Download or read book Dramatic Parody in Eighteenth Century France written by Valleria Belt Grannis and published by . This book was released on 1931 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Comic Drama from the Sixteenth to the Eighteenth Century written by Geoffrey Brereton and published by Routledge. This book was released on 2022-04-24 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: In tracing the course of French comedy from the Renaissance, through the age of Louis XIV and the eighteenth century, to the eve of the Revolution, originally published in 1977, Geoffrey Brereton shows how it evolved from the crude farces and experimental plays of the sixteenth century to become a rich and highly sophisticated dramatic genre. The main emphasis is on the work of the principal dramatists, notably Molière (whose plays and career are given a detailed and enlightening treatment), Corneille, Scarron, Marivaux and Beaumarchais, with some space devoted to the more neglected writers, such as the ‘cynical generation’ of Dancourt, Regnard, Lesage and others; and all the plays are seen in the context of the theatrical conventions that helped to shape them. Different types of comedy are analysed, including comedy of character and of manners, as well as the romantic, burlesque and bourgeois forms and the development of the opéra-comique. At the same time Dr Brereton examines the influences on French comedy – influences as varied as those of the farce, the Italian commedia dell’arte, the Spanish comedia and the eighteenth century drame – and the way in which these were absorbed and exploited by French comic dramatists. Since comedy, more than any other kind of drama, reflects the contemporary social scene, attention is drawn to social conditions and attitudes, and some of the more striking parallels with modern social preoccupations are pointed out. Written in a very lively and readable style, and containing much stimulating and original comment, as well as providing the basic facts, it gives a considerable insight into the nature of French comedy during its most formative and fruitful period. A substantial bibliography and other reference material increase the usefulness of this book to the student of French drama.
Download or read book Dramatic Parody by Marionettes in Eighteenth Century Paris written by Frank Whiteman Lindsay and published by . This book was released on 1946 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reading Drama in Eighteenth Century France written by Thomas Wynn and published by Oxford University Press. This book was released on 2024-02-06 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Wynn explores how plays were read in eighteenth-century France and, relatedly, the mode of closet drama: plays that were never performed within the playhouse. Drawing on queer theory, Wynn argues that eighteenth-century closet reading fostered disruptive pleasures that imparted another side to the period's 'théâtromanie'.
Download or read book Theatermania in Eighteenth Century Europe written by Sonia Bellavia and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-04-26 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: The group volume distinguishes itself by its multidisciplinary, comparative approach and by the network of relationships it weaves between the various European languages and cultures. The study takes shape from its different viewpoints and in its diverse contexts, to chart a detailed historical-conceptual map of the basic role theater played in forging the modern European consciousness. The thematic core of ‘theatermania’ lay in the authentic theatrical passion that manifested itself in different ways from one country to another throughout the 18th century. While the aesthetic, social and political value of theater took a variety of forms, its central feature was the privileged place it gave to collective and individual social revolutions, phenomena that could be defined as upheavals of the collective imagination, which found in theater a source of nourishment, mediation or control. The volume offers not just a series of historical-theatrical studies, but a view of history that foregrounds the passions that were regularly sparked by theater. It adds an essential feature to the profile of the century that redefined the role and importance of theater, and that led to its full re-evaluation in the Romantic age.
Download or read book Mime Music and Drama on the Eighteenth Century Stage written by Edward Nye and published by Cambridge University Press. This book was released on 2011-07-21 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.
Download or read book A Critical Bibliography of French Literature V4 18th C written by and published by Syracuse University Press. This book was released on with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Theory of Parody written by Linda Hutcheon and published by University of Illinois Press. This book was released on 2023-11-21 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect-–for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.
Download or read book Identity and Transformation in the Plays of Alexis Piron written by D. F. Connon and published by Routledge. This book was released on 2017-12-02 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Alexis Piron (1689-1773) was one of the most renowned humorists of eighteenth-century France, his rapier wit feared even by Voltaire. As a playwright, he was one of the most versatile of the period, writing for both the official French and Italian theatres and the unofficial troupes of the Parisian Fairs. Although, like those of most of his contemporaries, his plays have disappeared from the repertoire, La Metromanie, the comedy in which he brings to the stage his mockery of Voltaire, has always been known and enjoyed on the page. More recent interest in popular culture is leading to increased appreciation of his anarchic creations for the Fairs too, and he also wrote, in Gustave Wasa, one of the most popular tragedies of his time. Derek Connon examines the themes and dramatic techniques of the plays of this fascinating and entertaining author."
