Download or read book Africa and the Blues written by Gerhard Kubik and published by Univ. Press of Mississippi. This book was released on 1999 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world [Publisher description].
Download or read book Theory of African Music Volume I written by Gerhard Kubik and published by University of Chicago Press. This book was released on 2010-10-30 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vol. 1 previously published in 1994 by F. Noetzel.
Download or read book Theory of African Music Volume I written by Gerhard Kubik and published by University of Chicago Press. This book was released on 2010-08-27 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taken together, these comprehensive volumes offer an authoritative account of the music of Africa. One of the most prominent experts on the subject, Gerhard Kubik draws on his extensive travels and three decades of study in many parts of the continent to compare and contrast a wealth of musical traditions from a range of cultures. In the first volume, Kubik describes and examines xylophone playing in southern Uganda and harp music from the Central African Republic; compares multi-part singing from across the continent; and explores movement and sound in eastern Angola. And in the second volume, he turns to the cognitive study of African rhythm, Yoruba chantefables, the musical Kachamba family of Malaŵi, and African conceptions of space and time. Each volume features an extensive number of photographs and is accompanied by a compact disc of Kubik’s own recordings. Erudite and exhaustive, Theory of African Music will be an invaluable reference for years to come.
Download or read book Ramblin on My Mind written by David Evans and published by University of Illinois Press. This book was released on 2010-10-01 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: This compilation of essays takes the study of the blues to a welcome new level. Distinguished scholars and well-established writers from such diverse backgrounds as musicology, anthropology, musicianship, and folklore join together to examine blues as literature, music, personal expression, and cultural product. Ramblin' on My Mind contains pieces on Ella Fitzgerald, Son House, and Robert Johnson; on the styles of vaudeville, solo guitar, and zydeco; on a comparison of blues and African music; on blues nicknames; and on lyric themes of disillusionment. Contributors are Lynn Abbott, James Bennighof, Katharine Cartwright, Andrew M. Cohen, David Evans, Bob Groom, Elliott Hurwitt, Gerhard Kubik, John Minton, Luigi Monge, and Doug Seroff.
Download or read book Theory of African Music Volume II written by Gerhard Kubik and published by University of Chicago Press. This book was released on 2010-11-15 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vol. 1 previously published in 1994 by F. Noetzel.
Download or read book Africa and the Blues written by Gerhard Kubik and published by Univ. Press of Mississippi. This book was released on 2009-09-23 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: A narrative that explores the African genealogy of American Blues
Download or read book For Gerhard Kubik written by Gerhard Kubik and published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften. This book was released on 1994 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume in honour of Gerhard Kubik comprises a broad range of contributions from among his worldwide circle of friends and admirers. Its contents have been loosely assorted into four sections, reflecting different facets of Kubik's widely varied interests: African Music Studies, Extensions of African Cultures in the Americas, Towards Intercultural Understanding, and Miscellaneous. Gerhard Kubik, born in 1934 in Vienna, has done - and is still doing - extensive field work in sub-Saharan Africa and parts of South America for 35 years. The impressive results of his research have highly influenced the panorama of African musicology and cultural anthropology.
Download or read book Composing the Music of Africa written by Malcolm Floyd and published by Routledge. This book was released on 2018-12-17 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1999, this volume explores the great diversity of music created by African communities is reflected in this book, which discusses the ways in which a wide range of musical forms are composed and performed from Egypt to South Africa and from Ghana to Kenya. As two composers explain here, this diversity provides much inspiration for western contemporary composition. Particular attention is paid to the contexts generate musical creativity. Ceremonies and festivals celebrating birth, death, marriage or rites of passage provide the impetus for much composition and performance, enabling young people to pick up, early on, some of the techniques and styles of which they then become the new exponents. The book also looks at the role played by formal music education programmes and bodies such as the South African Music Rights Organization and the South African Broadcasting Corporation in fostering musical activity, as well as the contribution of composers to the social and political changes that have dominated South African life in recent years.
Download or read book Tusona Luchazi Ideographs written by Gerhard Kubik and published by LIT Verlag Münster. This book was released on 2006 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Various graphic systems designed to express and transmit ideas or to convey messages were known in sub-Saharan Africa in pre-colonial times, ideographic and pictographic systems. One of the most intriguing of these traditions, known across eastern Angola into northwestern Zambia, among speakers of Luchazi, Chokwe, Lwena and related languages is the tusona ideographs. This work is a fascinating excursion into symbolism, the remote history of eastern Angola, Luchazi oral literature, mathematics, graphic art and communication.
Download or read book Ethnomusicology in East Africa written by Sylvia A. Nannyonga-Tamusuza and published by African Books Collective. This book was released on 2012 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Ethnomusicology in East Africa ... brings together thinkers and artists from Uganda, East Africa and further afield to discuss an area of vital importance to Africans as a people. The book presents selected papers from the First International Symposium on Ethnomusicology in Uganda, held at Makerere University in Kampala on 23-25 November 2009 ... [and] represents an important step in the continued professionalisation of ethnomusicology in Uganda. It presents new work by Uganda-based researchers, from students to academic staff, and solidly places that work within the international scholarly ethnomusicological conversation"--Cover.
