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Book Le Gelosie villane  I Contadini bizzarri  A new comic opera  to be performed at the King s Theatre     Translated by John Mazzinghi   The words by Signor N  i e  Tommaso Grandi   with additions and alterations by the Poet of this Theatre Lorenzo de Ponte

Download or read book Le Gelosie villane I Contadini bizzarri A new comic opera to be performed at the King s Theatre Translated by John Mazzinghi The words by Signor N i e Tommaso Grandi with additions and alterations by the Poet of this Theatre Lorenzo de Ponte written by and published by . This book was released on 1794 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Serenata and Festa Teatrale in 18th Century Europe

Download or read book Serenata and Festa Teatrale in 18th Century Europe written by Iskrena Yordanova and published by Hollitzer Wissenschaftsverlag. This book was released on 2018-06-25 with total page 679 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is dedicated to "Serenata and Festa Teatrale in 18th Century Europe", especially to the production of this music-dramatic genre at the courts on the Iberian Peninsula, in Italy, and the Holy Roman Empire where it was an integral part of court ceremonials and a privileged ritual of repraesentatio maiestatis. The 16 studies on patrons and artists, exceptional events and local traditions, reveal highly interesting material for the research on these up to now largely neglected genre. Any approach to these works full of metaphors, symbols and allusions has to take into account the context of the celebration and the resulting multiplicity of aspects: choice of themes, dramaturgical forms, textual and musical structures, vocal and instrumental ensembles, and the various options regarding the stage apparatus. "Serenata and Festa Teatrale in 18th Century Europe", edited by Iskrena Yordanova (Lisbon) and Paologiovanni Maione (Naples), inaugurates the series "Cadernos de Queluz", a subseries of "Specula Spectacula" by Don Juan Archiv Wien.

Book Grove s Dictionary of Music and Musicians

Download or read book Grove s Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1927 with total page 916 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book New Mozart Documents

    Book Details:
  • Author : Cliff Eisen
  • Publisher : Stanford University Press
  • Release : 1991
  • ISBN : 9780804719551
  • Pages : 238 pages

Download or read book New Mozart Documents written by Cliff Eisen and published by Stanford University Press. This book was released on 1991 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Stanford University Press classic.

Book Dictionary of Music and Musicians

Download or read book Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1898 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Dictionary of Music and Musicians  A D  1450 1889

Download or read book A Dictionary of Music and Musicians A D 1450 1889 written by George Grove and published by . This book was released on 1883 with total page 790 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Dictionary of Music and Musicians

Download or read book A Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1883 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Dictionary of Music and Musicians  A D  1450 1889

Download or read book A Dictionary of Music and Musicians A D 1450 1889 written by and published by . This book was released on 1890 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Oxford Handbook of the Operatic Canon

Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark and published by Oxford University Press, USA. This book was released on 2020 with total page 639 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been controversial, not only because of how vastly expensive it is to produce. It has historically been a vital and complex mixture of high art and commerce, socially elite and popular or middle-class, the new and the increasingly old. When a city wants a new landmark building, an opera house is very often the solution: why should this still be the case? The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by looking at how it evolved from a market entirely driven by novelty to one of the most arthritically canonic art forms still in existence. This new collection addresses questions that are key to opera's past, present and future. Why is the art form apparently so arthritically canonical, with the top ten titles, all more than a century old, accounting for nearly a quarter of all performances world-wide? Why is this top-heavy system of production becoming still more restrictive, even while the repertory is seemingly expanding, notably to include early music? Why did the operatic canon evolve so differently from that of concert music? And why has that evolution attracted so comparatively little attention from scholars? Why, finally, if opera houses all over the world are dutifully honoring their audiences' loyalty to these favorite works, are they having to struggle so hard financially? Answers to these and other problems are offered here by 26 musicologists, historians, and industry professionals working in a wide range of contexts. Topics range from the seventeenth century to the present day, and from Russia to England and continental Europe to the Americas. In an effort to reflect the contested nature of most of the issues facing opera, each topic is addressed by two essays, introduced jointly by the respective authors, and followed by a jointly compiled list of further reading. These paired essays complement each other in different ways: for example, by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions and expectations, and breathes fresh air into the fields of music and cultural history.

Book Grove s Dictionary of Music and Musicians

Download or read book Grove s Dictionary of Music and Musicians written by Sir George Grove and published by . This book was released on 1909 with total page 916 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Italian Opera Singers in Mozart s Vienna

Download or read book The Italian Opera Singers in Mozart s Vienna written by Dorothea Link and published by University of Illinois Press. This book was released on 2022-11-22 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.

Book Bulletin of the Library Company of Philadelphia

Download or read book Bulletin of the Library Company of Philadelphia written by and published by . This book was released on 1885 with total page 1088 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Catalogue of Opera Librettos Printed Before 1800

Download or read book Catalogue of Opera Librettos Printed Before 1800 written by Library of Congress. Music Division and published by . This book was released on 1914 with total page 1196 pages. Available in PDF, EPUB and Kindle. Book excerpt: