Download or read book Fam les femmes artistes modernes written by Paris (France). Femmes artistes modernes and published by . This book was released on 1932 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Women Artists in Interwar France written by PaulaJ. Birnbaum and published by Routledge. This book was released on 2017-07-05 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women Artists in Interwar France: Framing Femininities illuminates the importance of the Soci? des Femmes Artists Modernes, more commonly known as FAM, and returns this group to its proper place in the history of modern art. In particular, this volume explores how FAM and its most famous members?Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka?brought a new approach to the most prominent themes of female embodiment: the self-portrait, motherhood, and the female nude. These women reimagined art's conventions and changed the direction of both art history and the politics of their contemporary art world. FAM has been excluded from histories of modern art despite its prominence during the interwar years. Paula Birnbaum's study redresses this omission, contextualizing the group's legacy in light of the conservative politics of 1930s France. The group's artistic response to the reactionary views and images of women at the time is shown to be a key element in the narrative of modernist formalism. Although many FAM works are missing?one reason for the lack of attention paid to their efforts?Birnbaum's extensive research, through archives, press clippings, and first-hand interviews with artists' families, reclaims FAM as an important chapter in the history of art from the interwar years.
Download or read book FAM les femmes artistes modernes written by Paris (France). Femmes artistes modernes and published by . This book was released on 1935 with total page 17 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book FAM Soci t des femmes artistes modernes written by and published by . This book was released on 1933 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Women Together Women Apart written by Tirza True Latimer and published by Rutgers University Press. This book was released on 2005-08-24 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put into circulation by lesbians themselves over the last six or seven decades. In the early twentieth century, though, no notion of lesbianism as a coherent social or cultural identity yet existed. In Women Together/Women Apart, Tirza True Latimer explores the revolutionary period between World War I and World War II when lesbian artists working in Paris began to shape the first visual models that gave lesbians a collective sense of identity and allowed them to recognize each other. Flocking to Paris from around the world, artists and performers such as Romaine Brooks, Claude Cahun, Marcel Moore, and Suzy Solidor used portraiture to theorize and visualize a "new breed" of feminine subject. The book focuses on problems of feminine and lesbian self-representation at a time and place where the rights of women to political, professional, economic, domestic, and sexual autonomy had yet to be acknowledged by the law. Under such circumstances, same-sex solidarity and relative independence from men held important political implications. Combining gender theory with visual, cultural, and historical analysis, Latimer draws a vivid picture of the impact of sexual politics on the cultural life of Paris during this key period. The book also illuminates the far-reaching consequences of lesbian portraiture on contemporary constructions of lesbian identity.
Download or read book Creative Women of the Lost Generation written by Kimberly Francis and published by Taylor & Francis. This book was released on 2023-08-11 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the creative women of the "Lost Generation" including painters, sculptors, film makers, writers, singers, composers, dancers, and impresarios who all pursued artistic careers in the years leading up to, during, and following World War I. These women’s stories, and the art they created, commissioned, mobilized as propaganda, and performed shed light on the shifting nature of gender norms during this period. With the combined knowledge and expertise from different contributors, chapters in this book consider how modernist practices continued their development in women’s hands during the war through networks forged by and for women artists in the absence of their male colleagues. These chapters also reflect on how, in many cases, the dissolution of these structures after the November 1918 armistice had detrimental consequences for their professional trajectories. This book challenges the place creative women currently hold in the historical record while also clarifying how these artists and impresarios contributed to wartime and post-war culture. This collection of essays will be of great value to scholars interested in social and gender history of the twentieth century, as well as historians of the arts through offering nuanced understanding of the essential work of female creative professionals, highlighting artistic women’s experiences of resistance, mourning, and reinvention in the shadow of the Great War.
Download or read book Tamara De Lempicka s Strategic Conservatism written by Elizabeth Von Buhr and published by . This book was released on 2020 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tamara de Lempicka's seemingly pious and traditionalist period of the late 1920s and 1930s, exemplified by paintings such as La Polonaise (1933) and The Communicant (1928), appears to be a sharp departure from the Polish emigre's celebrated erotic nudes of the early 1920s. This thesis contextualizes this stylistic and thematic shift in de Lempicka's oeuvre within the increasingly fraught, nationalistic, and politically conservative climate of interwar Paris. I argue that de Lempicka adapted her approach to painting to overcome the increased challenges this environment posed to foreign women artists. Her strategy, which relied upon visual ambiguity and a manipulation of conservative taste, secured her financial and professional artistic success.I situate de Lempicka's transition to traditional subjects and a classical revivalist style as part of a larger cultural trend by discussing her work in relation to her artistic milieu and to the "return to order," a widespread artistic catalyst of the period. By analyzing the similarities between de Lempicka's works and those of her contemporaries, including her teacher Maurice Denis and an organization of women artists known as the FAM (Femmes Artistes Modernes), I consider the influences behind de Lempicka's strategic conservatism. I discuss de Lempicka's adaptation of the classicizing elements and conservative connotations of the "return to order." Her inventive use of a "return to order" style allowed her to blur the lines between religious and erotic ecstasy in her work, thereby extending her commitment to transgressive subjects and themes while simultaneously appealing to conservative tastes.
