Download or read book Drama and Opera Oriental drama written by and published by . This book was released on 1909 with total page 718 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chinatown Opera Theater in North America written by Nancy Yunhwa Rao and published by University of Illinois Press. This book was released on 2017-01-11 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre “World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.
Download or read book The Drama and Opera Oriental and religious written by Alfred Bates and published by . This book was released on 1909 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chinese Opera written by Peter Lovrick and published by UBC Press. This book was released on 2011-11-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese Opera looks at Chinese society through an exciting series of photographs of operatic performances from many regions of the country. The book introduces the reader to this unique theatrical form and tells the traditional stories that are its narrative foundation. Siu Wang-Ngai's extraordinary images, taken in natural light during performances, lovingly reveal the visual excitement of Chinese opera and point to the differences in costuming and presentation that distinguish each regional style and character type.
Download or read book Chinese and Japanese Music Dramas written by J. I. Crump and published by University of Michigan Press. This book was released on 2020-08-06 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese and Japanese Music-Dramas is the result of a conference on the relations between Chinese and Japanese music-drama held at the University of Michigan, Ann Arbor, on October 1–4, 1971. In addition to the Association for Asian Studies, four U-M departments participated in the conference: the Center for Japanese Studies, the Center for Chinese Studies, the School of Music, and the Speech Department. One important inspiration for the creation of such an interdisciplinary conference was the fact that each participant had found, after years of individual research on music-drama in East Asia, consistent frustration caused by attempts to deal on their own with multiple cultural and technical problems. Another motivating force was an awareness among many members of the four disciplines involved that the topic is in fact one of the largest untouched fields of scholarly endeavor in both Asian and theatrical studies. The collection opens with J. I. Crump’s exploration of the Ming commentators who began to subject Yüan musical drama to the same critiques as other literature from the past. In the second chapter, Rulan Chao Pian looks to the structure of arias in Peking Opera for clues about what distinguishes this art form. William P. Malm turns to three key sources for the performance conventions of Japanese Noh drama to glean any Sino-Japanese music relationships that exist in technical terms and practices. In the fourth essay, Carl Sesar analyzes a Noh play that stages the tension between Chinese influence and Japanese originality. Roy E Teele concludes the volume with a formal study of Noh play structure to assess lineages of influence from Chinese dramatic forms. After each contribution, the editors print a transcript of the conference participants’ discussion of that paper, providing the reader with a detailed and nuanced view of how the contributors understood and responded to each other’s work.
Download or read book Chinese Theatre written by Jin Fu and published by Cambridge University Press. This book was released on 2012-03-09 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese opera has a history of over 800 years. However, since the early twentieth century, following increased contact with the West, drama without music has also become popular in China. The development and prosperity of modern drama has created a new landscape for Chinese theater, which, as a whole, has become more diverse.
Download or read book Classical Chinese Plays written by Josephine Huang Hung and published by . This book was released on 1971 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Women Playing Men written by Jin Jiang and published by University of Washington Press. This book was released on 2011-07-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking volume documents women's influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience. Yue opera originated in the Zhejiang countryside as a form of story-singing, which rural immigrants brought with them to the metropolis of Shanghai. There, in the 1930s, its content and style transformed from rural to urban, and its cast changed gender. By evolving in response to sociopolitical and commercial conditions and actress-initiated reforms, Yue opera emerged as Shanghai's most popular opera from the 1930s through the 1980s and illustrates the historical rise of women in Chinese public culture. Jiang examines the origins of the genre in the context of the local operas that preceded it and situates its development amid the political, cultural, and social movements that swept both Shanghai and China in the twentieth century. She details the contributions of opera stars and related professionals and examines the relationships among actresses, patrons, and fans. As Yue opera actresses initiated reforms to purge their theater of bawdy eroticism in favor of the modern love drama, they elevated their social image, captured the public imagination, and sought independence from the patriarchal opera system by establishing their own companies. Throughout the story of Yue opera, Jiang looks at Chinese women's struggle to control their lives, careers, and public images and to claim ownership of their history and artistic representations.
Download or read book The Classical Theatre of China written by A.C. Scott and published by Routledge. This book was released on 2013-11-05 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1957. Besides tracing the history and development of the Peking Theatre, this volume explains acting techniques, stage costume and symbolism, musical forms and the various types of plays.
Download or read book Oriental Theatre written by Philip Freund and published by Peter Owen Publishers. This book was released on 2005 with total page 872 pages. Available in PDF, EPUB and Kindle. Book excerpt: Takes us beyond the barriers of culture and language to introduce us to the theatrical traditions and stagecraft of India, China, Japan, Korea and the many independent lands surrounding them.