Download or read book Essays on French Comic Drama from the 1640s to the 1780s written by Derek F. Connon and published by Peter Lang Limited, International Academic Publishers. This book was released on 2000 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a rich collection of essays on French comic drama of the period from the renewal of comic drama in the 1640s to the eve of the French Revolution. The book offers exciting new studies of individual works and authors, while giving full consideration to broader issues. Major authors (such as Molière, Marivaux and Beaumarchais) are treated alongside authors who, while famous in their day and instrumental in the development of the genre, have lesser reputations today. The collection reveals the continuities, variations and new departures in the diverse comic traditions of the period in the different Paris theatres, including both the officially recognised Comédie-Française and Comédie-Italienne and the independent commercial Fair companies.
Download or read book Parody written by Margaret A. Rose and published by Cambridge University Press. This book was released on 1993-09-09 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others.
Download or read book Eighteenth century French Theatre written by Edward Joseph Hollingsworth Greene and published by Depts. of Romance Languages and Comparative Literature of the University of Alberta. This book was released on 1986 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Discourse as Performance written by Michael Issacharoff and published by Stanford University Press. This book was released on 1989 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the first books to apply contemporary linguistic and semiotic research to drama, Discourse as Performance is an investigation into theatrical discourse - the specifically theatrical use of language in the broadest sense, from verbal utterance to non verbal uses comprising the visual elements of gesture, facial expression, movement, costume, players' bodies, properties, and decor. The book is in three parts. In the first part, the author deals with theatrical discourse proper and distinguishes between its two main modes: dialogue and stage directions. Both modes address the problem of the specificity of theatrical discourse in contrast to other types of discourse, both literary and non-literary. The dialogue raises the questions of who speaks in a play (author, characters, actors) and to whom; the stage directions raise the question of reading a play, as opposed to seeing it performed onstage. The author links these issues to speech act theory and intertextuality.
Download or read book The Comic Philosophes written by Stephen Werner and published by Summa Publications, Inc.. This book was released on 2002 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is a study of philosophe fiction through comic irony that is its unifying feature. Readings are offered of exemplary philosophe narratives from Les Lettres persanes to Candide, Le Neveu de Rameau to Justine, as well as an analysis of the evolution of irony from the classical world of Montesquieu and Voltaire to the modern (and subversive) conceptions of Diderot and Sade. Professor Werner argues for a new understanding of comic irony as inseparable from the philosophe aesthetic and, through Sade, an expansion of its usual canon of authors.
Download or read book The Comic Diderot written by Stephen Werner and published by Summa Publications, Inc.. This book was released on 2000 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Comparative Criticism Volume 10 Comedy Irony Parody written by E. S. Shaffer and published by Cambridge University Press. This book was released on 1989-11-09 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 10, dedicated to 'Comedy, Irony, Parody', celebrates the first decade of Comparative Criticism in a light-hearted vein. Michael Silk opens with a wide-ranging essay asserting the primacy of comedy and declaring its independence of tragedy. T. L. S. Sprigge explores philosophers who dared to write on laughter: Schopenhauer and Bergson. Bernard Harrison looks at the twentieth century's favourite comic novel, Tristram Shandy, in the light of Locke's views on 'the particular'. Peter Brand pursues the theatrical arts of disguises, masking, and gender-swapping through Renaissance Europe, from Ariosto to Shakespeare. Jane H. M. Taylor traces the danse macabre in modern 'black humour'. Christine Brooke-Rose, distinguished novelist and critic, reads from and comments on her own witty fictions. Michael Wood describes how Lolita outwitted her seducer.
Download or read book Popular Opera in Eighteenth Century France written by David Charlton and published by Cambridge University Press. This book was released on 2021-12-16 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.
