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Book Drama  Metadrama and Perception

Download or read book Drama Metadrama and Perception written by Richard Hornby and published by Associated University Presse. This book was released on 1986 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Drama  Metadrama  and Perception

Download or read book Drama Metadrama and Perception written by Hornby Hornby and published by . This book was released on 1986-08-01 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: For over a century, realism has been the touchstone of dramatic criticism and theory. Not that plays have all been realistic; far from it. Rather, realism has provided the theoretical basis for all that has gone on.

Book The Play Within the Play

    Book Details:
  • Author : Gerhard Fischer
  • Publisher : Rodopi
  • Release : 2007
  • ISBN : 9042022574
  • Pages : 478 pages

Download or read book The Play Within the Play written by Gerhard Fischer and published by Rodopi. This book was released on 2007 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: The thirty chapters of this innovative international study are all devoted to the topic of the play within the play. The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting - from the baroque idea of a theatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy - but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game and systems theories, media and performance studies, to analyze the specific qualities and characteristics of the play within the play: as ultimate affirmation of the 'self' (the 'Hamlet paradigm'), as a self-reflective agency of meta-theatrical discourse, and as a vehicle of intermedial and intercultural transformation. The challenging study, with its underlying premise of play as a key feature of cultural anthropology and human creativity, breaks new ground by placing the play within the play at the centre of a number of intersecting scholarly discourses on areas of topical concern to scholars in the humanities.

Book The Theater of Transformation

Download or read book The Theater of Transformation written by Kerstin Schmidt and published by BRILL. This book was released on 2016-08-01 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Theater of Transformation: Postmodernism in American Drama offers a fresh and innovative reading of the contemporary experimental American theater scene and navigates through the contested and contentious relationship between postmodernism and contemporary drama. This book addresses gender and class as well as racial issues in the context of a theoretical discussion of dramatic texts, textuality, and performance. Transformation is contemporary drama's answer to the questions of postmodernism and a major technique in the development of a postmodern language for the stage. In order to demonstrate the multi-faceted nature of the postmodern theater of transformation, this study draws on a wide range of plays: from early experimental plays of the 1960s by Jean-Claude van Itallie through feminist plays by Megan Terry and Rochelle Owens to more recent drama by the African-American playwright Suzan-Lori Parks. The Theater of Transformation: Postmodernism in American Drama is written for anyone interested in contemporary American drama and theater as well as in postmodernism and contemporary literary theory. It appeals even more broadly to a readership intrigued by the ubiquitous aspects of popular culture, by feminism and ethnicity, and by issues pertaining to the so-called 'society of spectacle' and the study of contemporary media.

Book Staging Spectatorship in the Plays of Philip Massinger

Download or read book Staging Spectatorship in the Plays of Philip Massinger written by Joanne Rochester and published by Routledge. This book was released on 2017-03-02 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.

Book Metadrama and the Informer in Shakespeare and Jonson

Download or read book Metadrama and the Informer in Shakespeare and Jonson written by Bill Angus and published by Edinburgh University Press. This book was released on 2016-09-20 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Have you ever wondered what was really going on in the inner-plays, secret overhearing, and tacit observations of early modern drama? Taking on the shadowy figure of the early modern informer, this book argues that far more than mere artistic experimentation is happening here. In case studies of metadramatic plays, and the devices which Shakespeare and Jonson constantly revisit, this book offers critical insight into intrinsic connections between informers and authors, discovering an uneasy sense of common practice at the core of the metadrama, which drives both its self-awareness and its paranoia. Drama is most self-revealing at these moments where it reflects upon its own dramatic register: where it is most metadramatic. To understand their metadrama is therefore to understand these most seminal authors in a new way.

Book Australian Metatheatre on Page and Stage

Download or read book Australian Metatheatre on Page and Stage written by Rebecca Clode and published by Taylor & Francis. This book was released on 2022-06-09 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers the first major discussion of metatheatre in Australian drama of the late twentieth and early twenty-first centuries. It highlights metatheatre’s capacity to illuminate the wider social, cultural, and artistic contexts in which plays have been produced. Drawing from existing scholarly arguments about the value of considering metatheatre holistically, this book deploys a range of critical approaches, combining textual and production analysis, archival research, interviews, and reflections gained from observing rehearsals. Focusing on four plays and their Australian productions, the book uses these examples to showcase how metatheatre has been utilised to generate powerful elements of critique, particularly of Indigenous/non-Indigenous relations. It highlights metatheatre’s vital place in Australian dramatic and theatrical history and connects this Australian tradition to wider concepts in the development of contemporary theatre. This illuminating text will be of interest to students and scholars of Australian theatre (historic and contemporary) as well as those researching and studying drama and theatre studies more broadly.

Book Games and Play in the Theater of Spanish American Women

Download or read book Games and Play in the Theater of Spanish American Women written by Catherine Larson and published by Bucknell University Press. This book was released on 2004 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the seventeen dramatic texts examined in this study, women writers from Spanish America have self-consciously incorporated games into their plays' structures to highlight from a woman's perspective the idea that life, as well as the theatre, is a game. Some dramas are so overtly about games that the word appears significantly in their titles. Others reflect game playing in less direct ways or connect metatheatrical examinations of role-playing to the ludic. In every drama examined, however, a game of some sort plays a key role in the construction of the playtest. By looking at the nature and number of the games played in these women-authored dramas from the past fifty years, we can see the ways in which play is used to effect social control and the connections between play and aggression, gender, history and politics. In these representative dramas, the theatre serves as a vehicle for encouraging audiences to think about (if not act upon) the issues that have shaped Spanish America. Games, rules, winners and losers join together as the playwrights explore events and times of fundamental importance in the countries' historical and political evolutions.

