Download or read book Dirge for an Imaginary World Poems written by Matthew Buckley Smith and published by Able Muse Press. This book was released on 2012-04-10 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dirge for an Imaginary World from Matthew Buckley Smith is the winner of the 2011 Able Muse Book Award, selected by Andrew Hudgins. These are poems of breathtaking craftsmanship that find inspiration in the simplicity of the quotidian, or the perplexity of the grand. Smith is equally at ease musing about Neanderthals or God as he is with a ballet exam or highway medians. These poems of personal and universal introspection are filled with grace, and sparkle with abundant intelligence and wit. This masterful debut collection is an event to celebrate. PRAISE FOR DIRGE FOR AN IMAGINARY WORLD: Wildness and precision and passion balanced with wit—there are the hallmarks of Matthew Buckley Smith’s superb Dirge for an Imaginary World. In subjects great (“For the Neanderthals”) and small made great (“For the College Football Mascots”), the comic is rich with serious intent and gravity lightened with discerning wit. But only a poet who lifts heavy and unwieldy subjects—death, lost love, the absence of god—knows the imperatives of graceful balance. – Andrew Hudgins (Judge, 2011 Able Muse Book Award) In this deeply impressive debut volume of poetry, Dirge for an Imaginary World, Matthew Buckley Smith delivers a remarkable range of deft formal schemes, temporal movements, and varied settings. We encounter sonnets, couplets, quatrains, Sapphics, sestets and so forth written with a slick, delightful merging of technical expertise and smooth contemporary rhythms. The range of subjects is equally and as charmingly eclectic, from Neanderthals, Dante, Vermeer, for instance, to College Football Mascots, Highway Mediums, and Spring Ballet Exams. Mental and linguistic agility generously challenge the reader in poem after poem. – Greg Williamson (from the “Foreword”) “If a way to the Better there be, it exacts a full look at the Worst,” wrote Thomas Hardy, whose spirit moves through the fine poems of Matthew Buckley Smith’s debut collection. Like his blast-beruffled predecessor, Smith braves a clear-eyed look at our fallen world, mourning in elegantly precise language the sorrows inherent in “set(ting) out to map a promised land/ Out of reach and always just at hand,” but also wishing great mercy upon us travelers failed and failing. These are poems full of both reckoning and grace, made all the more beautiful for their humane wisdom. Dirge for an Imaginary World is immensely impressive. – Carrie Jerrell

Download or read book All the Wasted Beauty of the World Poems written by Richard Newman and published by Able Muse Press. This book was released on 2014-10-15 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: All the Wasted Beauty of the World, a finalist for the 2012 Able Muse Book Award, extols the beautiful as readily as it expounds on the blemished. The reasoned commingles with the rambunctious, as in the case of the speaker who declares that “our lives span diaper to diaper,/ and in between we piss on anyone/ we can.” Little escapes notice in these poems of gutsy realism and formal deftness, which freely highlight the fringes of society-the speaker in “Bellefontaine Cemetery” exhorts teens to “party on people’s graves” and have “a few close shaves with county sheriffs,” the carcass of a Ford truck intrudes on a hiking trail’s gully, the homeless are lullabied to “find rest behind our dumpster/ . . . score a fifth of bourbon/ and find your stomach full.” Richard Newman brings us a collection that prods and soars with the grit and beauty of the real world. PRAISE FOR ALL THE WASTED BEAUTY OF THE WORLD: Richard Newman’s All the Wasted Beauty of the World is masterful and magnetic, from the “galaxy of gnats” hovering in the St. Louis twilight to the way a backwoods junkyard “gnaws on a pile of old Ford bones.” He sees a group of bored high school kids with “nothing to lose/ but stupid summer jobs and innocence,” and captures with perfect acuity how “September rain in streetlight/ silvers the cypress needles, scatters new dimes/ among the nuisance alley mulberry trees.” Newman’s poems, with their formal, lapidary precision, their indelible portraits of life in the cheap bars, back alleys, and rough-hewn edges of the Midwest, surprise a hunger in us for a