Download or read book Electroacoustic Music in East Asia written by Marc Battier and published by Routledge. This book was released on 2020-06-09 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.
Download or read book Electroacoustic Music in East Asia written by Marc Battier and published by Routledge. This book was released on 2020-06-09 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.
Download or read book Teaching Electronic Music written by Blake Stevens and published by Routledge. This book was released on 2021-08-16 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on technology? What are the implications of a digital culture that allows so many to be producers of music? How can instructors engage students in creative experimentation with sound? Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.
Download or read book The Routledge Research Companion to Electronic Music Reaching out with Technology written by Simon Emmerson and published by Routledge. This book was released on 2018-05-16 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids – but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice – unified through ideas of 'reaching out' and 'connecting together' – and in effect showing that there is emerging a different kind of 'global music'.
Download or read book Contemporary Music in East Asia written by 오희숙 and published by Seoul National University Press. This book was released on 2014-01-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: 한국, 중국, 일본은 모두 서양음악을 수용하였고, 동시에 각 나라의 역사적 문화적 특수성으로 인해 그 지역 고유의 개성적인 음악문화를 형성하고 있다. 이 책에서는 유사한 역사를 가진 동시대의 음악들이 각국의 음악적, 사회문화적, 민족적 고유성과 결합되어 어떤 음악세계를 형성했으며, 지금 어떻게 나타나고 있는지, 또한 어떠한 방향으로 나아갈 것인지를 살펴보았다. 이러한 논의를 통해서 황병기·진은숙·호소카와·탄둔 등 한국, 일본, 중국의 대표적인 최근 작곡가와 그들의 음악 경향을 살펴보고, 동아시아 전반의 현대음악 경향을 시대적·역사적 맥락에서 설명하고 있다.
Download or read book Fractured Scenes written by Damien Charrieras and published by Springer Nature. This book was released on 2021-03-29 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fractured Scenes is the first extensive academic account of music and sound art practices that fall outside of the scope of ‘mainstream music’ in Hong Kong. It combines academic essays with original interviews conducted with prominent Hong Kong underground/independent musicians and sound artists as well as first hand-accounts by key local scene actors in order to survey genres such as experimental/noise music, deconstructed electronic music, indie-pop, punk, garage rock, sound art and DIY ‘computer’ music (among others). It examines these Hong Kong underground music practices in relief with specific case studies in Mainland China and Japan to begin re-defining the notion of a ‘musical underground’ in the context of contemporary Hong Kong.
Download or read book Presence Through Sound written by Keith Howard and published by . This book was released on 2020 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction : reflections on the significance of place for East Asian musical traditions / Catherine Ingram and Keith Howard -- China. The shifting strength of place in contemporary big song singing from Southwestern China / Catherine Ingram ; From the heart of the lake booms a mountain song : sense of place in the song-cycles of coastal China / Anne E. McLaren ; Bringing the past to life : creating and contesting place in Kunqu singing practices / Min Yen Ong ; Beijing in the contemporary pipa world / Lu Liu -- Tibet. The alphabetical order of things : the language of place and the place of language in Tibetan song / Gerald Roche -- Taiwan. Lingering across the ocean, rooted on the island : indigenous music and the notions of mountain and sea as Taiwanese identifiers / Yang Ming Teoh -- Korea. The constructed soundscapes of place in Korea, South and North / Keith Howard ; Place as brand : the role of place in the construction of contemporary traditional music in South Korea / Hee-Sun Kim ; The sonic habitus of silk and wood : Kugak's twenty-first-century terrain / Hilary Finchum-Sung ; Not a habitus for the have-nots : the Walker Hill Shows, 1962-2012 / Roald Maliangkay -- Japan. Gagaku and the Kasuga Wakamiya Onmatsuri Festival of Nara : from the sound of authority to the sound of local identity / Naoko Terauchi ; Biwa's place in modern times / Hugh de Ferranti ; Place and locality in Fuke-style shakuhachi : the case of Nezas--ha Kinpūryū / Kiku Day.
Download or read book Half Sound Half Philosophy written by Jing Wang and published by Bloomsbury Publishing USA. This book was released on 2021-01-14 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the late 1990s until today, China's sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the arts resonates with another goal of this book, to understand sound and its artistic practice through notions informed by Chinese qi-cosmology and qi-philosophy, including notions of resonance, shanshui (mountains-waters), huanghu (elusiveness and evasiveness), and distributed monumentality and anti-monumentality. By turning back to deep history to learn about the meaning and function of sound and listening in ancient China, the book offers a refreshing understanding of the British sinologist Joseph Needham's statement that Chinese acoustics is acoustics of qi. and expands existing conceptualization of sound art and contemporary music at large.
Download or read book The Language Electroacoustic Music written by Simon Emmerson and published by Springer. This book was released on 1986-12-03 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing genre. It brings together composers from leading academic departments and studios in Britain, the United States, Canada and Paris with a wide range of approaches and opinions, resulting in a study which is likely to have a marked impact on current debates on the future of electroacoustic music. The book is divided into three sections. The first, Culture and Language, considers the relationship between music and the listener's perception and expectation. Materials and Lanugage looks at the types of materials available to composers and the way in which the internal structure of the sound can have implications for the overall structure of a piece. The final section, The Influence of New Technology, considers the relationship between computer systems and the music they are helping to create.
Download or read book Contemporary Music in East Asia written by 오희숙 and published by 서울대학교출판문화원. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Bloomsbury Handbook of Sound Art written by Sanne Krogh Groth and published by Bloomsbury Publishing USA. This book was released on 2020-02-20 with total page 581 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulant field of academic critique and aesthetic analysis. Summoning artists, researchers, curators, and critics, this volume takes note of and reflects the most recent shifts and drifts in Sound Art--rooted in sonic histories and implying future trajectories.
Download or read book Between the Tracks written by Miller Puckette and published by MIT Press. This book was released on 2020-09-01 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection that goes beyond the canon to analyze influential yet under-examined works of electronic music. This collection of writings on electronic music goes outside the canon to analyze influential works by under-recognized musicians. The contributors, many of whom are composers and performers themselves, offer their unsung musical heroes the sort of in-depth examinations usually reserved for more well-known composers and works. They analyze music from around the world and across genders, race, nationality, and age, discussing works that range from soundscapes of rushing water and resonating pipes to compositions by algorithm.
Download or read book Music After the Fall written by Tim Rutherford-Johnson and published by Univ of California Press. This book was released on 2017-02 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Download or read book Music of East Asia A Contemporary Approach Preliminary Edition written by Benedict M. Lim and published by Cognella Academic Publishing. This book was released on 2017-12-31 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Analysing East Asian music Patterns of rhythm and melody Con DVD written by Simon Mills and published by Semar Publishers Srl. This book was released on 2008 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: Book & DVD. Features: Two Different Beats to a Single Drum: An Analysis of Old & New Stiles of Hachijo-Daiko (Jane Alaszewska); Living Early Composition: An Appreciation of Chines Shawn Melody (Stephen Jones); An Analysis of the Uyghur on Ikki Muqam: Aspects of Melody & Form in the Segah Suite (Eleni Kallimopoulou & Federico Spinetti); Playful Patterns of Freedom: Hand Gong Performance in Korean Shaman Ritual (Simon Mills).
Download or read book Composing Electronic Music written by Curtis Roads and published by Oxford University Press. This book was released on 2015-06-17 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.
Download or read book Music of East Asia A Contemporary Approach First Edition written by Benedict M. Lim and published by Cognella Academic Publishing. This book was released on 2017-12-31 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
