Download or read book tudes de Litt rature Et Da rt s r Le th tre d Orange Bernard Palissy Watteau Victor Hugo M Alexandre Dumas M Fran ois Copp e M Paul Bourget M Anatole France M Marcel Pr vost Mm P Deroul de A Dorchain P de Nolhac Conf rences et conf renciers M Puvis de Chavannes L art d coratif au XIXe si cle La jeunesse et la science written by Gustave Larroumet and published by . This book was released on 1895 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tr bner s Bibliographical Catalogues written by Kegan Paul, Trench, Trubner & Co and published by . This book was released on 1925 with total page 1236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Orientalia written by and published by . This book was released on 1926 with total page 708 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue written by Bernard Quaritch (Firm) and published by . This book was released on 1926 with total page 1206 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliotheca Sinica written by Henri Cordier and published by . This book was released on 1906 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Asiatic Library of Dr G E Morrison Now a Part of the Oriental Library Tokyo Japan Books in other languages than English written by Tōyō Bunko (Japan) and published by . This book was released on 1924 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Scriptures Schools and Forms of Practice in Daoism written by Poul Andersen and published by Otto Harrassowitz Verlag. This book was released on 2005 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents I. Daoist Scripture and Practice in Comparative Perspective A. Feldtkeller, Scriptures, Forms of Practice, and Comparative Religion P. Andersen, Scriptural Traditions West and East: Foundation of Belief vs. Frameworks for the Transmission of Methods S.R. Bokenkamp, Sackcloth and Ashes: Self and Family in the Tutan zhai J. Lagerwey, Scriptures are the Dregs of the Men of Old: Scripture and Practice in Comparative Perspective E.L. Davis, Daoist Scripture in Comparative Perspective: A Commentary on J. Lagerwey and P. Andersen II. Daoist Scripture and Practice Past and Present F.C. Reiter, The Name of the Nameless and Thunder Magic P. Nickerson, Attacking the Fortress: Prolegomenon to the Study of Ritual Efficacy in Vernacular Daoism Liu Yi, Research into the Catalogue of the Daozang of the Early Tang Dynasty: Based on Nanzhu guan ji and the Daoist Scriptures of Dunhuang Wang Zongyu, Historical Materials for the Quanzhen Daoism in the Wuxing Area V. Olles, Stars and Legends: Some Observations about Sacred Space in Daoism.
Download or read book Picturing the True Form written by Shih-shan Susan Huang and published by BRILL. This book was released on 2020-03-17 with total page 533 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Picturing the True Form investigates the long-neglected visual culture of Daoism, China’s primary indigenous religion, from the tenth through thirteenth centuries with references to both earlier and later times. In this richly illustrated book, Shih-shan Susan Huang provides a comprehensive mapping of Daoist images in various media, including Dunhuang manuscripts, funerary artifacts, and paintings, as well as other charts, illustrations, and talismans preserved in the fifteenth-century Daoist Canon. True form (zhenxing), the key concept behind Daoist visuality, is not static, but entails an active journey of seeing underlying and secret phenomena.This book’s structure mirrors the two-part Daoist journey from inner to outer. Part I focuses on inner images associated with meditation and visualization practices for self-cultivation and longevity. Part II investigates the visual and material dimensions of Daoist ritual. Interwoven through these discussions is the idea that the inner and outer mirror each other and the boundary demarcating the two is fluid. Huang also reveals three central modes of Daoist symbolism—aniconic, immaterial, and ephemeral—and shows how Daoist image-making goes beyond the traditional dichotomy of text and image to incorporate writings in image design. It is these particular features that distinguish Daoist visual culture from its Buddhist counterpart."
Download or read book tudes D art Fran ais Offerts Charles Sterling written by Charles Sterling and published by . This book was released on 1975 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Studio written by and published by . This book was released on 1910 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliotheca Orientalis written by Luzac &co and published by . This book was released on 1928 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Allies in Art written by Herbert Furst and published by . This book was released on 1917 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ten Thousand Things written by Lothar Ledderose and published by Princeton University Press. This book was released on 2023-08-15 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
Download or read book Chinese Annals in the Western Observatory written by Edward Shaughnessy and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-11-18 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the beginning of the twentieth century, hundreds of thousands of documents of all sorts have been unearthed in China, opening whole new fields of study and transforming our modern understanding of ancient China. While these discoveries have necessarily taken place in China, Western scholars have also contributed to the study of these documents throughout this entire period. This book provides a comprehensive survey of the contributions of these Western scholars to the field of Chinese paleography, and especially to study of oracle-bone inscriptions, bronze and stone inscriptions, and manuscripts written on bamboo and silk. Each of these topics is provided with a comprehensive narrative history of studies by Western scholars, as well as an exhaustive bibliography and biographies of important scholars in the field. It is also supplied with a list of Chinese translations of these studies, as well as a complete index of authors and their works. Whether the reader is interested in the history of ancient China, ancient Chinese paleographic documents, or just in the history of the study of China as it has developed in the West, this book provides one of the most complete accounts available to date.
Download or read book The Zoomorphic Imagination in Chinese Art and Culture written by Jerome Silbergeld and published by University of Hawaii Press. This book was released on 2016-10-31 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as “running dogs,” and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both “the tigers” and “the flies.” Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present. In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping—these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture. The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric. Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang.