Download or read book France since 1870 written by Charles Sowerwine and published by Bloomsbury Publishing. This book was released on 2018-01-25 with total page 771 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoroughly revised, updated and expanded new edition of an established text surveys the cultural, social and political history of France from the Franco-Prussian War of 1870 and the Paris Commune through to Emmanuel Macron's presidency. Incorporating the newest interpretations of past events, Sowerwine seamlessly integrates culture, gender, and race into political and social history. This edition features extended coverage of the 2007-8 financial crisis, the rise of the political and cultural far right and the issues of colonialism and its contemporary repercussions. This is an essential resource for undergraduate and taught postgraduate students of history, French studies or European studies taking courses on modern French history or European history. This text will also appeal to scholars and readers with an interest in modern French history. 'Richly informative and lucidly presented, Sowerwine's France since 1870 offers essential reading for students and researchers. Particularly powerful is the new final chapter, which draws on historical expertise to explore and explain the literary and political malaise of contemporary France.' – Jessica Wardhaugh, University of Warwick, UK. 'This third edition is unparalleled in its reach and excellence as a history of modern France from 1870 to the present. Sowerwine seamlessly integrates culture, gender, and race into political and social history. His incorporation of the newest interpretations of past events as well as the historical perspective he lends to current events such as terror attacks, new laws regarding labor and marriage, modern globalization, neo-liberalism-as well as to France's darkening mood--make this highly readable book a true masterpiece.' – Elinor Accampo, University of Southern California, USA. 'Her recent social and economic challenges have cast deep shadows into the story of modern France that Charles Sowerwine tells so clearly. Those dark questions about culture, politics and society have their full place in this This scholarly but accessible reassessment of French history since 1870. This edition raises new questions about France's story, directly and compellingly, and remains the key text for readers who are curious about modern France.' – Julian Wright, Northumbria University, UK. 'Following on the fine precedent set by earlier editions, this masterful survey offers students and the public alike a readable and illuminating account of the tortuous and ever intriguing path of French history since 1870.' – George Sheridan, University of Oregon, USA.
Download or read book Elles centrepompidou written by Musée national d'art moderne/Centre de création industrielle (France) and published by . This book was released on 2009 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exhibition brings together a selection of over 500 works by more than 200 women artists, from the beginning of the 20th century up to the present day.
Download or read book Lempicka written by Patrick Bade and published by Parkstone International. This book was released on 2012-05-08 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The smoothly metallic portraits, nudes and still lifes of Tamara de Lempicka encapsulate the spirit of Art Deco and the Jazz Age, and reflect the elegant and hedonistic life-style of a wealthy, glamorous and privileged elite in Paris between the two World Wars. Combining a formidable classical technique with elements borrowed from Cubism, Lempicka’s art represented the ultimate in fashionable modernity while looking back for inspiration to such master portraitists as Ingres and Bronzino. This book celebrates the sleek and streamlined beauty of her best work in the 1920s and 30s. It traces the extraordinary life story of this talented and glamorous woman from turn of the century Poland and Tsarist Russia, through to her glorious years in Paris and the long years of decline and neglect in America, until her triumphant rediscovery in the 1970s when her portraits gained iconic status and world-wide popularity.
Download or read book Women in International and Universal Exhibitions 1876 1937 written by Rebecca Rogers and published by Routledge. This book was released on 2017-08-14 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women’s achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space—the world fair.
Download or read book Suzanne Valadon written by Daniel Marchesseau and published by . This book was released on 1996 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nineteenth and Twentieth century European Drawings written by Richard R. Brettell and published by Metropolitan Museum of Art. This book was released on 2002 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mary Cassatt Between Paris and New York written by Ruth E. Iskin and published by Univ of California Press. This book was released on 2025 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive study of Cassatt's life, work, and legacy through the prism of a transatlantic framework. This book re-envisions Mary Cassatt in the context of her transatlantic network, friendships, exhibitions, politics, and legacy. Rather than defining her as either an American artist or a French impressionist, author Ruth E. Iskin argues that we can best understand Cassatt through the complexity of her multiple identifications as an American patriot, a committed French impressionist, and a suffragist. Contextualizing Cassatt's feminist outlook within the intense pro- and anti-suffrage debates in the United States, Iskin shows how these impacted her artistic representations of motherhood, fatherhood, and older women. Mary Cassatt between Paris and New York also argues for the historical importance of her work as an advisor to American collectors, and demonstrates the role of museums in shaping her legacy, highlighting the combined impact of gender, national, and transnational dynamics.
