Download or read book City of Darkness City of Light written by Alastair Phillips and published by Amsterdam University Press. This book was released on 2004 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A ground-breaking study of the cinematic representation of Paris in the films of émigré filmmakers who made it their first refuge from Hitler's Germany.
Download or read book Parisian Fields written by Michael Sheringham and published by Reaktion Books. This book was released on 1996 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perhaps no world city has so many resonances, on so many levels, as Paris. Cafe society, demi-monde, the intellectual life, film-makers and writers... Paris has fragmented socially, sexually, intellectually and linguistically into many fields. Parisian Fields sets out to investigate some of these. The writers investigate how Paris has been both seen and shaped by tourist guides; how its topography has been represented and allegorized by film-makers like Godard, Clair, Vigo and Renoir; how the city has responded to "new" Parisians - for example Afro-American musicians and dancers such as Josephine Baker - and to previously marginalized Parisians - gays and women. Literary analysis, film, social and gender theory, perspectives on urbanism; here are many provocative and innovative views of the open field of Paris, which will appeal to anyone interested in French cultural and literary studies - or just in the City of Light herself. With essays by Roger Clark, Nicholas Hewitt, Jon Kear, Tom Conley, Michael Sheringham, Alex Hughes, Adrian Rifkin, Belinda Jack, Verena Andermatt Conley and Marc Augé.
Download or read book Musical Encounters at the 1889 Paris World s Fair written by Annegret Fauser and published by Boydell & Brewer. This book was released on 2005 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.
Download or read book Composing the Citizen written by Jann Pasler and published by Univ of California Press. This book was released on 2009 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967
Download or read book French Music Culture and National Identity 1870 1939 written by Barbara L. Kelly and published by University Rochester Press. This book was released on 2008 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.
Download or read book The French Cinema Book written by Michael Temple and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 743 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Download or read book Surrealism and Women written by Mary Ann Caws and published by MIT Press. This book was released on 1991-03-13 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: These sixteen illustrated essays present an important revision of surrealism by focusing on the works of women surrealists and their strategies to assert positions as creative subjects within a movement that regarded woman primarily as an object of masculine desire or fear.While the male surrealists attacked aspects of the bourgeois order, they reinforced the traditional patriarchal image of woman. Their emphasis on dreams, automatic writing, and the unconscious reveal some of the least inhibited masculine fantasies. The first resistance to the male surrealists' projection of the female figure arose in the writings and paintings of marginalized woman artists and writers associated with Surrealism. The essays in this collection explore the complexity of these women's works, which simultaneously employ and subvert the dominant discourse of male surrealists. Essays What Do Little Girls Dream Of: The Insurgent Writing of Gis�le Prassinos • Finding What You Are Not Looking For • From D�jeuner en fourrure to Caroline: Meret Oppenheim's Chronicle of Surrealism • Speaking with Forked Tongues: "Male" Discourse in "Female" Surrealism? • Androgyny: Interview with Meret Oppenheim • The Body Subversive: Corporeal Imagery in Carrington, Prassinos, and Mansour • Identity Crises: Joyce Mansour's Narratives • Joyce Mansour and Egyptian Mythology • In the Interim: The Constructivist Surrealism of Kay Sage • The Flight from Passion in Leonora Carrington's Literary Work • Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedio Varo, and Leonor Fini • Valentine, Andr�, Paul et les autres, or the Surrealization of Valentine Hugo • Refashioning the World to the Image of Female Desire: The Collages of Aube Ell�ou�t • Eileen Agar • Statement by Dorothea Tanning
Download or read book Satie the Bohemian written by Steven Moore Whiting and published by Clarendon Press. This book was released on 1999-02-18 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
Download or read book French Opera at the Fin de Si cle written by Steven Huebner and published by Oxford University Press. This book was released on 2006-02-02 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
Download or read book Writing through Music written by Jann Pasler and published by Oxford University Press. This book was released on 2007-12-12 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a passion for music, a remarkably diverse interdisciplinary toolbox, and a gift for accessible language that speaks equally to scholars and the general public, Jann Pasler invites us to read as she writes "through" music, unveiling the forces that affect our sonic encounters. In an extraordinary collection of historical and critical essays, some appearing for the first time in English, Pasler deconstructs the social, moral, and political preoccupations lurking behind aesthetic taste. Arguing that learning from musical experience is vital to our understanding of past, present, and future, Pasler's work trenchantly reasserts the role of music as a crucial contributor to important public debates about who we can be as individuals, communities, and nations. The author's wide-ranging and perceptive approaches to musical biography and history challenge us to rethink our assumptions about important cultural and philosophical issues including national identity and postmodern musical hybridity, material culture, the economics of power, and the relationship between classical and popular music. Her work uncovers the self-fashioning of modernists such as Vincent d'Indy, Augusta Holm?s, Jean Cocteau, and John Cage, and addresses categories such as race, gender, and class in the early 20th century in ways that resonate with experiences today. She also explores how music uses time and constructs narrative. Pasler's innovative and influential methodological approaches, such as her notion of "question-spaces," open up the complex cultural and political networks in which music participates. This provides us with the reasons and tools to engage with music in fresh and exciting ways. In these thoughtful essays, music--whether beautiful or cacophonous, reassuring or seemingly incomprehensible--comes alive as a bearer of ideas and practices that offers deep insights into how we negotiate the world. Jann Pasler's Writing through Music brilliantly demonstrates how music can be a critical lens to focus the contemporary critical, cultural, historical, and social issues of our time.
