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Book eFiction September 2011

    Book Details:
  • Author :
  • Publisher : eFiction Publishing
  • Release :
  • ISBN :
  • Pages : 131 pages

Download or read book eFiction September 2011 written by and published by eFiction Publishing. This book was released on with total page 131 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Revisiting Modernism

    Book Details:
  • Author : Maria-Ana Tupan
  • Publisher : Aesthetics Media Services
  • Release :
  • ISBN :
  • Pages : pages

Download or read book Revisiting Modernism written by Maria-Ana Tupan and published by Aesthetics Media Services. This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: By shifting the centre of gravity from author to reader, Roland Barthes had certainly prepared us for a Copernican turn in aesthetics, yet Michael J. Pearce’s Art in the Age of Emergence still sounds unfamiliar two years after its publication. While acknowledging the existence of homologies among the art objects of a cultural phase, the Californian academic also launches an explanatory hypothesis:”I realized that in order to understand art, instead of looking for the similarities between the paintings and the sculptures we have to look at the similarities between the people looking at them. Art is better explained by looking at how the mind works than by looking at the products of mind.”(XV). The substitution of the phenomenology of mind for the phenomenology of the work of art can only have a partial contribution to the understanding of period terms, yet not devoid of relevance. The numerous studies in modernism published of late, for instance, are revisionary, the changing views being motivated by the new historical context rather than by a new assessment of forms. The mind turns out to be working acording to the critical theory it has been exposed to or which it has freely embraced. Relegated to the status of socio-political movement without aesthetic significance since 1939, when Clement Greenberg associated it with kitsch, to Renato Poggioli, Peter Bürger or Christopher Butler (Early Modernism: Literature, Music, and Painting in Europe, 1900-1916, 1994), the avant-garde came to be enshrined as the weightiest artistic phenomenon and “the last post of modernism” by Richard Sheppard in Modernism-Dada-Postmodernism (2000), who joined thus a new party of postmodern critics, among whom, Linda Hutcheon, who see the historical avant-garde as the generative matrix of the post-war literature in the 50s and the 60s, stretching the term to include the French nouveau roman or the Tel Quel. Quoted by Sheppard on Marx’s Communist Manifesto being “the first great modernist work of art”, Marshall Berman (All That Is Solid Melts into Air, 1982) too welcomes modernism into the sixties and seventies. Titles, such as, Avant Garde and After: Rethinking Art Now, by Brandon Taylor, have tilted the scales measuring modernism against the avant-garde into a more balanced position, even if also the leads of the earlier twentieth century have been the object of New-Historicist and culturalist approaches that corrected the Axel Castle icon of egocentric aloofness through readings that evinced the substantial presence of history in the writings of Woolf, Joyce or D. H. Lawrence. With interdisicplinarity the latest buzz word in the academic world, lots of studies have been dedicated to the influence of Non-Euclidian Geometry, relativity and quantum physics on modernist art, for instance, Surrealism, Art and Modern Science. Relativity, Quantum Mechanics,Epistemology by Gavin Parkinson (2008). The most spectacular renovation has probably been undergone by no other than Charles Baudelaire, the founding father, who has been removed from his site with transcendent flavours and symbolic correspondences and inserted into the phantasmagoric pre-cinematic media world : Marit Grotta: Baudelaire's Media Aesthetics (The Gaze of the Flâneur and 19-th Century Media). If we travel back in time to get a feeling of what modernists saw in each other and compare their vision with such contemporary framing, we realize to what extent the history of reception modifies the history of composition. Mina Loy’s ekphrasis of sculptor Brancusi’s Golden Bird, for instance, conveys the modernist artist’s infatuation with archetypes, tropes of immaculate conception, “breast of revelation”or hyperaesthesia – the alchemy whereby the senses projected a secondary reality of mixed perceptions. Is there a possibility to negotiate meanings when talking to the dead, as Stephen Greenblatt has put it in the opening of Shakespearean Negotiations? Used also by Ayendy Bonifacio in his essay on Hart Crane,” interliterariness” is a middle-European term for what Russian semioticians or French and American social critics or American New Historicists had already attempted to achieve: an