Download or read book Chinese Drama written by Colin Mackerras and published by Beijing : New World Press. This book was released on 1990 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume relates and analyzes the history of Chinese drama from its beginnings during the Song Dynasty until the end of 1988. There are two parts, one dealing with tradition and the old society down to 1949, the other with the New China. Among the world's civilizations China has one of the longest and finest traditions of drama. There is enormous variety in the many different styles of regional theater, and some of the minority nationalities have their own traditional forms as well. This is not only a fascinating topic but an important one for the arts of the world.
Download or read book Chinese Opera written by Wang-Ngai Siu and published by Hong Kong University Press. This book was released on 2013-12-01 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese opera embraces over 360 different styles of theatre that make one of the richest performance arts in the world. It combines music, speech, poetry, mime, acrobatics, stage fighting, vivid face-painting and exquisite costumes. First experiences of Chinese opera can be baffling because its vocabulary of stagecraft is familiar only to the seasoned aficionado. Chinese Opera: The Actor’s Craft makes the experience more accessible for everyone. This book uses breath-taking images of Chinese opera in performance by Hong Kong photographer Siu Wang-Ngai to illustrate and explain Chinese opera stage technique. The book explores costumes, gestures, mime, acrobatics, props and stage techniques. Each explanation is accompanied by an example of its use in an opera and is illustrated by in-performance photographs. Chinese Opera: The Actor’s Craft provides the reader with a basic grammar for understanding uniquely Chinese solutions to staging drama.
Download or read book The Cambridge Guide to Asian Theatre written by James R. Brandon and published by Cambridge University Press. This book was released on 1997-01-28 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Download or read book The Columbia Anthology of Modern Chinese Drama written by Xiaomei Chen and published by Columbia University Press. This book was released on 2014-04-01 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt: This condensed anthology reproduces close to a dozen plays from Xiaomei ChenÕs well-received original collection, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the PeopleÕs Republic of China, the collection encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of Chinese national and gender identities during a period of tremendous social, cultural, and political change and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism in China, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nationÕs socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgement provides a concise yet well-rounded survey of China's theatricality and representation of political life. This work has not only established a canon of modern Chinese drama but also made it available for the first time in English in a single volume.
Download or read book Chinese Shadow Theatre written by Fan Pen Li Chen and published by McGill-Queen's Press - MQUP. This book was released on 2007-06-21 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her study of Chinese shadow theatre Fan Pen Li Chen documents and corrects misconceptions about this once-popular art form. Drawing on extensive research and fieldwork, she argues that these plays served a mainly religious function during the Qing dynasty and that the appeal of women warrior characters reflected the lower classes' high tolerance for the unorthodox and subversive. Chinese Shadow Theatre includes several rare transcriptions of oral performances, including a didactic play on the eighteen levels of Hell, and Investiture of the Gods, a sacred saga, and translations of three rare, hand-copied shadow plays featuring religious themes and women warrior characters. Chen examines the relationship between historical and fictional women warriors and those in military romances and shadow plays to demonstrate the significance of both printed works and oral transmission in the diffusion of popular culture. She also shows that traditional folk theatre is a subject for serious academic study by linking it to recent scholarship on drama, popular religion, and popular culture.
Download or read book Snow In Midsummer written by Guan Hanquing and published by Bloomsbury Publishing. This book was released on 2017-05-04 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: Men in this town were born with mouths that can right wrongs with a few words. Why are you too timid to speak? As she is about to be executed for a murder she didn't commit, young widow Dou Yi vows that, if she is innocent, snow will fall in midsummer and a catastrophic drought will strike. Three years later, a businesswoman visits the parched, locust-plagued town to take over an ailing factory. When her young daughter is tormented by an angry ghost, the new factory owner must expose the injustices Dou Yi suffered before the curse destroys every living thing. A contemporary re-imagining by acclaimed playwright Frances-Ya Chu Cowhig of one of the most famous classical Chinese dramas, which breathes new life into this ancient story, haunted by centuries of retelling. The world premiere of Snow in Midsummer on 23 February 2017 at the Swan Theatre, Stratford-Upon-Avon, launched the RSC's Chinese Translations Project, a cultural exchange bringing Chinese classics to a contemporary Western audience.
Download or read book Contemporary Chinese Theatre written by Roger Howard and published by Routledge. This book was released on 2022-05-17 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese theatre underwent a great experiment under the cultural revolution. Using the reformed Beijing operas as models, the whole range of theatre arts, from straight plays to acrobatics and from ballet to ballads saw a profound transformation. Alongside the professional theatre, an upsurge of workers’ and peasants’ amateur theatre stimulated new developments. This book, first published in 1978, sketches the historical background to these changes and offers a factual survey of the main forms and characteristics of Chinese theatre at the time. It traces the rise of the new drama since 1949 and explores the political principles underlying the reforms. It examines the new amateur theatre and describes typical plays and operas staged in China.
