Download or read book Indian Folk Theatres written by Julia Hollander and published by Routledge. This book was released on 2007-09-12 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on twelve years of research, this book provides detailed descriptions of the culture of folk theatre and outlines its importance for practitioners, audiences and the worldwide theatre industry, presenting a unique angle on selected performances.
Download or read book Traditional Indian Theatre written by Kapila Vatsyayan and published by . This book was released on 2005-01-01 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by one of most renowned culture historians of our times, the present fresh edition with an afterword by the author , describes and presents an analysis of forms such as Yaksagna,Bhagvatamala,Chau,Nautanki,Ramlila,Etc.
Download or read book Indian Theatre written by Farley P. Richmond and published by Motilal Banarsidass Publ.. This book was released on 1993 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.
Download or read book Folk Theater of India written by Balawanta Gāragī and published by . This book was released on 1991 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book History of Indian Theatre written by Manohar Laxman Varadpande and published by Abhinav Publications. This book was released on 1987 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of the HISTORY OF INDIAN THEATRE presents most enhanting and colourful panorama of folk and traditional theatre flourishing in India since time immemorial. Utilising various sources the author meticulously and systematically builds up the theatre history, which spans over several centuries. It is for the first time an elaborate account of dramatic rituals associated with the Bhuta or the Cult of Spirits is given here. This will enable the students of theatre understand and relationship of ritual and dramatic performance in its correct perspective. Various ritualistic theatre forms such as Teyyam are described and discussed. The book also tells us how the teachnique of ballad singing was dramatized and finally evolved into full-fledged drama in the course of time. The history of narrative forms is traced from the Vedic times to the present. With the emergence of Bhakti cult the spics were dramatized. This gave rise to the Leela Theatre which dedicated itself to portraying the divine acts of incarnations such as Krishna and Rama. Various forms of Leela Theatre are described in the book. Audiences turn to theatre for entertainment. A class of folk theatre arose in India whose main function was secular entertainment. Swang, Tamasha, Nautanki, Khyal entertained the people with dance, music and song, as well as with humour and pathos, love and war. Their enchanting story is narrated here.
Download or read book Indian Folk Theatres written by Julia Hollander and published by . This book was released on 2007 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on twelve years research, this book provides detailed descriptions of the culture of folk theatre and outlines its importance for practitioners, audiences and the worldwide theatre industry, presenting a unique angle on selected performances. Moving beyond conventional accounts of different techniques, this book explores Indian folk theatres as living, changing organisms in their various contexts. The writers The writer spends time studying this integration of life and art, looking at very specific performances in specific locations. The complexity of modern Indian culture is discussed as part of the contextual approach - its religious diversity, intense poverty, the integration of state-of-the-art technology into rural and slum lives.
Download or read book History of Indian Theatre Classical theatre written by Manohar Laxman Varadpande and published by Abhinav Publications. This book was released on 1987 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Folk Theatres of North India written by Karan Singh and published by Taylor & Francis. This book was released on 2019-11-26 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs, nautanki, tamasha, all with conventions like open performative space, free mingling of spectators and actors, flexibility in roles and genres, etc. It discusses the genesis, history and the independent trajectory of folk theatres; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space as performance besides investigating causes, inter-relations within socio-cultural factors, and the performance principles underlying them. It shows how these theatres effectively contest delimitation of human creative impulses (as revealed in classical Sanskrit theatre) from structuring as also of normative impulses of religion and culture, while amalgamating influences from Western theatre, newly-rising religious reform movements of 19th century India, tantra and Bhakti. It further highlights their ability to adapt and reinvent themselves in accordance with spatial and temporal transformations to constitute an important anthropological layer of Indian society. Comprehensive and empirically rich, this book will be an essential read for scholars and researchers of cultural studies, theatre, film and performance studies, sociology, political studies, popular culture, and South Asian studies.