archeology of meaning, a history and a philosophy of culture that help the visitor of past ages assess meaning and value. The more elements of a culture’s codes are absorbed into an art object, the more representative and valuable is its testimony in the history of the spirit. Understanding such ”serious and heavy” codes, as Pound dubbed them, takes longer, studies of a work’s genealogy bringing it to light in all its complexity. The history of literature is replete with such novas, Irish Flann O’Brien, whose works are an ark of his time’s literary, aesthetic, scientific or political ideas, is the revelation of the last decade, emerging almost out of anonymity thanks to systematic research initiated by a team coordinated by Professor Werner Huber from the University of Vienna. Whether the Virgilian guide be New Historicist Greenblatt, or, as suggested by Professor Sachin C. Ketkar in his essay, Lotman’s semiotics or Dionyz Durisin’s study of the discursive exchanges of semantic energy across national boundaries, it becomes possible, for instance, to read Mardhekar in the context of the international modernist movements and in light of ”interliterary ‘genetic-contactual relations’ instead of the idea of ‘influence’ which invariably brings in normative hierarchy between the influencer and the influenced, placing the latter on a lower or secondary position.” In the beginning, building international communities was indeed a matter of hierarchies of power. Japan or China were forced to open their harbours to international trade, coming out of their ancestral isolation, while the Macaulay law forced Indians into chimeric native bodies and Emglish minds. Merchants or colonizers, however, opened the way to enlightened politicians, scientists or artists. In his History of Romanian Civilization, Eugen Lovinescu, critic and editor of the earlier twentieth century, distinguishes between evolutionary and revolutionary models of culture. The major cultures know a continuous and organic growth, whereas minor ones, lured by centres of influence, break off abrupty from their traditions borrowing foreign models. That is why it is easy to date period terms in the latter, whereas the former have very discreet lines of demarcation. Ezra Pound’s manifesto of imagism, for instance, is heavily indebted to Alfred Binet’s model of reasoning through associations of images instead of syllogisms, but ahead of Binet there was Herbart, and before Herbart, Kant, who had borrowed ideas for his Anthropology from David Hume ... It is again the constitution of homologies across disciplinary spheres and reciprocal loans that allow an observer to identify a territorialization, as Deleuze calls it, that is, a distinct type of culture. Politically speaking, modernism begins with Baudelaire’s declaration of war on the bourgeois: “Vous êtes la majorité, – nombre et intelligence ; – donc vous êtes la force, – qui est la justice.”(You are the majority - in number and intelligence; therefore you are the force – which is justice – Salon de 1846). With its nomination of the working class as being entitled to lead the other social classes – which they did when they had the chance – Marx’s Capital meant even less democracy than the bourgeois republic. The modernist political discourse was one of individualism and human rights, built on Jefferson’s model. It is this fascinating rebel against hypocritical social conventions that still appeals to the nonconformist youth cultures, Shweta Basu undertaking a study in the translation of “Flowers of Evil” across cultures and rmedia in a Japonese manga series. Modernism saw the collapse of dynasties, and the foundation of international leagues of nations enjoying equal rights or of clubs of the intellectual elites of all nations (PEN CLUB). E. M. Forster was writing in 1938: “I believe in aristocracy . . . Not an aristocracy of power, based upon rank and influence, but an aristocracy of the sensitive, the considerate and the plucky.” Under the circumstances of huge differences in point of civilization – Bipin Balachandran mentions the case of Poland and other middle and East-European countries – but capitalizing on the widely circulated narrative of the superiority of culture over civilization, which was considered to be rapidly changing into a soulless machinery, individual contacts of scholars or artists contributed to the emergence of a truly international spirit and a cosmopolitan culture. By contrast, the eighteenth century had thrived on models of justified hierarchies (the best of all possible worlds), colonizing missions, histories of empires to learn from them the rise to international power. The systematic oppositions we can establish between the Enlightenment and modernism prevent us from merging them into ”a singular modernity” (Frederic Jameson). The culture of modernism is a hybrid one, with metropolitan cultures