Download or read book Representing African Music written by Kofi Agawu and published by Routledge. This book was released on 2014-04-23 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.
Download or read book Jazz Transatlantic written by Gerhard Kubik and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop influenced musicians in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz. Much like the first volume, Kubik examines musicians who adopted a wide variety of jazz genres, from the jive and swing of the 1940s to modern jazz. Drawing on personal encounters with the artists, as well as his extensive field diaries and engagement with colleagues, Kubik looks at the individual histories of musicians and composers within jazz in Africa. He pays tribute to their lives and work in a wider social context. The influences of European music are also included in both volumes as it is the constant mixing of sources and traditions that Kubik seeks to describe. Each of these groundbreaking volumes explores the international cultural exchange that shaped and continues to shape jazz. Together, these volumes culminate an integral recasting of international jazz history.
Download or read book Music Traditions Change and Creativity in Africa written by Giorgio Adamo and published by NeoClassica. This book was released on 2019 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: In February 2014 an international seminar on musical dynamics and creativity in Africa was held at Tor Vergata University of Rome. The topic and the approach were strongly influenced by issues that Gerhard Kubik believed should have been addressed for a long time, such as the attention to cultural and social dynamics, with a specific emphasis on the creativity of individuals. Beside his keynote address, Music Traditions, Change and Creativity in Africa includes the contributions presented by scholars from different countries, particularly active in the East African area and in dialogue with Italian researchers who have field experience in the same region. Music Traditions, Change and Creativity in Africa is the first monograph of a series of volumes connected and inspired to the journal Etnografie Sonore / Sound Ethnographies (www.soundethnographies.it), which Giorgio Adamo and his colleagues recently founded. Along with the papers multimedia contents are also available online.
Download or read book Nchimi Chikanga written by Boston Soko and published by African Books Collective. This book was released on 2002 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chikanga was one of Malawi's most powerful and successful healers who brought concepts and methods from indigenous tradition to his own Christian culture. During the fifties and sixties people having heard he had the power of divination to free them from the bondage of witchcraft and other evil practices, would make pilgrimages to him from the whole of eastern and southern Africa. His methods were, and are, popular and common, though always controversially opposed by the institutional Christian church. This book documents eye-witness accounts of pilgrims, and Chikanga's sessions and techniques, and includes interviews with his acquaintances. It describes his activities in the political context, which forced him to go into exile for seventeen years, and his final period in Malawi.
Download or read book Jazz Transatlantic written by Gerhard Kubik and published by . This book was released on 2017 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The conclusion of a monumental study of jazz and its lasting influence.
Download or read book Rethinking American Music written by Tara Browner and published by University of Illinois Press. This book was released on 2019-03-16 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Rethinking American Music, Tara Browner and Thomas L. Riis curate essays that offer an eclectic survey of current music scholarship. Ranging from Tin Pan Alley to Thelonious Monk to hip hop, the contributors go beyond repertory and biography to explore four critical yet overlooked areas: the impact of performance; patronage's role in creating music and finding a place to play it; personal identity; and the ways cultural and ethnographic circumstances determine the music that emerges from the creative process. Many of the articles also look at how a piece of music becomes initially popular and then exerts a lasting influence in the larger global culture. The result is an insightful state-of-the-field examination that doubles as an engaging short course on our complex, multifaceted musical heritage. Contributors: Karen Ahlquist, Amy C. Beal, Mark Clagu,. Esther R. Crookshank, Todd Decker, Jennifer DeLapp-Birkett, Joshua S. Duchan, Mark Katz, Jeffrey Magee, Sterling E. Murray, Guthrie P. Ramsey Jr., David Warren Steel, Jeffrey Taylor, and Mark Tucker
Download or read book African Stars written by Veit Erlmann and published by University of Chicago Press. This book was released on 1991-09-24 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years black South African music and dance have become ever more popular in the West, where they are now widely celebrated as expressions of opposition to discrimination and repression. Less well known is the rich history of these arts, which were shaped by several generations of black artists and performers whose struggles, visions, and aspirations did not differ fundamentally from those of their present-day counterparts. In five detailed case studies Veit Erlmann digs deep to expose the roots of the most important of these performance traditions. He relates the early history of isicathamiya, the a cappella vocal style made famous by Ladysmith Black Mambazo. In two chapters on Durban between the World Wars he charts the evolution of Zulu music and dance, studying in depth the transformation of ingoma, a dance form popular among migrant workers since the 1930s. He goes on to record the colorful life and influential work of Reuben T. Caluza, South Africa's first black ragtime composer. And Erlmann's reconstruction of the 1890s concert tours of an Afro-American vocal group, Orpheus M. McAdoo and the Virginia Jubilee Singers, documents the earliest link between the African and American performance traditions. Numerous eyewitness reports, musicians' personal testimonies, and song texts enrich Erlmann's narratives and demonstrate that black performance evolved in response to the growing economic and racial segmentation of South African society. Early ragtime, ingoma, and isicathamiya enabled the black urban population to comment on their precarious social position and to symbolically construct a secure space within a rapidly changing political world. Today, South African workers, artists, and youth continue to build upon this performance tradition in their struggle for freedom and democracy. The early performers portrayed by Erlmann were guiding lights—African stars—by which the present and future course of South Africa is being determined.
