Download or read book Elisabetta d Inghilterra Dramma per musica da rappresentarsi nell imperial teatro di Torino nel carnovale dell anno 1810 written by and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Elisabetta d Inghilterra written by Stefano Pavesi and published by Forgotten Books. This book was released on 2018-09-19 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Elisabetta d'Inghilterra: Dramma per Musica, da Rappresentarsi nell'Imperial Teatro di Torino Nel Carnovale dell'Anno 1810 La musica è del Sig. Maéstro Stefano Pavesìp' Ila Copig si fa e; si distribuisce dalli Signori Pessagno 6 Festa gopi5t1 di'mùsica dèl About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Dictionary Catalog of the Dance Collection written by New York Public Library. Dance Collection and published by . This book was released on 1974 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Elisabetta regina d Inghilterra dramma serio per musica Da rappresentarsi nel Teatro della Concordia in Cremona nel carnovale dell anno 1818 written by and published by . This book was released on 1817 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dario Istaspe Dramma per musica da rappresentarsi nell imperial teatro di Torino nel carnovale dell anno 1810 written by and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Elisabetta d Inghilterra Dramma per musica da rappresentarsi nel teatro de quattro sig ri compadroni nel carnovale dell anno 1811 written by and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Opera Without Drama written by Robert Freeman and published by . This book was released on 1981 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Elisabetta Regina d Inghilterra Dramma per musica da rappresentarsi nel teatro reale di corte presse la residenza nel maggio dell anno 1818 Musica di Rossini written by and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Angelica e Medoro ossia L Orlando written by Giuseppe Nicolini and published by . This book was released on 1810 with total page 63 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Elisabetta regina d Inghilterra written by Giovanni Schmidt and published by . This book was released on 1822 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Elisabetta d Inghilterra written by and published by . This book was released on 1812* with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Italian Opera and European Theatre 1680 1720 written by Melania Bucciarelli and published by Brepols Publishers. This book was released on 2000 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: What emerges from this study, is a picture of 18th-century opera as a literary work as well as a theatrical and musical event in its challenging and variable interactions of poetry, music, gesture and decor. This is illuminated by an exploration of both the context of ideas in which opera flourished and the aims that animated those who where involved with its existence - poets, composers, performers, dramatists, impresari, patrons, audiences - in an attempt to penetrate the secrets of its appeal, of that tacit agreement between authors and audiences, that made it possible for dramatist, musicians and stage designers to manipulate spectator's emotions and reactions as successfully as many sources document.
Download or read book Inventing the Business of Opera written by Beth Glixon and published by Oxford University Press. This book was released on 2005-12-01 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: In mid seventeenth-century Venice, opera first emerged from courts and private drawing rooms to become a form of public entertainment. Early commercial operas were elaborate spectacles, featuring ornate costumes and set design along with dancing and music. As ambitious works of theater, these productions required not only significant financial backing, but also strong managers to oversee several months of rehearsals and performances. These impresarios were responsible for every facet of production from contracting the cast to balancing the books at season's end. The systems they created still survive, in part, today. Inventing the Business of Opera explores public opera in its infancy, from 1637 to 1677, when theater owners and impresarios established Venice as the operatic capital of Europe. Drawing on extensive new documentation, the book studies all of the components necessary to opera production, from the financial backing of various populations of Venice, to the commissioning and creation of the libretto and the score; the recruitment and employment of singers, dancers, and instrumentalists; the production of the scenery and the costumes, and, the nature of the audience; and, finally, the issue of patronage. Throughout the book, the problems faced by impresarios come into new focus. The authors chronicle the progress of Marco Faustini, the impresario most well known today, who made his way from one of Venice's smallest theaters to one of the largest. His companies provide the most personal view of an impresario and his partners, who ranged from Venetian nobles to artisans. Throughout the book, Venice emerges as a city that prized novelty over economy, with new repertory, scenery, costumes, and expensive singers the rule rather than the exception. The authors examine the challenges faced by four separate Venetian theaters during the seventeenth century: San Cassiano, the first opera theater, the Novissimo, the small Sant'Aponal, and San Luca, established in 1660. Only two of them would survive past the 1650s. Through close examination of an extraordinary cache of documents--including personal papers, account books, and correspondence -- Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-seventeenth century Venice. For the first time in a study of opera, an emphasis is placed on the physical production -- the scenery, costumes, and stage machinery -- that tied these opera productions to the social and economic life of the city. This original and meticulously researched study will be of strong interest to all students of opera and its history.
Download or read book Opera in Seventeenth Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Download or read book The Oratorio in Modena written by Victor Crowther and published by Oxford University Press, USA. This book was released on 1992 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late seventeenth century the oratorio in Italy was in a state of flux. Ostensibly religious in character, it was becoming increasingly prone to operatic influence and subject to political pressure from wealth patrons. One notable patron was Francesco II d'Este, duke of Modena from 1674 to 1694, who was a generous sponsor of the oratorio and an avid collector of musical scores. This book is the first to study the oratorio genre as it pertained to Modena, and to offer a critical survey of Francesco II's oratorio collection, setting it within the context of the duchy's uneasy political relationships with Rome, Paris, and London. It describes the development of the oratorio tradition in Modena under the direction of successive court maestri, dealing with the range of works and singling out specific masterpieces by Ferrari, Stradella, de Grandis, Scarlatti, Colonna, Gianettini, Palermino, Vitali, Pistocchi, and Vinacesi for detailed examination. Since few critical editions of these works are available, these discussions are amplified by many quotations from libretti and scores. The book also covers general historical matters that had an effect upon the oratorio in Modena, for example the renovation of the city and its institutions in the early seventeenth century, the development of the Cappella Ducale, the religious life of the city and court, and the political alliances which were crucial to the security and prestige of the duchy.
Download or read book Music and the Cultures of Print written by Kate van Orden and published by Routledge. This book was released on 2018-12-07 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.
Download or read book The Art of Gesture written by Dene Barnett and published by . This book was released on 1987 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