fascinated by the new nations they were put in contact with, open to the foreigners who sought them out to study or pursue a career. Japanese art was studied and imitated, while the interest in India, aroused by the discovery of the common origin of Indo-European languages, by Schopenhauer’s philosophy or by Madame Balavatsky’s esoteric pursuits, emulated by the British and the Americans alike, reached such proportions that references to India almost became a sign of recognition. Even quantum physics pioneers, Heisenber and Schrὅdinger, owned a debt to Hindu mythology and the Indian logic of the included third. Naturally possessed of this mindset, physicist Satyendra Nath Bose initiated calculations of a new state of condensed matter, where atoms lose their identity reaching the peace of a frozen quantum state of superimposed waves. The experiment is known as the Bhose-Einstein condensate. A very fashionable topic of research nowadays, the search for native forms of modernism outside the centrality of Paris, London or New York is usually successful. Paraphrasing, scratch a national culture and you will find traces of modernism. It was not difficult for Rindon Kundu and Saswati Saha to spot out a Wagner in Latin America in the person of Rubén Darío, and even an aesthetic contest between him and Enrique González Martínez, similar to the Wyndham Lewis-Marinetti duel in Europe. For T.S. Eliot, India was a myth of origin from The Love Song of Alfred Prufrock to The Waste Land. As he confessed in a speech in memory of Rudyard Kipling, the former was inspired by The Love Song of Har Dyal. Eliot’s protagonist is spiritualy impoverished, frustrated by lack, not of love affairs but of strong feelings, like those that give lovers the courage to risk their lives in the Indian story. Anindita Mukherjee chooses another contextualization, out of many possible, as is the case with the erudite modernists, and that is Rilke’s thoughts on love disclosed to a young poet who had asked him for advice. In that letter, Rilke says that dragons are but princesses who want to see their lovers courageous. Prufrock is acutely aware of his inferiority in relation to bright, cultivated women, who comment on his weakness, while the imagery surrounding them suggests the strength of warrior-women (And I have known the arms already, known them all— /Arms that are braceleted). The essayist notices though the redemption of the protagonist, his final capacity to dismiss his daily routine as rubbish and reach for transcendence. Sumi Bora looks into textual traces of the relationship between the poet and his rhetorical masks, interrogating the status of the authorial figure and biography in the modernist text. The web of mythic allusions in The Waste Land is a familiar feature of the modernist agenda ”to seek reality and justice in a single vision (Yeats). Nisarga Bhattacharjee and Ananya Chatterjee write on the modernists’ use of myth as part of the mythopoetic tradition, blooming into extended metaphors of life or of the human condition, while Susan Haris is plumbing into the symbolism of unconscious drives and identification with elementary nature in D.H. Lawrence’s personal version of psychoanalysis. The figural psyche of modernist fiction and the gendered landscape of female isolation is Lava Asaad’s focus on the early modernist career of Jean Rhys, better known for her postcolonial rewriting of Jane Eyre. Is there an aesthetic continuity between the historical avant-garde and the Beat Generation or the abstract expressionism in the 50s and 60s? Allen Ginsberg, John Ashbery or Lawrence Ferlinghetti engage often in dialogue with precedent canonical texts, their intertexts sinning on the side of courteous attitudes to tradition, which does not fit into the context of Marinetti’s dismissal of libraries, academies and museums (The Futurist Manifesto). Abstract art is, obviously, something different from found objects, while, in critical theory, the fifties and the sixties saw the rise of semiotics, psychoanalysis, deconstruction, feminism, that is, of the very practice of interdisciplinarity in literary criticism, something at the other pole from New Criticism and other formalisms in which ended up structuralism. Although not irrelevant in point of aesthetic achievement, Ayendy Bonifacio writing persuasively on Hart Crane’s constructivist rhetoric, the avant-garde is still perceived as a self-standing chapter in the cultural history of modernism. The exchange of cultural narratives and traditions, fostered by historical circumstances but also by Worringer’s aesthetics that praised primitive art for its tendencies towards abstraction in flight from a threatening and alien nature, that could provide a spiritual cure to a materialistic civilization, was defining for the poetics of art at the turn of the last century. Modernism was humanity’s first coming together.

