Download or read book Dutch and Flemish Artists in Britain 1550 1800 written by Juliette Roding and published by . This book was released on 2003 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: In January 2001 the Sir Thomas Browne Institute, the research centre for Anglo-Dutch cultural and intellectual relations at Leiden University (STBI), co-organized the international conference 'Dutch artists in Britain, 1550-1750', together with the Leiden centre for early Modern studies (LINT). Aim of the conference was to shed light on the largely uncharted area of the presence of Dutch artists in England and the works of art they produced. Many questions were raised and (party) answered, about the road to success for some, or the causes of failure for others, about the role of intermediairies and patrons and their attitude to Dutch art, about the way artists from the Low Countries adapted to the English market. Selection of the papers presented at the conference.
Download or read book Dutch and Flemish Artists in Britain 1550 1750 written by and published by . This book was released on 2003 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Flemish and Dutch Artists in Early Modern England written by MaryBryanH. Curd and published by Routledge. This book was released on 2017-07-05 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.
Download or read book The Dutch Language in Britain 1550 1702 written by Christopher Joby and published by BRILL. This book was released on 2015-01-27 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Dutch Language in Britain (1550-1702) Christopher Joby offers an account of the knowledge and use of Dutch in early modern Britain. Using extensive archive material from Britain and the Low Countries, Chris Joby demonstrates that Dutch was both written and spoken in a range of social domains including the church, work, learning, the home, diplomacy, the military and navy, and the court. Those who used the language included artisans and their families fleeing religious and economic turmoil on the continent; the Anglo-Dutch King, William III; and Englishmen such as the scientist Robert Hooke. Joby’s account adds both to our knowledge of the use of Dutch in the early modern period and multilingualism in Britain at this time.
Download or read book Art and Antiquity in the Netherlands and Britain written by Thijs Weststeijn and published by BRILL. This book was released on 2015-03-20 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the classical tradition survive on the North Sea shores? This richly illustrated book explores the interplay between art and erudition in the seventeenth century. It analyses the sources, editions, and reception of Franciscus Junius’s writings to chart how ideas about Northern European painting, from Van Dyck to Rembrandt, developed as a counterweight to the Italian tradition. Thus the language of art in Junius’s The Painting of the Ancients appears to be related to his seminal work in the field of Germanic linguistics and his discovery of the shared pre-Christian civilization of Holland and England. Junius’s innovative pairing of scholarship to the painter’s practice illuminates the reception of antiquity and the creation of an Anglo-Dutch artistic Arcadia.
Download or read book Stage and Picture in the English Renaissance written by John Astington and published by Cambridge University Press. This book was released on 2017-05-18 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates the pervading influence of visual art in the composition, production and reception of Renaissance English drama.
Download or read book The Artist s Journey written by Travis Elborough and published by White Lion. This book was released on 2023-10-24 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the Artist's Journey, follow in the footsteps of some of the world’s most famous painters, and the journeys which inspired some of their greatest works.
Download or read book The paradox of body building and motion in seventeenth century England written by Kimberley Skelton and published by Manchester University Press. This book was released on 2015-05-01 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines how seventeenth-century English architectural theorists and designers rethought the domestic built environment in terms of mobility, as motion became a dominant mode of articulating the world across discourses encompassing philosophy, political theory, poetry, and geography. From mid-century, the house and estate that had evoked staccato rhythms became triggers for mental and physical motion – evoking travel beyond England’s shores, displaying vistas, and showcasing changeable wall surfaces. Simultaneously, philosophers and other authors argued for the first time that, paradoxically, the blur of motion immobilised an inherently restless viewer into social predictability and so stability. Alternately feared and praised early in the century for its unsettling unpredictability, motion became the most certain way of comprehending social interactions, language, time, and the buildings that filtered human experience. At the heart of this narrative is the malleable sensory viewer, tacitly assumed in early modern architectural theory and history yet whose inescapable responsiveness to surrounding stimuli guaranteed a dependable world from the seventeenth century.