Book Labyrinth of Hybridities

Download or read book Labyrinth of Hybridities written by Marc Maufort and published by Peter Lang. This book was released on 2010 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking its cue from Eugene O'Neill's questioning of «faithful realism», voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O'Neill's questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama.

Book Performing Ethics in English Revenge Drama

Download or read book Performing Ethics in English Revenge Drama written by Noam Reisner and published by Cambridge University Press. This book was released on 2024-06-30 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of how Renaissance English revenge drama carried out important ethical work through audience participation and metatheatre.

Book The Vice device

Download or read book The Vice device written by Ágnes Matuska and published by JATEPress Kiadó. This book was released on 2017-04-04 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: The argument of the present book is based on a comparison of two Shakespearean figures: the Fool of Lear and Iago from Othello. Regarding the number of the obvious differences between the Fool and Iago, a question may be raised as to the validity of such an undertaking. The characters clearly embody opposite poles of behaviour and even their function may be contrasted. It is enough just to think of the Fool who always utters the truth, while Iago is the great liar and deceiver. The Fool says things that are true but difficult to accept, while Iago tells credible lies. If we leave out the character of the Fool from the play (as he was indeed left out after Shakespeare had been ironed to fit the neoclassical taste) the play may still be called The Tragedy of King Lear, while Othello without Iago is just unimaginable. The Fool is not an intriguer, he does not have a direct effect on the events, he is rather a mere commentator, while Iago is the engine of the plot in his play. Still, in spite of all these differences, there are a number of generic, dramatic and functional similarities between them that I would like to expand.

Book Double Binds  Existentialist Inspiration and Generic Experimentation in the Early Work of Jack Richardson

Download or read book Double Binds Existentialist Inspiration and Generic Experimentation in the Early Work of Jack Richardson written by Johan Callens and published by BRILL. This book was released on 2022-03-07 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Metatheater of Tennessee Williams

Download or read book The Metatheater of Tennessee Williams written by Laura Michiels and published by McFarland. This book was released on 2021-07-13 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tennessee Williams' characters set the stage for their own dramas. Blanche DuBois (A Streetcar Named Desire), arrived at her sister's apartment with an entire trunk of costumes and props. Amanda Wingfield (The Glass Menagerie) directed her son on how to eat and tries to make her daughter act like a Southern Belle. This book argues for the persistence of one metatheatrical strategy running throughout Williams' entire oeuvre: each play stages the process through which it came into being--and this process consists of a variation on repetition combined with transformation. Each chapter takes a detailed reading of one play and its variation on repetition and transformation. Specific topics include reproduction in Sweet Bird of Youth (1959), mediation in Something Cloudy, Something Clear (1981), and how the playwright frequently recycled previous works of art, including his own.

Book Apes and Monkeys on the Early Modern Stage  1603   1659

Download or read book Apes and Monkeys on the Early Modern Stage 1603 1659 written by Teresa Grant and published by Springer Nature. This book was released on with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Language and Metadrama in Major Barbara and Pygmalion

Download or read book Language and Metadrama in Major Barbara and Pygmalion written by Jean Reynolds and published by Springer Nature. This book was released on 2022-02-28 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on two important topics in Shaw’s Major Barbara and Pygmalion that have received little attention from critics: language and metadrama. If we look beyond the social, political, and economic issues that Shaw explored in these two plays, we discover that the stories of the two “Shavian sisters”— Barbara Undershaft and Eliza Doolittle—are deeply concerned with performance and what Jacques Derrida calls “the problem of language.” Nearly every character in Major Barbara produces, directs, or acts in at least one miniature play. In Pygmalion, Henry Higgins is Eliza’s acting coach and phonetics teacher, as well as the star of an impromptu, open-air phonetics show. The language content in these two plays is just as intriguing. Did Eliza Doolittle have to learn Standard English to become a complete human being? Should we worry about the bad grammar we hear at Barbara Undershaft’s Salvation Army shelter? Is English losing its precision and purity? Meanwhile, in the background, Shaw keeps reminding us that language and theatre are always present in our everyday lives—sometimes serving as stabilizing forces, and sometimes working to undo them.

Book Theatre and Metatheatre

Download or read book Theatre and Metatheatre written by Elodie Paillard and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-11-22 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other? As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre. Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality.

Book Shakespeare and Consciousness

Download or read book Shakespeare and Consciousness written by Paul Budra and published by Springer. This book was released on 2016-05-11 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines how early modern and recently emerging theories of consciousness and cognitive science help us to re-imagine our engagements with Shakespeare in text and performance. Papers investigate the connections between states of mind, emotion, and sensation that constitute consciousness and the conditions of reception in our past and present encounters with Shakespeare’s works. Acknowledging previous work on inwardness, self, self-consciousness, embodied self, emotions, character, and the mind-body problem, contributors consider consciousness from multiple new perspectives—as a phenomenological process, a materially determined product, a neurologically mediated reaction, or an internally synthesized identity—approaching Shakespeare’s plays and associated cultural practices in surprising and innovative ways.