Book The Best American Mystery Stories 2012

Download or read book The Best American Mystery Stories 2012 written by Otto Penzler and published by Houghton Mifflin Harcourt. This book was released on 2012 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of the best mystery writing published in 2011 culled from a variety of sources.

Book The World of Dew and Other Stories

Download or read book The World of Dew and Other Stories written by Julian MortimerSmith and published by Indiana University Press. This book was released on 2021-04-06 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imagine a world populated by hideous trolls, time-traveling scientists, and intergalactic freighter captains—with smartphones and social media. The World of Dew and Other Stories, chosen by Michelle Pretorius as the 2020 Blue Light Books Prize winner, invites readers into 18 different universes that have unexpected resonances with our own modern life. While these tales are unabashedly sci-fi and fantasy, Julian Mortimer Smith approaches each at a curious angle. Ghosts are cataloged using a Pokémon Go–like app, a soldier has to get enough upvotes on social media before he is allowed to take a shot, and a golden age of cooperation begins as societies around the world prepare for a looming pandemic of blindness. In addition to featuring stories that have appeared in some of the world's top speculative fiction outlets, The World of Dew and Other Stories also includes five new stories published here for the first time. These tales are sometimes terrifying, sometimes touching, sometimes provocative, and occasionally very silly. They function both as windows through which readers can glimpse vast universes waiting to be explored and as mirrors reflecting our own reality back at us in a strange and unfamiliar light.

Book The Best Science Fiction and Fantasy of the Year Volume 6

Download or read book The Best Science Fiction and Fantasy of the Year Volume 6 written by Stephen Baxter and published by Skyhorse Publishing, Inc.. This book was released on 2012-03-27 with total page 605 pages. Available in PDF, EPUB and Kindle. Book excerpt: The science fiction and fantasy fields continue to evolve, setting new marks with each passing year. For the sixth year in a row, master anthologist Jonathan Strahan has collected stories to captivate, entertain, and showcase the very best the genre has to offer. Critically acclaimed, and with a reputation for including award-winning speculative fiction, The Best Science Fiction and Fantasy of the Year is the only major “best of” anthology to collect both fantasy and science fiction under one cover. Jonathan Strahan has edited more than thirty anthologies and collections, including The Locus Awards (with Charles N. Brown), The New Space Opera (with Gardner Dozois), and Swords and Dark Magic: The New Sword and Sorcery.

Book The Year s Best Science Fiction  Twenty Ninth Annual Collection

Download or read book The Year s Best Science Fiction Twenty Ninth Annual Collection written by Gardner Dozois and published by St. Martin's Press. This book was released on 2012-07-03 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year's Best Science Fiction: Twenty-Ninth Annual Collection the very best SF authors explore ideas of a new world. This venerable collection brings together short stories from award winning authors and masters of the field such as Robert Reed, Alastair Reynolds, Damien Broderick, Elizabeth Bear, Paul McAuley and John Barnes. And with an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.

Book Nebula Awards Showcase 2013

    Book Details:
  • Author : Catherine Asaro
  • Publisher : Pyr
  • Release : 2013-05-14
  • ISBN : 1616147849
  • Pages : 428 pages

Download or read book Nebula Awards Showcase 2013 written by Catherine Asaro and published by Pyr. This book was released on 2013-05-14 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories in the Nebula Awards, voted on by the members of the Science Fiction & Fantasy Writers of America(R). The editor selected by SFWA's anthology committee (chaired by Mike Resnick) is two-time Nebula winner, Catherine Asaro. This year's volume includes stories and excerpts by Connie Willis, Jo Walton, Kij Johnson, Geoff Ryman, John Clute, Carolyn Ives Gilman, Ferrett Steinmetz, Ken Liu, Nancy Fulda, Delia Sherman, Amal El-Mohtar, C. S. E. Cooney, David Goldman, Katherine Sparrow, E. Lily Yu, and Brad R. Torgersen.

Book Sexuality  Maternity  and  Re productive Futures

Download or read book Sexuality Maternity and Re productive Futures written by Kazue Harada and published by BRILL. This book was released on 2021-11-29 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sexuality, Maternity, and (Re)productive Futures explores how contemporary Japanese female speculative fiction writers have challenged historical inequalities of sex, gender difference, and family roles by imagining alternative worlds where sexes are fluid and childbearing crosses the boundaries of male/female, biological/bioengineered, and human/nonhuman.