Download or read book Theatre and National Identity in Colonial India written by Sharmistha Saha and published by Springer. This book was released on 2018-11-03 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
Download or read book Indian Theatre written by Nemicandra Jaina and published by . This book was released on 2012 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music in Traditional Indian Theatre written by Rani Balbir Kaur and published by . This book was released on 2006 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Traditional Indian Theatre written by Kapila Vatsyayan and published by . This book was released on 1982-02-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Performance Tradition in India written by Sureśa Avasthī and published by . This book was released on 2001 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives a comprehensive account of various art forms as practiced I different corners of india almost as a way of life.Written in a lucid style, different aspects of the rich performance tradition of the country with its own typical myths, customs, traditions and folk life get unraveled before us in these pages.
Download or read book Poetics Plays and Performances written by Vasudha Dalmia and published by Oxford University Press. This book was released on 2008-01-09 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the political and aesthetic concerns of modern Indian theatre, tracing its genealogies, and looking in particular at its appropriation of 'folk' theatre. Starting with the plays of Bharatendu Harishchandra in 1870s Banaras, the book moves forward to Jayshankar Prasad and Mohan Rakesh, landmark figures in the history of modern Indian drama. Dalmia then focuses on the intense urban interaction with folk theatre forms, their politicization in the 1940s and later again in the 1970s. Finally the book maps some of the routes taken by avant-garde women directors since the last decades of the twentieth century. Theatre students, critics, cultural historians, scholars of South Asian theatre, as well as general readers will find the book inspiring.
Download or read book Theatres of Independence written by Aparna Bhargava Dharwadker and published by University of Iowa Press. This book was released on 2009-11 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
Download or read book Krishna Theatre in India written by Manohar Laxman Varadpande and published by Abhinav Publications. This book was released on 1982 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Narayanam Namaskritya I Bow Before Thee With Deep Reverence O Lord Krishna Says Great Indian Epic Mahabharata In Its Opening Benedictory Verse. The Impact Of Krishna Cult On Indian Art, Literature And Culture Is Stupendous. Krishna Worship Includes Music, Dance, Drama, Which Delights Him Most. Bhassa Describes Him As Sutradhar, String-Holder, Of The Drama Of Life That Is Being Enacted In All The Three Worlds. Bhagavata Purana Eulogise Him As Natavar, Supreme Actor, And Enjoins The Devotees To Offer Him Theatricals On Festive Occasions. Inscriptions Speak Of The Tradition Of Enacting Plays In The Krishna Temples. The Tradition Still Continues As River Yamuna, On Whose Bank Krishna Performed Ras Dance, Continues To Flow. All Over India Plays Based On Krishna Theme Are Enacted. Indian Classical Dance Forms Take Delight In Depicting Radha-Krishna Love Lore. The Ras Leela Of Vraj, Ankia Nat Of Assam, Kala Of Goa And Maharashtra, Krishna Attam Of Kerala, Ras Of Manipur, Odissi Of Orissa Kathak Of Uttar Pradesh Are Some Of The Traditional Drama And Dance Forms That Depict Krishna Lore? Many Krishna Plays Are There In The Repertory Of Kathakali, Yakshagana, Kuchipudi, Tamasha And Many Other Folk And Traditional Theatrical Forms Of India. In Fact Some Scholars Believe That Indian Theatre Itself Has Originated From The Cult Of Krishna That Flourished In Surasena Region. This Most Colourful Theatrical Saga Full Of Poetry, Dance And Music Is Narrated In The Book By Eminent Scholar Shri M.L. Varadpande In A Most Attractive Manner. In A Style Picturesque And Lucid The Author Tells Us How The Dark-Hued Krishna Danced With Milkmaids Fair As Champak Flower On The Bank Of Yamuna And How The Indian Traditional Theatre And Dance Forms Recreated This Romance On The Stage. The Spectacular Rainbow Of Delightful Romance Of Krishna S Eventful Life As Seen On Indian Stage Is Charmingly Revealed To The Readers Through The Pages Of This Profusely Illustrated Book Of Infinite Charm.
Download or read book Encyclopaedia of Indian Theatre written by Biswajit Sinha and published by . This book was released on 2004 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Volume Is A Part Of Encyclopaedia Of Indian Theatre (Vol. 6) Devoted To Folk Theatre. An Exhaustive And An All Encompassing Work That Covers The Whole Ground Relating To Folk Dramatic Art, Pan-Indian Traditions, Region Based And Covers Even Local Styles. The Entries In This Dictionary Are Arranged Alphabetically.