Download or read book Maigret and the Madwoman written by Georges Simenon and published by Harvest Books. This book was released on 1979 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Maigret is a registered trademark of the Estate of Georges Simenon.
Download or read book The Composer As Intellectual written by Jane F. Fulcher and published by Oxford University Press. This book was released on 2005-08-25 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally refused to espouse a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out more compatible movements or returned to the Catholic Church. Like many French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.
Download or read book Confessions of a Literary Archaeologist written by Carlton Lake and published by New Directions Publishing. This book was released on 1990 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.
Download or read book Composition as Explanation written by Gertrude Stein and published by Strelbytskyy Multimedia Publishing. This book was released on 2024-01-09 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.
Download or read book V F Perkins on Movies written by Douglas Pye and published by . This book was released on 2020-09 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: The collected shorter film criticism of one of the most brilliant English-language film critics.
Download or read book The Hierarchies of Cuckoldry and Bankruptcy written by Charles Fourier and published by Imagining Science. This book was released on 2011 with total page 93 pages. Available in PDF, EPUB and Kindle. Book excerpt: Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this volume demonstrates, a maniacal taxonomist. In this zoological guidebook to cuckoldry and commerce, Fourier offers a caustic critique of the bankruptcy of marriage and the prostitution of the economy, and the hypocrisies of a civilization that over-regulates sexual congress while allowing the financial sector to screw over the public. Gathered together here for the first time are Fourier's two "Hierarchies" --humorously regimented parades of civilization's cheaters and cheated-on in the domestic sphere of sex and the economic sphere of buying and selling commodities. "The Hierarchy of Cuckoldry" --translated into English for the first time--presents 72 species of the male cuckold, ranging from such "common class" cases as the Health-Conscious Cuckolds, to the short-horned Sympathetic, Optimist and Mystical Cuckolds, and the Long-horned varieties of the Irate, Disgraced and Posthumous Cuckolds. For Fourier, these amount to 72 manifestations of women's "secret insurrection" against the institution of marriage. "The Hierarchy of Bankruptcy" presents 36 species of the fraudulent bankrupt: a range of Light, Grandiose, and Contemptible shades of financial manipulators who force creditors, cities and even nations to bail them out of ultimately profitable bankruptcies. In these attacks on the morality of monogamy and the perils of laissez-faire capitalism, Fourier's "Hierarchies" resonate uncannily with our contemporary world.
Download or read book The Birth of the Ballets Russes written by Peter Lieven and published by . This book was released on 2010-08 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every so often there occurs a revolution in one or more of the arts that proves to be not only an exciting occurrence at the time but also makes a lasting contribution to the future of art in general. The Italian Renaissance and the rise of Romanticism are prime examples of this; for ballet the birth of Ballets Russes was also such a time. Never before have so many talented people seemed to get together in one place to produce such a monumental achievement in the history of ballet. This book, which chronicles the birth of Ballets Russes, abounds with the names of Nijinsky, Stravinsky, Karsavina, Bakst, Diaghilev, Pavlova, Benois, and many others immortal for their contribution to this movement. Prince Peter Lieven, who knew these people at first hand and witnessed many of the events he relates, instills in the reader the excitement and fervor that all those involved must have felt in conceiving and creating this new and dramatic school of dance. It began in 1909 when a rather humble Russian ballet company travelled to Paris under the direction of Serge Diaghileff. Their performances of "Les Sylphides," "Cleopatre," and "Le Pavilion d'Armide" marked radical departures from the old Imperial Ballet, and soon they were the rage of Paris. Each following season brought the company increased success with such performances as Stravinsky's "Firebird," "Petrushka," and in 1913 the revo lutionary "Rite of Spring" with the now famous Nijinsky, who seemed to defy the law of gravity when he leaped into the air. Prince Lieven shows how Ballets Russes rose from the Imperial Ballet and chronicles its demise after 1914. Short biographies of major personalities as well as accounts of various historic performances are included. Everyone from the ardent follower of ballet to those with only a casual interest in the art will find this book thoroughly engrossing. Prince Lieven takes the reader behind the scenes to become part of the scandals, the quarrels, the reconciliations, and the exciting successes that were part of this movement that changed the entire course of ballet history.