Book The Nebula Awards Showcase 2011

Download or read book The Nebula Awards Showcase 2011 written by Kevin J. Anderson and published by Tor Books. This book was released on 2011-05-24 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: With this inaugural volume at Tor, the annual Nebula Award collection is reborn as a fiction-only anthology, edited by the incomparable Kevin J. Anderson. This collection of nominees for 2010's Nebula Awards includes all of the prior year's most celebrated stories, and will be published in time for the 2011 Nebula Awards in May, 2011. 2009's award winners, announced in May 2010, include Kage Baker's novella "The Women of Nell Gwynne's," Eugie Foster's novelette "Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast," Kij Johnson's short story "Spar," plus Paolo Bacigalupi's novelette, "The Gambler." At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Book Timeless Time Travel Tales

Download or read book Timeless Time Travel Tales written by John Barnes and published by AudioText. This book was released on 2012-05-27 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of unabridged, unforgettable tales, written by some of science fiction’s most esteemed authors, pays homage to one of the genre’s most cherished story types. Whether time travel stories leap forward in time or slip into the past, they remain popular with fans. John Barnesspins a tale of intrigue as the principles of science are discovered centuries ahead of time while mankind is divided into classes (Com'n and Liejt) and the Irish people are slaves in “Things Undone.” Nancy KressAnne Boleyn and that of historians from a distant future to which pivotal historic figures are taken in order to prevent otherwise inevitable bloodshed in “And Wild for to Hold.” Ian R. MacLeodsends three time traveling historians from the future to rescue Captain Oatesfrom the doomed Scott party amidst the race to the South Pole in the early 20thcentury in “Home Time.” Tom Purdomsets historians from the future on a high seas adventure to document a 19thcentury British Admiralty anti-slavery patrol in “The Mists of Time.” Science fiction grand master, Robert Silverberg, slowly slides the fifty-seven year old owner of a Toyota dealership in the San Francisco Bay area backwards in time towards his birth in “Against the Current.” Allen M. Steeletells the story of how a U.S. Navy blimp crewmember happens upon time travelers while monitoring Soviet sea traffic around Cuba during the Cuban Missile Crisis in “The Observation Post.” Michael Swanwickfollows the director of a dinosaur research center holding a timeline-polluting fund raiser located in the late Cretaceous period in the Hugo award winning story, “Scherzo with Tyrannosaur.” Genevieve Valentineobserves the detrimental effects of time travel on the timeline through the eyes of a seamstress whose wealthy patrons are obsessed with their time period costumes in “Bespoke.”

Book Science Fiction and Indian Women Writers

Download or read book Science Fiction and Indian Women Writers written by Urvashi Kuhad and published by Taylor & Francis. This book was released on 2021-07-29 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Science fiction, as a literature of fantasy, goes beyond the mundane to ask the question: what if the world were different from the way it is? It often challenges the real, builds on imagination, places no limits on human capacities, and encourages readers to think outside their social and cultural conditioning. This book presents a systematic study of Indian women’s science fiction. It offers a critical analysis of the works of four female Indian writers of science fiction: Rokeya Sakhawat Hossain, Manjula Padmanabhan, Priya Sarukkai Chabria and Vandana Singh. The author considers not only the evolution of science fiction writing in India, but also discusses the use of innovations and unique themes including science fiction in different Indian languages; the literary, political, and educational activism of the women writers; and eco-feminism and the idea of cloning in writing, to argue that this genre could be viewed as a vibrant representation of freedom of expression and radical literature. This ground-breaking volume will be useful for scholars and researchers of English literature. It will also prove a very useful source for further studies into Indian literature, science and technology studies, women’s and gender studies, comparative literature and cultural studies.

Book American Literature in Transition  2000   2010

Download or read book American Literature in Transition 2000 2010 written by Rachel Greenwald Smith and published by Cambridge University Press. This book was released on 2017-12-28 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: American Literature in Transition, 2000–2010 illuminates the dynamic transformations that occurred in American literary culture during the first decade of the twenty-first century. The volume is the first major critical collection to address the literature of the 2000s, a decade that saw dramatic changes in digital technology, economics, world affairs, and environmental awareness. Beginning with an introduction that takes stock of the period's major historical, cultural, and literary movements, the volume features accessible essays on a wide range of topics, including genre fiction, the treatment of social networking in literature, climate change fiction, the ascendency of Amazon and online booksellers, 9/11 literature, finance and literature, and the rise of prestige television. Mapping the literary culture of a decade of promise and threat, American Literature in Transition, 2000–2010 provides an invaluable resource on twenty-first century American literature for general readers, students, and scholars alike.

