Download or read book Reframing Luchino Visconti written by Ivo Blom and published by . This book was released on 2018-05-15 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Ivo Blom offers unique insights into the visual vocabulary of Italian filmmaker Luchino Visconti (1906-76), whose cinematic masterpieces include canonical works like Obsession, The Earth Trembles, and The Leopard. Meticulously examining Visconti's use of European art in his set and costume design, Reframing Luchino Visconti also investigates his cinematography in terms of staging, framing, and mirroring, among other aspects, offering valuable contextualization for the optical splendor in Visconti's films and revealing their close ties to the other visual arts.
Download or read book The Ugly Little Boy written by Isaac Asimov and published by Spectra. This book was released on 1993 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plucked out of the past and transported forty thousand years into the future, a Neanderthal child discovers that human nature has remained unchanged, in an expanded version of an original Asimov story
Download or read book Re Emerging the Jews of Nigeria written by Jeff L. Lieberman and published by . This book was released on 2014-11-17 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: A book of stunning photographs, detailing the daily lives of the Igbo Jewish community of Nigeria, highlighting their prayer, practice, ritual and belief. Journey through the many synagogue communities in Nigeria as the Igbo celebrate Shabbat, holidays, and the first visit of an American rabbi. This is a companion book to the acclaimed documentary film, "Re-Emerging: The Jews of Nigeria".
Download or read book Cinema and Painting written by Angela Dalle Vacche and published by University of Texas Press. This book was released on 1996 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
Download or read book Art in the Cinematic Imagination written by Susan Felleman and published by University of Texas Press. This book was released on 2010-01-01 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing an art historical perspective to the realm of American and European film, Art in the Cinematic Imagination examines the ways in which films have used works of art and artists themselves as cinematic and narrative motifs. From the use of portraits in Vertigo to the cinematic depiction of women artists in Artemisia and Camille Claudel, Susan Felleman incorporates feminist and psychoanalytic criticism to reveal individual and collective perspectives on sex, gender, identity, commerce, and class. Probing more than twenty films from the postwar era through contemporary times, Art in the Cinematic Imagination considers a range of structurally significant art objects, artist characters, and art-world settings to explore how the medium of film can amplify, reinvent, or recontextualize the other visual arts. Fluently speaking across disciplines, Felleman's study brings a broad array of methodologies to bear on questions such as the evolution of the "Hollywood Love Goddess" and the pairing of the feminine with death on screen. A persuasive approach to an engaging body of films, Art in the Cinematic Imagination illuminates a compelling and significant facet of the cinematic experience.
Download or read book Theatre to Cinema written by Ben Brewster and published by Oxford University Press, USA. This book was released on 1997 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: On the relationship between early cinema and 19th century theatre.
Download or read book Jean Desmet and the Early Dutch Film Trade written by Ivo Blom and published by Amsterdam University Press. This book was released on 2003 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Netherlands Film Museum's Desmet Collection contains the estate of Dutch cinema owner and film distributor Jean Desmet (1875-1956): almost nine hundred European and American films of all genres, a collection of publicity material, and a massive business archive. These three sources form the basis of this book, the first comprehensive reconstruction of Desmet's career. From his nomadic beginnings as a traveling showman to his successful switch to permanent cinema operation and film distribution, Blom shows how Desmet's fortunes encapsulated a series of structural changes within the new culture of the cinema.
Download or read book The Image in Dispute written by Dudley Andrew and published by University of Texas Press. This book was released on 1997 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism. In this volume, experts in film studies and art history take up the debate, begun by Benjamin, about the power and scope of the image in a secular age. Part I aims to bring Benjamin's concerns to life in essays that evoke specific aspects and moments of the visual culture he would have known. Part II focuses on precise instances of friction within the traditional arts brought on by this century's changes in the value and mission of images. Part III goes straight to the image technologies themselves—photography, cinema, and video—to isolate distinctive features of the visual cultures they help constitute. As we advance into the postmodern era, in which images play an ever more central role in conveying perceptions and information, this anthology provides a crucial context for understanding the apparently irreversible shift from words to images that characterized the modernist period. It will be important reading for everyone in cultural studies, film and media studies, and art history.
Download or read book Writing and Filming the Painting written by Laura M. Sager Eidt and published by Rodopi. This book was released on 2008 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century.
Download or read book Post Theory written by David Bordwell and published by University of Wisconsin Pres. This book was released on 2012-11 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film.
Download or read book Think Art written by Jean-Marie Schaeffer and published by Witte de with Center for Contemporary Art. This book was released on 1998 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Schaeffer says the object of aesthetics should be the behaviors the relations that link us to the world of the works and to the world in general ...
Download or read book The Virtual Life of Film written by D. N. RODOWICK and published by Harvard University Press. This book was released on 2009-06-30 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.
Download or read book Conversation Pieces written by Mario Praz and published by Penn State University Press. This book was released on 1971 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professor Praz traces the history of the conversation piece which is am intimate group portrait usually of small dimensions and is a genre which arose in the Low countries, flourished in 18th-century England, and declined with the invention of photography.
Download or read book Streetwalking on a Ruined Map written by Giuliana Bruno and published by Princeton University Press. This book was released on 1993 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popularly acclaimed in Italy and the United States until its suppression during the Fascist regime.
Download or read book Visconti written by Alexander García Düttmann and published by Stanford University Press. This book was released on 2009 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an analysis of the works of Italian filmmaker Luchino Visconti, García Düttmann explores the insight that it is never the real but always the possible that blocks the path to change.
Download or read book The Self Aware Image written by Victor I. Stoichita and published by Harvey Miller Pub. This book was released on 2015-04-30 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the old image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the new image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to frame the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting. First published in French in 1993, Victor Stoichita's Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting.
Download or read book Cultural Appropriation and the Arts written by James O. Young and published by John Wiley & Sons. This book was released on 2010-02-01 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series