Download or read book Painting for a Living in Tudor and Early Stuart England written by Robert Tittler and published by Boydell & Brewer. This book was released on 2022 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: A rare examination of the political, social, and economic contexts in which painters in Tudor and Early Stuart England lived and workedWhile famous artists such as Holbein, Rubens, or Van Dyck are all known for their creative periods in England or their employment at the English court, they still had to make ends meet, as did the less well-known practitioners of their craft. This book, by one of the leading historians of Tudor and Stuart England, sheds light on the daily concerns, practices, and activities of many of these painters. Drawing on a biographical database comprising nearly 3000 painters and craftsmen - strangers and native English, Londoners and provincial townsmen, men and sometimes women, celebrity artists and 'mere painters' - this book offers an account of what it meant to paint for a living in early modern England. It considers the origins of these painters as well as their geographical location, the varieties of their expertise, and the personnel and spatial arrangements of their workshops. Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.
Download or read book Robert Hooke written by Michael Hunter and published by Taylor & Francis. This book was released on 2017-03-02 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Hooke (1635-1703) was a genius whose wide-ranging achievements are at last receiving the recognition that they deserve. Long overshadowed by such eminent contemporaries as Sir Isaac Newton and Sir Christopher Wren, Hooke's own seminal contributions to science, architecture and technology are now being acclaimed in their own right. Curator of Experiments to the Royal Society when it was chartered in 1662 and author of the famous Micrographia (1665), Hooke also showed unparalleled ingenuity in designing machines and instruments, and played a crucial role as Surveyor to the City of London after the Great Fire. This volume represents a benchmark in the study of Hooke, bringing together a comprehensive set of studies of different aspects of his life, thought and artistry. Its sections deal with Hooke's life and reputation; his contributions to celestial mechanics and astronomy, and to speculative natural philosophy; the instruments that he designed; and his work in architecture and construction. The introduction places the studies in the context of our current understanding of Hooke and his milieu, while the book also contains a comprehensive bibliography. In all, it will be an invaluable resource for all those interested in a figure whose complexity and importance are becoming clear after centuries of neglect.
Download or read book Pictorial Cultures and Political Iconographies written by Udo J. Hebel and published by Walter de Gruyter. This book was released on 2011-06-30 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: The pictorial turn in the humanities and social sciences has foregrounded the political power of images and the extent to which historical, political, social, and cultural processes and practices are shaped visually. Political iconographies are taken to interpret norms of actions, support ideological formations, and enhance moral concepts. Visual rhetorics are understood as active players in the construction and contestation of the political realm and public space. The twenty-one articles by scholars from Europe and the United States explore the political function and cultural impact of images from the perspectives of Art History, American Studies, Visual Culture Studies, History, and Political Science. The contributions in particular address the complex interplay between agent and addressee in the public space as well as issues of national identity, discourses of inclusion and exclusion, and the designation of political spaces within transnational contexts. The publication is part of the interdisciplinary research initiative “Perceiving and Understanding: Functions, Perception Processes, Forms of Visualizations, Cultural Strategies of Pictures and Texts” at the University of Regensburg.
Download or read book The Elizabethan Image written by Roy Strong and published by Yale University Press. This book was released on 2019-01-01 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty years after his seminal Tate gallery London exhibition, 'The Elizabethan Image', leading authority Roy Strong returns with fresh eyes to the subject closest to his heart, The Virgin Queen, her court and our first Elizabethan age From celebrated portraits of the Queen and paintings of knights and courtiers, to works depicting an aspiring 'middle class', Strong presents a detailed and authoritative examination of one of the most fascinating periods of British art. Enriching previous perceptions and ways of seeing the Elizabethans in their world, he reveals an age parallel in many ways to our own--a country aspiring professionally and changing socially. The gaze is from the inside, capturing the knights, melancholy lovers, poets (including Sidney, Donne and Sir John Davies), court favourites and their 'Gloriana'--as they mirrored and made themselves. Beginning with the great portrait of the Queen in grand procession with her Garter Knights, Strong pinpoints the characters and key motifs that run through the rest of the book: chivalry, changes to the social order, emblems and imagery - the full richness of the Elizabethan imagination. These pictures were intimate--personal commissions by private individuals, and not necessarily for public view. As such they are a glimpse into private worlds and sentiments and speak eloquently for the people who paid for, painted and lived amongst them, reversing an academic tendency to treat the portraits as if they had a life of their own, not grounded by the real people who commissioned them. Roy Strong concludes this richly illustrated volume with the famous and complex Rainbow Portrait, unpicking the iconography of this final painting of an ageless Elizabeth in her 'Mask of Youth'. Within a year of its completion the queen was dead--her portraits increasingly demoted and replaced by Mary Stuart's--as the splendour of the Elizabethan age and 'the cult of the queen' made way for new monarch James VI, who was to rule over a united England and Scotland.