Download or read book Reconciling Art and Mothering written by RachelEpp Buller and published by Routledge. This book was released on 2017-07-05 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reconciling Art and Mothering contributes a chorus of new voices to the burgeoning body of scholarship on art and the maternal and, for the first time, focuses exclusively on maternal representations and experiences within visual art throughout the world. This innovative essay collection joins the voices of practicing artists with those of art historians, acknowledging the fluidity of those categories. The twenty-five essays of Reconciling Art and Mothering are grouped into two sections, the first written by art historians and the second by artists. Art historians reflect on the work of artists addressing motherhood-including Marguerite G?rd, Chana Orloff, and Ren?Cox-from the early nineteenth century to the present day. Contributions by contemporary artist-mothers, such as Gail Rebhan, Denise Ferris, and Myrel Chernick, point to the influence of past generations of artist-mothers, to the inspiration found in the work of maternally minded literary and cultural theorists, and to attempts to broaden definitions of maternity. Working against a hegemonic construction of motherhood, the contributors discuss complex and diverse feminist mothering experiences, from maternal ambivalence to queer mothering to quests for self-fulfillment. The essays address mothering experiences around the globe, with contributors hailing from North and South America, Europe, Asia, Africa, and Australia.
Download or read book Sculpture and the Decorative in Britain and Europe written by Imogen Hart and published by Bloomsbury Publishing USA. This book was released on 2020-10-29 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: By foregrounding the overlaps between sculpture and the decorative, this volume of essays offers a model for a more integrated form of art history writing. Through distinct case studies, from a seventeenth-century Danish altarpiece to contemporary British ceramics, it brings to centre stage makers, objects, concepts and spaces that have been marginalized by the enforcement of boundaries within art and design discourse. These essays challenge the classed, raced and gendered categories that have structured the histories and languages of art and its making. Sculpture and the Decorative in Britain and Europe is essential reading for anyone interested in the history and practice of sculpture and the decorative arts and the methodologies of art history.
Download or read book Tamara de Lempicka written by Laura P. Claridge and published by Crown. This book was released on 1999 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: An icon of the Jazz Age, Art Deco painter Tamara de Lempicka lived a life well worth recording. Until now, however, no one has written the story of this woman of extraordinary talent and notoriety. She was a great beauty, an aristocratic refugee of the Russian Revolution, and a frankly erotic painter who insisted upon Renaissance aesthetics, figuration, and painterly craft in modern art. The sky-high prices attached to her canvases in recent years have still not dispelled the suspicions that a woman of Lempicka's glamour and fame could be a truly serious artist. Yet the reviews of the early twentieth century tell a different story: her work was routinely singled out as competing with major figures of the School of Paris, including Léger, Laurençin, Kisling, and Picasso. In this first critical biography, Laura Claridge draws upon her exclusive access to Lempicka's family, friends, and archives to re-create the life that the painter carefully withheld even from her own daughter: the truth of her birth; her escape from Bolshevik Russia; her determination to become a New Woman; her lifelong bouts of depression; her numerous affairs with the women and men she painted; her flight from Nazi Europe via Havana; and her years in Hollywood and New York as the "Baroness with a brush," all informed by the artistic integrity and social anachronism that condemned her to being written out of the canons of modern art. Emblematic of '20s excess and indulgence, Tamara de Lempicka's life of great wealth, indiscriminate sexuality, and endless intrigue makes for a fascinating narrative. But her paintings have inspired fierce disagreements over issues of class, wealth, and gender in modern art, making her work ripe for critical re-evaluation. In Tamara de Lempicka: A Life of Deco and Decadence, Laura Claridge has succeeded brilliantly on both counts, bringing to light the contradictions that fueled the life and work of this provocative painter. Though Paris in the early twenties certainly earned its bohemian reputation, Tamara was playing the game hard by anyone's standards. It seemed to her that she could have it all: respect, money, and sexual gratification on the side. She had arrived at the Gare du Nord only four years earlier, gifted with a painter's talent and a family history of feminine power. Encountering a cultural climate that affirmed art as a remunerative career for women, she also felt freed personally by the Modernist mantra to "make it new" that underwrote every aspect--trivial and profound--of daily life. She was determined to embody that icon of the age, the new woman.