language larger, wilder, and unabashedly loftier than daily speech. -George Bilgere, author of Imperial The poems in Richard Newman's remarkable third collection, All the Wasted Beauty of the World, are heady explorers. They roam from Lost Man Pass to Benton Park, from downtown St. Louis to Southern Indiana, all the while balancing gorgeous musicality with lyric originality. In the midst of the wandering, there is longing in these poems-for place, for order, for morning. There is urgency, too, and beauty, wasted and otherwise, in places we don't always expect it. Newman is a bold and masterful formalist in a free-verse world, and he uses sonnets, aubades, villanelles, and odes to reconcile the geographies of the interior and exterior. Again and again, this collection makes us recalibrate our true north and forces us to reconsider the world for all of the unpredictable places where we can find beauty. -Adrian Matejka, author of The Big Smoke Newman uses the power of recollection and imagery to craft odes, sonnets, villanelles, ballads, and free verse with titles like “Four Kids Pissing off the Overpass after a Cardinals Game.” Each poem calls our attention to a rough-and-tumble, everyday America we often drive past but overlook. All the Wasted Beauty of the World returns us to the real and, consequently, the new by putting on the brakes and asking us to look, if only briefly, beyond our rear-views. -Dorianne Laux, author of The Book of Men

Download or read book Asperity Street Poems written by Gail White and published by Able Muse Press. This book was released on 2015-08-31 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: Asperity Street, Gail White’s most balanced poetry collection, explores the breadth of human existence with cutting wit, irreverence, keen intelligence, and an uncommon mix of empathy and asperity. Besides the cynical or the lighthearted, which are hallmarks of White’s work, there is a newfound earnestness and gravity in these poems in their survey and interrogation of the human condition. White journeys the span from nursery to hospice—in between, she navigates the prom, family occasions, mating, gossip, and money matters with masterful formal dexterity. This is a collection that rewards the reader with a thoroughly entertaining and illuminating experience. PRAISE FOR ASPERITY STREET: In her remarkable collection, Asperity Street, Gail White takes on the whole sweep of existence. The street becomes the road of a lifetime, beginning with a Southern childhood and ending with a hospice finale. Laconic, ironic and comic, White’s drily resourceful, wickedly companionable voice takes aim on patrimony, matrimony, religion, money and the myth that assumes we choose our lives. With her sublime linguistic choreography, these poems dance to complex metrical tunes. We feel and hear them pulse with equal parts sympathy and vitriol. In Gail White’s capable hands, Asperity Street unfolds as a brilliant mural we can return to again and again, as the poet does—still vulnerable, and wiser each time. — Molly Peacock, 2014 Able Muse Book Award judge, author of The Paper Garden Gail White has done it again: here is another collection by one of America’s wittiest, most technically adept, funniest and most serious commentators on what it feels like to be human. — Rhina P. Espaillat (from the foreword), author of Her Place in These Designs I looked forward to reading Gail White’s new book of poems, Asperity Street, because I know she is one of America’s funniest poets, so when I got the manuscript I sat down to read it immediately. I knew how much I would enjoy it. I was not disappointed. The first three sections of this four-part collection have wit and bon mots in good measure, socko endings, words I’d never seen in poems before, like “cloaca” or a made-up word ending, “substituth,” to satisfy a droll rhyme. But nothing prepared me for part four. Nothing procedural changed. The insights were as sharp as ever, the language exact and clear, the cleverness and dexterity with form as deft, the music as mesmerizing . . . but this was a serious poet I’d not encountered before: there was a deepening of vision, an enhancement of feeling, the rueful treatment of life and death took on a cutting edge that slices to the bone. Don’t miss reading this book. — Lewis Turco, author of The Book of Forms

