within the French academic tradition, with detailed discussions of 127 works, all of which are drawn from a private collection currently on loan to the University Art Museum of the University of New Mexico, Albuquerque. Among the artists whose works are included are Francois Boucher, Henri Fantin-Latour, Jean-Baptiste Hilaire, Adelaide Labille-Guiard, Jean-Baptiste Leprince, Jacques Sablet, and Simon Vouet.
Download or read book Land Into Landscape written by Kelly Presutti and published by Yale University Press. This book was released on 2024-09-10 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of shifting landscapes--both real and represented--in nineteenth-century France and the role of images in both picturing and producing those shifts What is the relationship between land and landscape? This engaging study examines the role landscape depictions played in the formation of modern France and reveals how art and visual culture contributed to the physical and symbolic shaping of the nation. Spanning more than a century, from the post-revolutionary period through to the early twentieth century, Land into Landscape explores political and environmental shifts alongside changes in landscape representation across a variety of media, including paintings, photographs, prints, porcelain, and maps. Through this broad and diverse set of images--by artists such as Paul Cézanne, Gustave Courbet, Théodore Rousseau, and Eugène Viollet-le-Duc, as well as lesser-known figures--Kelly Presutti contends that representational problems were also political problems, which often required drastic solutions on the part of the state. In the nineteenth century, France's forests were replanted, its wetlands were drained, its coasts were secured, and its mountains restored. Landscapes and their inhabitants, however, could resist being co-opted as emblems of a greater ideal. The book therefore addresses the tension between a place and its representation--a matter of heightened urgency in a moment when we are once again struggling to both see and manage our environment.
Download or read book Art Index written by Alice Maria Dougan and published by . This book was released on 1981 with total page 1010 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Empire of Landscape written by John Zarobell and published by Penn State Press. This book was released on 2010 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Explores visual culture and the social history of art through an analysis of French images of nineteenth-century Algeria"--Provided by publisher.
Download or read book Masterpieces from Versailles written by Alden R. Gordon and published by . This book was released on 1983 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Connoisseur written by and published by . This book was released on 1979 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Primitivism and the Ends of Empire 1945 1975 written by Daniel J. Sherman and published by University of Chicago Press. This book was released on 2011-11-15 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.
Download or read book Nineteenth century Art in the Norton Simon Museum written by Richard R. Brettell and published by Norton Simon Distribution. This book was released on 2006 with total page 598 pages. Available in PDF, EPUB and Kindle. Book excerpt: This authoritative book on the Norton Simon Museum's unparalleled collection of 19th-century paintings and drawings is authored by art historians Richard Brettell and Stephen Eisenman and edited by Senior Curator Sara Campbell. Technical entries by art conservators on the 138 works featured in this catalogue are also included.
Download or read book Art and the French Commune written by Albert Boime and published by Princeton University Press. This book was released on 2022-05-10 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.
Download or read book Rivals and Conspirators written by Fae Brauer and published by Cambridge Scholars Publishing. This book was released on 2014-07-08 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Download or read book Alexandre Cabanel written by Andreas Blühm and published by Hirmer Verlag GmbH. This book was released on 2011 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the foremost artists of 19th century France, Alexandre Cabanel (1823 - 1889), will be featured in his first exhibition at the Wallraf in Spring 2011. In cooperation with Musée Fabre in Montpellier, the Wallraf in Cologne will present over 60 works by a man who rose from the rank of a lowly carpenter's son to become court painter to Napoleon III. In order to give these graceful works by the last of the great salon painters just the right ambience, the Wallraf has secured the services of a distinguished compatriot of Cabanel: Star designer Christian Lacroix has been commissioned to design a special interior exclusively for the exhibition. Lacroix studied at the Academy of Arts in Montpellier the hometown of Cabanel and regards the painter as one of his all-time favourites. Exhibition: Wallraf-Richartz Museum, Köln (4.2-15.5.2011).
Download or read book Art Criticism and Its Institutions in Nineteenth century France written by Michael R. Orwicz and published by Manchester University Press. This book was released on 1994 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores a range of social, institutional and discursive conditions in and through which criticism emerged and functioned in 19th-century France, and goes on to develop broader theoretical questions drawn from historical case studies.
Download or read book The Chautauquan written by and published by . This book was released on 1900 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Narration and Description in the French Realist Novel written by James H. Reid and published by Cambridge University Press. This book was released on 1993-08-26 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates instead the writers' use of irony and allegory in struggling against the deceitfulness of their own texts.
Download or read book Women Art Critics in Nineteenth Century France written by Wendelin Guentner and published by University of Delaware. This book was released on 2013-03-14 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise the history of both artistic and literary expression in nineteenth-century France. Similarly, many women in nineteenth-century France had their art criticism published both in journal reviews and in book form, often for decades, in a number of the most influential venues of their day. However, it is perplexing that they remain almost totally invisible in histories of French culture. Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sustained effort to bring these prolific and influential critics out from the shadows. Although each of the chapters in this volume results from an interdisciplinary approach, the fact that they are written by scholars in art history and in literature means that there will be inevitable differences in approach and methodology. Thus, we study the women’s reception of specific artworks and aesthetic movements, discuss intersections of aesthetics and politics in their essays and the literary styles and rhetorical strategies of individual critics, explore the social conditions that allowed or impeded their successes, and suggest reasons for their all but disappearance in the twentieth century. In bringing to light for twenty-first-century readers the “vanished” writings of heretofore unrecognized or underrecognized women art critics, the authors hope to contribute to the ongoing revision of women’s role in cultural history. The multifaceted approaches to word/image studies modeled in this book, and the many avenues for further research it identifies, will inspire scholars in a number of disciplines to continue the work of reinscribing women in the history of cultural life.
Download or read book Washington Architecture 1791 1861 written by Daniel Drake Reiff and published by . This book was released on 1972 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