Download or read book Living in Posterity written by Jan Frans van Dijkhuizen and published by Uitgeverij Verloren. This book was released on 2004 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Living in Posterity, presented to Bart Westerweel on his retirement as Professor of Early Modern English literature at the University of Leiden, brings together thirty-nine essays on a wide variety of subjects and themes. The contributors, scholars from the Netherlands end abroad, have drawn inspiration from the many dualities that are characteristic of Westerweel's work, such as word/image, Anglo/Dutch, familiar/other, traditional/modern, and form/function. The result is a colourful mosaic of essays on history, culture, art and literature from the first century to the modern era. The binding theme of this richly diverse book lies in the idea of the continuity between the past and the present, the cohesion between what was and what is. As such, Living in Posterity is part of the larger project of the humanities to engage sympathetically with the past - to speak with the dead and keep history alive.
Download or read book Medieval and Renaissance Drama in England vol 30 written by S.P. Cerasano and published by Associated University Presse. This book was released on 2017-09-30 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to drama and theatre history to 1642. Volume 30, an anniversary issue, contains eight essays, three review essays, and 12 briefer reviews of important books in the field.
Download or read book Double Agents written by Marika Keblusek and published by BRILL. This book was released on 2011-05-10 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking various professional groups in the early modern period (diplomats, merchants, artists) as a starting point, this book offers exciting new perspectives on early modern brokerage as a widespread practice of transmission and dissemination of political, intellectual and cultural ideas.
Download or read book Visions of the Courtly Body written by Christiane Hille and published by Walter de Gruyter. This book was released on 2013-01-09 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1603, the beginning of the Stuart reign, painting was of minor importance at the English court, where the elaborately designed masques of Inigo Jones served as the prime medium of royal representation. Only two decades later, their most celebrated performer, George Villiers, the First Duke of Buckingham had assembled one of the largest and most significant collections of painting in early seventeenth-century Europe. His career as the personal and political favourite of two succeeding monarchs – James I and Charles I – coincides with the commission of a number of highly ambitious portraits from the hands of Peter Paul Rubens and Anthony van Dyck that displayed his body in spectacular manner. As the first comprehensive study of Buckingham’s patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship.
Download or read book Stuart Succession Literature written by Paulina Kewes and published by Oxford University Press, USA. This book was released on 2019-01-05 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moments of royal succession, which punctuate the Stuart era (1603-1714), occasioned outpourings of literature. Writers, including most of the major figures of the seventeenth century from Jonson, Daniel, and Donne to Marvell, Dryden, and Behn, seized upon these occasions: to mark the transition of power; to reflect upon the political structures and values of their nation; and to present themselves as authors worthy of patronage and recognition. This volume of essays explores this important category of early modern writing. It contends that succession literature warrants attention as a distinct category: appreciated by contemporaries, acknowledged by a number of scholars, but never investigated in a coherent and methodical manner, it helped to shape political reputations and values across the period. Benefitting from the unique database of such writing generated by the AHRC-funded Stuart Successions Project, the volume brings together a distinguished group of authors to address a subject which is of wide and growing interest to students both of history and of literature. It illuminates the relation between literature and politics in this pivotal century of English political and cultural history. Interdisciplinary in scope, the volume will be indispensable to scholars of early modern British literature and history as well as undergraduates and postgraduates in both fields.