Download or read book Greed A Confession Poems written by D.R. Goodman and published by Able Muse Press. This book was released on 2014-12-02 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt: Greed: A Confession showcases D.R. Goodman’s honed sensitivity to the human experience and the natural world around us. Her sensible scientific background melds with a meditative outlook: “this// is a vertebra/ from a cow.// It will win no prize./ It is just the childish wonder/ from which the rest derives.” This collection is a wellspring of keen observations, insight and secrets of nature, freely spilling out for those greedy for knowledge and enlightenment—as in the immediacy of “a certain joy/ that depends on nothing” and “wraps a tightness around your heart.” Here is a masterfully crafted finalist for the 2013 Able Muse Book Award—one brimming with delight, wit and insight. PRAISE FOR GREED: A CONFESSION I feel incredibly fortunate to have learned of D. R. Goodman’s poetry. Her technical control and powers of observation are extraordinary; diction, meter, and rhyming, superb. Writing about an egret, she details its “mind,/ a laser-focused eye, the weight of will”—attributes that apply equally to the poet. In “Autumn in a Place Without Winter,” she says, “The season brings/ no clarity, but this: we’re here, alive. . . .” This poet is alive to everything. You want this book. It’s terrific. —Kelly Cherry Goodman is greedy for things of this world—not in the rapacious, bottom-line manner of plutocrats, misers, and Wall Street brokers but for the enlightenment of the senses and the enrichment of her poetry. She’s sharing the wealth she accumulates. —John Drury (from the foreword) At the core of Greed: A Confession are natural ironies, or disjunctures, or improbabilities replete with intrigue. The poems are frames through which we view the events. D.R. Goodman is a scientist of natural history, which, for her, includes human experience. The poet shows us how to see. The deep pleasure she takes in the process displays itself, with characteristic irony, in “A Certain Joy.” —Clive Matson D.R. Goodman’s carefully crafted poems register a deep appreciation of the intricate meanings emanating from Nature’s tangible riches. “Depth cannot hide” from Goodman’s keen eye. “And so it flutters, sings,/ Betrays itself upon the face of things.” From the sudden appearance of a hundred tiny, freshly metamorphosed frogs, to ginkgo leaves’ brilliant, moonlit gold that “spurs imagination to those old/ heroic, dangerous quests of greed and sin,” the wondrous wealth of existence evokes joy that compels the poet to confess her “greed” in the presence of such good fortune. Even the blithe partake of a “certain joy”—certain: particular and definite—that is not attained or stumbled upon; it simply is—the gift of being: “There is a certain joy/ that depends on nothing./ One inhabits it./ It is there in the day/ when you walk out, whether chill and gray/ or magnified by light, and you inhale it.” Complex yet accessible, these formal and free-verse poems gift us with abundant insights to enjoy. —Beth Houston

Download or read book Bad Fame Poems written by Martin McGovern and published by Able Muse Press. This book was released on 2015-06-03 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: Martin McGovern’s Bad Fame muses on the perplexities and certainties of the human condition, often in soaring eulogies and searing elegies: as in “The Circle of Late Afternoon” which asks, “Isn’t there an art to giving myself away slowly like wheat opening to the sun?”; or, “Processionalia,” where “a bee/ abandons the tea roses/ and circle that black blossom of/ the widow’s veiled face as if her tears were/ pollen and the bee could feather/ its legs with grief.” Be it lore set in Colorado, or farther out, the personal and regional tributes unravel the universally familiar and pertinent. McGovern's debut collection is the work of a seasoned master in command of craft and themes. PRAISE FOR BAD FAME: Martin McGovern’s long-awaited, well-constructed first book gives itself away slowly, artfully. It is carefully considered, quietly passionate, and deeply humane. —Edward Hirsch There is an unforsaken paradise in these pages, and a lot of ungodly anxiety. . . . Like Dubliners, Bad Fame darkens, deepens, darkens through its sections, understanding with Joyce the tidal pull of place that will never let us survive if we resist the current . . . the “blue snow,” not