Book Not So Much  Said the Cat

    Book Details:
  • Author : Michael Swanwick
  • Publisher : Tachyon Publications
  • Release : 2016-07-18
  • ISBN : 1616962313
  • Pages : 289 pages

Download or read book Not So Much Said the Cat written by Michael Swanwick and published by Tachyon Publications. This book was released on 2016-07-18 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The master of literary science fiction returns with this dazzling new collection. Michael Swanwick takes us on a whirlwind journey across the globe and across time and space, where magic and science exist in possibilities that are not of this world. These tales are intimate in their telling, galactic in their scope, and delightfully sesquipedalian in their verbiage. Join the caravan through Swanwick's worlds and into the playground of his mind. Travel from Norway to Russia and America to Ancient Gehenna. Discover a calculus problem that rocks the ages and robots who both nurture and kill. Meet a magical horse who protects the innocent, a semi-repentant troll, a savvy teenager who takes on the Devil, and time travelers from the Mesozoic who party till the end of time...

Book Night Shift

    Book Details:
  • Author : Eileen Gunn
  • Publisher : PM Press
  • Release : 2022-08-16
  • ISBN : 1629639567
  • Pages : 89 pages

Download or read book Night Shift written by Eileen Gunn and published by PM Press. This book was released on 2022-08-16 with total page 89 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wry, dark humor burnishes visionary SF in these often prophetic, sometimes troubling, but always fascinating tales that combine and masterfully conflate the disparate worlds of corporate tech and literary art. “After the Thaw” is a hi-tech take on an ancient idea: immortality. “Terrible Trudy on the Lam” based on actual events, is a modern fable about a zoo escape, a private eye, a vaudeville act and keeping your mouth shut. “Night Shift at NanoGobblers,” written for a NASA website, is about asteroid-altering AIs and their world-weary earthbound handlers. “Transitions” deals with jet lag when your flight is decades late. Gunn’s long-awaited third collection is rounded out by incisive and affectionate portraits of her SF colleagues, mentors, and friends, beginning with Ursula Le Guin. All illuminated of course by our artfully intimate interview.

Book Robots in American Popular Culture

Download or read book Robots in American Popular Culture written by Steve Carper and published by McFarland. This book was released on 2019-06-12 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt:  They are invincible warriors of steel, silky-skinned enticers, stealers of jobs and lovable goofball sidekicks. Legions of robots and androids star in the dream factories of Hollywood and leer on pulp magazine covers, instantly recognizable icons of American popular culture. For two centuries, we have been told tales of encounters with creatures stronger, faster and smarter than ourselves, making us wonder who would win in a battle between machine and human. This book examines society's introduction to robots and androids such as Robby and Rosie, Elektro and Sparko, Data, WALL-E, C-3PO and the Terminator, particularly before and after World War II when the power of technology exploded. Learn how robots evolved with the times and then eventually caught up with and surpassed them.

Book The Spectre of Defeat in Post War British and US Literature

Download or read book The Spectre of Defeat in Post War British and US Literature written by David Owen and published by Cambridge Scholars Publishing. This book was released on 2021-01-22 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is a commonplace belief that history is written by the victorious. However, less recognised but equally common is the idea that the defeated also write history, even if their particular account is rather different. This collection looks at these matters from a novel and distinct perspective. It essentially presents the idea that victors often perceive themselves as defeated, by examining the ways in which the idea of defeat comes to dominate the victors’ own sense of superiority and achievement, thereby undermining the certainties that victory is conventionally thought to create. The contributions here discuss fiction (mostly UK and US) published since the First World War. Through the frameworks of experience, memory and post-memory, they examine this subliminal defeat, basically as seen in conflict itself, in the societies that it affects, and in the individual lives of those who it destroys. The result is an innovative literary account of the victorious-yet-somehow-defeated.

Book Global Networks of Power  Volume One

Download or read book Global Networks of Power Volume One written by Garrison C. Gibson and published by Lulu.com. This book was released on 2012-03-05 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt: Global Networks of Power captures an image of social and political substance of 2011 to early 2012. The U.S. Government has made Orwellian hate crimes legislation a general lever to intervene in politically incorrect crimes upon special classes, given the military the right to exfiltrate U.S. citizens without legal review to unspecified foreign torture facilities where they may disappear forever and has forced corporate medical insurance upon all citizens and sought to force all religious organizations to provide birth control paraphernalia to employees through insurers. Following the attack on the rich in the World Trade Center in 2001 American democracy has been progressively stifled and wealth concentrated with onerous public debt building up along with high unemployment. The need for ecological economic reforms are ignored and the government cannot even reform capitalism to benefit American individualism. Gary C. Gibson writes of contemporary affairs from his own point of view.