Download or read book Essays in Musical Analysis Vol 5 written by Donald Francis Tovey and published by . This book was released on 1968 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays in Musical Analysis written by Donald Francis Tovey and published by . This book was released on 1937 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays in Musical Analysis written by Donald Francis Tovey and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays in Musical Analysis written by Donald Francis Tovey and published by . This book was released on 1936 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays in Musical Analysis written by Donald Francis Tovey and published by . This book was released on 1935 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays in Musical Analysis written by Donald Francis Tovey and published by . This book was released on 1946 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays in Musical Analysis written by Donald Francis Tovey and published by . This book was released on 1946 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays In Musical Analysis Volume 5 written by Donald Francis Tovey and published by . This book was released on 1937 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays in Musical Analysis written by Donald Francis Tovey and published by . This book was released on 1939 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays in Musical Analysis written by Donald Tovey (Sir) and published by . This book was released on 1937 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays in Musical Analysis written by Donald Francis Tovey and published by . This book was released on 1946 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Conductor s Guide to Nineteenth century Choral orchestral Works written by Jonathan D. Green and published by Scarecrow Press. This book was released on 2008 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text serves as a field guide to the principal choral-orchestral repertoire of the nineteenth century. It provides conductors with the information they will need to make programming decisions, and it provides scholars with a starting point for research on these works.
Download or read book Expressive Intersections in Brahms written by Heather Platt and published by Indiana University Press. This book was released on 2012-07-18 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: “This exceptionally fine collection brings together many of the best analysts of Brahms, and nineteenth-century music generally, in the English-speaking world today.” —Nineteenth-Century Music Review Contributors to this exciting volume examine the intersection of structure and meaning in Brahms’s music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms’s most “absolute” works. “Through its unique combination of historical narrative, expressive content, and technical analytical approaches, the essays in Expressive Intersections in Brahms will have a profound impact on the current scholarly discourse surrounding Brahms analysis.” —Notes
Download or read book Playing Before the Lord written by Calvin Stapert and published by Wm. B. Eerdmans Publishing. This book was released on 2014-01-30 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Franz Joseph Haydn (1732 1809) has been called the father of the symphony and the string quartet. A friend of Mozart and a teacher of Beethoven, "Papa" Haydn composed an amazing variety of music -- symphonies, string quartets, concerti, masses, operas, oratorios, keyboard works -- and his prolific output celebrates both the heights and depths of life. In this fascinating book Calvin Stapert combines his skills as a biographer and a musicologist to recount Haydn's steady rise from humble origins to true musical greatness. Unlike other biographers, Stapert argues that Haydn's work was a product of his devout Catholic faith, even though he worked mainly as a court musician and the bulk of his output was in popular genres. In addition to telling Haydn's life story, Stapert includes accessible listening guides to The Creation and portions of other well-known works to help Haydn listeners more fully appreciate the brilliance behind his music.
Download or read book Tempesta written by Clive McClelland and published by Lexington Books. This book was released on 2017-10-13 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tempesta is a term coined in this book applying to music that exhibits agitated or violent characteristics in order to evoke terror and chaos, involving ideas like rapid scale passages, driving rhythmic figurations, strong accents, full textures, and robust instrumentation including prominent brass and timpani. Music of this type was used for storm scenes, which in operas of the 17th and 18th centuries are almost invariably of supernatural origin, and other frightening experiences such as pursuit, madness, and rage. This ‘stormy’ music formed the ingredients of a particular style in the later 18th century that scholars in recent decades have referred to as Sturm und Drang, implying a relationship to German literature which I believe is unhelpful and misleading. Haydn’s so-called Sturm und Drang symphonies exhibit characteristics that are no different to his depictions of storms in his operas and sacred music, and there is no evidence of Haydn suffering some kind of personal crisis, or even of him responding to the ‘spirit of the age’. He was simply exploring the expressive possibilities of the style for dramatic/rhetorical effect. Scholars have been dissatisfied with the term for some time, but no-one has previously suggested an alternative. The term tempesta therefore applies to all manifestations of this kind of music, a label that acknowledges the ‘stormy’ origins of the style, but which also recognizes that it functions as a counterpart to ombra. Tempesta contributed enormously to the continued popularity of operas on supernatural subjects, and quickly migrated towards sacred music and even instrumental music, where it became part of the topical discourse. The music does not merely represent the supernatural, it instills an emotional response in the listener. Awe and terror had already been identified as sources of the sublime, notably by Edmund Burke (predating the German literary Sturm und Drang), and the latter half of the century saw the rise of Gothic literature. The supernatural remained popular in theaters and opera houses, and special music that could produce an emotional response of such magnitude was a powerful tool in the composer’s expressive armory.
Download or read book Beethoven Hero written by Scott Burnham and published by Princeton University Press. This book was released on 2000-04-30 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together reception history, music analysis and criticism, the history of music theory, and the philosophy of music, Beethoven Hero explores the nature and persistence of Beethoven's heroic style. What have we come to value in this music, asks Scott Burnham, and why do generations of critics and analysts hear it in much the same way? Specifically, what is it that fosters the intensity of listener engagement with the heroic style, the often overwhelming sense of identification with its musical process? Starting with the story of heroic quest heard time and again in the first movement of the Eroica Symphony, Burnham suggests that Beethoven's music matters profoundly to its listeners because it projects an empowering sense of self, destiny, and freedom, while modeling ironic self-consciousness. In addition to thus identifying Beethoven's music as an overarching expression of values central to the age of Goethe and Hegel, the author describes and then critiques the process by which the musical values of the heroic style quickly became the controlling model of compositional logic in Western music criticism and analysis. Apart from its importance for students of Beethoven, this book will appeal to those interested in canon formation in the arts and in music as a cultural, ethical, and emotional force--and to anyone concerned with what we want from music and what music does for us.
Download or read book Understanding Rock written by John Covach and published by Oxford University Press. This book was released on 1997-11-20 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead.