of Dublin, but of memory, of Colorado . . . this extraordinarily unique McGovern flair for the Keatonish (Buster) aside mixed with lyrical intellection, these poetic rooms with their many blue lights, direct or indirect, for us to turn on as night comes on. —David Lazar (from the foreword) Here are exacting sentences, any number irregularly hugged into the ferocious clusters which are Mr. McGovern’s poems. My likely favorite, “If the Light Could Kill Us,” does heavy duty as a garden unfurled at dawn, the beloved “still sleeping,/ flame-pink welts our love leaves on your almost/ too delicate skin, brazen in this light.” And then the assault of a very different sentence, “Samuel Johnson is dead. And Mrs. Thrale./ And the kind cherub of a straitjacket/ she kept closeted should reason fail/ him thoroughly, where’s that deck-coat now?” followed by other people’s torments inspected so closely that this morning “violence/ lingers like the last touch of a season.” Hence: “Only as I rise to pull the window’s shade/ do you wake, dusted and dazed, as from a fever.” Strong as they are, the sentences, like the centuries, are treated pitilessly, as you can hear, yet there is what the poet calls “the shimmer of a teen movie” throughout. Resilient art, and no loitering. —Richard Howard

Download or read book Virtue Big as Sin Poems written by Frank Osen and published by Able Muse Press. This book was released on 2013-08-28 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: Virtue, Big as Sin is impressively wide-ranging in theme and style. It illuminates everyday vignettes with solicitous spotlights such as the bereaved son sorting the contents of his father’s medicine cabinet, or the father whose son’s driver’s education recalls the time his own “unharnessed” Mustang went “bungeeing” around a bend; it celebrates the artist’s creative highs, or reflects on the misfortunate who is forever nearing the threshold of achievement, aware that life may prove a “most inept librettist” and should thus be paired with our “strongest song.” Osen’s dexterity with both formal and free verse is apparent. His wit and humor prevent the serious from becoming ponderous while his intelligent insight lends depth to the lighthearted. Reading and rereading this outstanding debut collection, it is easy to see why—from the first poem to the last—it is a worthy winner of the 2012 Able Muse Book Award. PRAISE FOR VIRTUE, BIG AS SIN: Frank Osen’s Virtue, Big as Sin offers one witty, elegant poem after another. The rhymes are especially clever, the meter sure, the stanzas well-shaped, but this poet’s sense of proportion is also reflected in wisdom (and what is wisdom but a sense of proportion?). An urbane maker of sparkling phrases like “that genuine Ur of the ersatz,” Osen can also write plainly, movingly, about a young girl’s funeral. And he reflects often on art itself, which he so rightly calls “the conjured awe.” —Mary Jo Salter (Judge, 2012 Able Muse Book Award) In his talent for tragedy and comedy, and for mixing them, Osen takes his place in a distinguished line of English-language poets that runs from Chaucer and Shakespeare down to our day. —Timothy Steele (from the afterword) Reading Virtue, Big as Sin has left me with the sense of satisfaction and enduring pleasure that really good poetry always produces, even when it also does the rest of what honest writing may do: confirm suspicions about ourselves we wish we could refute, bring to mind aspects of nature we’d rather forget, and deliver alarming news about the future, both public and private. Frank Osen does all of this and much more, all with grace and wit, in language that makes the messenger thoroughly “one of us.” —Rhina P. Espaillat Frank Osen’s poems revel in beauty and pleasure, in technical dexterity and high-gloss finish. Readers who care about such things will be abundantly rewarded. But the reveling is haunted by loss, awful possibilities of failure, a nothingness glimpsed beneath the carnival. One of Osen’s avowed tutelary spirits is Wallace Stevens, and his probing of his subjects can often seem like an extended, heart-wrenching commentary on Stevens’s line, “Death is the mother of Beauty.” The fragility of beauty, the omnipresence of death, and the intimate connections between them, are everywhere present in these marvelously heartening and effective poems. —Dick Davis

Download or read book Vellum Poems written by Chelsea Woodard and published by Able Muse Press. This book was released on 2014-11-17 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chelsea Woodard’s Vellum, a finalist for the 2013 Able Muse Book Award, propels the reader along new paths of discovery in the quotidian as in the mythical. Its scope is far-ranging: a flower press received as a gift in childhood, Tarot reading with a favorite aunt, unexpected reflections at a tattoo parlor, reminiscing about an old flame, the discovery of rare volumes at the local library, or auctioning off old toys on eBay. Woodward’s insights and sensibilities in the visual and performing arts are deftly realized in fine or broad strokes-as in “Coppélia,” “The Painter and the Color-blind,” “Degas’s Nudes,” or as in “Still Life,” which muses that “It’s difficult/ to give back life/ to what’s been cut off from the living.” Stories and scenes represented in popular artwork are reimagined in ekphrastics such as "Self Portrait as the Allegory of Painting." With excursions into the surreal, myth is made, lived or remade, as in “Philomela,” “Pegasus” and “The Feral Child.” This is an exquisite debut collection that rewards the mind and senses with its formal impetus and deft musicality, its precise and lively language, its emotional compass. PRAISE FOR VELLUM: In her stunning first collection, Vellum, Chelsea Woodard offers us poems whose lucidity of attention grounds an imaginative realism where narrative becomes speculation, witness becomes mystery, and the body a space where desire and dread complicate compassion’s summons to the social order. The honed music here thus reveals a deeper vulnerability. Such is its gift, the way in which poems might be rooted to the difficulty and heartbreak of the physical and yet apart, “their keel and gristle finally set/ into some deathless, disembodied flight.” An astonishing book. -Bruce Bond In addition to her emotional maturity, part of what makes these poems memorable is Woodard's obvious mastery of language, her flawless sentences, the surprising way those sentences function and "mean" within the lines, the lines within the forms. -Claudia Emerson (from the foreword) Not the least of the attractions of this gifted young poet's first book is the exquisite, searing precision of her language-the obsessively exact diction; the tropes that map with such stunning accuracy the emotional contours of her narratives; the gestural, almost tactile quality of her syntax-all of these talents focused sharply on what Howard Nemerov said was the singular, most difficult achievement of poetry: "getting something right in language." I predict for Chelsea Woodard a long and enviable career. -B.H. Fairchild

Download or read book The Borrowed World Able Muse Book Award for Poetry written by Emily Leithauser and published by Able Muse Press. This book was released on 2016-07-04 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Borrowed World, Emily Leithauser transforms keenly felt experience and bittersweet memories into poems of impressive craftsmanship. She deftly muses on the dichotomies of, among other things, childhood and growing up, the headiness of love gained and the pangs of love lost, the joys of the nuclear family and the trials when it gets broken up. Although a first book, The Borrowed World is the seasoned work of poet of abundant talent coming into her powers and deservedly, the winner of the 2015 Able Muse Book Award. PRAISE FOR THE BORROWED WORLD: In The Borrowed World, Emily Leithauser’s formal mastery—her consummate knack for writing lines and sentences as crisp and elegant as the Edo prints to which she pays homage—entwines with the sheer immediacy and vulnerability of the poet’s voice. Leithauser portrays the inevitability of loss, in romantic and familial relationships, and yet, without ever offering false resolutions or pat conclusions, she manages to make her poems themselves convincing stays against loss. I mean that this book is made to endure. The Borrowed World marks the arrival of a major talent. —Peter Campion, 2015 Able Muse Book Award judge, author of El Dorado Emily Leithauser’s first collection, The Borrowed World, is an elegant meditation on inheritance, the vagaries of love and loss, familial relations—with all the devastating implosions within—and our relationship to the past filtered through the flawed lens of memory. These are deeply felt poems and Leithauser has a finely-tuned ear for the lyricism of syntax and the enduring rhythms of traditional forms. The Borrowed World is her stunning debut. —Natasha Trethewey, 2012–2014 US Poet Laureate, author of Thrall If her intensely accurate perceptions of the physical world and the beautiful forms in which she sets those perceptions were all that Emily Leithauser gave us in these poems, they would be more than enough to satisfy the hungriest poetry reader. But step by perspicuous step, in poem after poem, she enlarges and encompasses, she broadens and deepens and transmutes perception into feeling, feeling into thought, and thought into revelation. —Vijay Seshadri, winner of the Pulitzer Prize, author of 3 Sections Love poems, family poems, narrative poems: The Borrowed World is a moving and memorable debut which covers a lot of ground but is always rooted in actualities. The poems are very well-made, too, but their equally great distinction is to be well-felt—subtle in their account of the observing “I,” and simultaneously generous and shrewd in their understanding of others. Page by page, they create a series of powerful cameos; taken as a whole, their larger purpose emerges: to register what can be known and (especially) not known about our lives as individuals, and to value what time allows us to enjoy on earth, while admitting the brevity of our stay here. —Andrew Motion, 1999–2009 UK Poet Laureate, author of The Customs House I have read The Borrowed World several times, and each time I find more in it to be delighted and touched by. Emily Leithauser’s art waits for you, and I am sure that you will be as pleased and moved by it as I have been. —Michael Palma (from the foreword), author of Begin in Gladness

Download or read book Strange Borderlands Poems written by Ben Berman and published by Able Muse Press. This book was released on 2013-01-31 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: Strange Borderlands, Ben Berman’s first full-length collection, counterpoises insights with uncertainties while chronicling the poet's immersion in a new culture. In compelling metrical, free verse and prose poems, Berman provides a vivid narrative of exotic adventures, especially his Peace Corps service in Zimbabwe—the people, the land, and his “struggling with the blurred lines of where things end” on his return home. This distinctive collection can go from humorous to heartbreaking, and is spellbinding from start to finish—a rare achievement. PRAISE FOR STRANGE BORDERLANDS: Ben Berman’s wonderful first book, Strange Borderlands, is a masterful study in the power and limits of empathy, of respect for difference in tension with the urgent need for common ground. Beyond his formal and stylistic range, linguistic flexibility, eye for detail, irrepressible wit and powerful feeling, what’s most impressive about this terrific book is Berman’s inclusive generous spirit, the deadly serious imaginative play he exercises in every line of every poem. This is a book to cherish. —Alan Shapiro These are poems that weigh, consider, and restore some flesh-and-blood meaning to the experience of multiculturalism, a word so overused it is often flattened out to a platitude or piety. But not in this book. —Fred Marchant (from the “Foreword”) Ben Berman’s lyric poems set in Zimbabwe dig deep into the casual and the casualty of daily life: the hammer striking the sheep’s head, the sustenance that follows; disciplinary beatings that students, giggly and protesting, could count and count on to fade. Unassuming but wise, compassionate yet wildly, unpredictably funny at times, Berman delivers to us escalating hardships that somehow elevated us toward the sacred; the pathetic harvest and sweetness that comes from the least likely of places. This least likely of places is where Berman thrives, calling on closely observed facts to chronicle the perimeters of tenderness and cruelty. I believe every word in this collection. This is an unforgettable debut by a powerful and humble voice. —Dzvinia Orlowsky Ben Berman’s marvelous first book, Strange Borderlands, chronicles in startling and unforgettable poems his sojourn in Zimbabwe and his immersion in a culture that both embraces and exiles him, attracts and reproaches, changing him forever. Using a variety of poetic approaches—rhymed couplets, prose paragraphs, sonnets, free verse—he gives us a multi-tonal description of landscapes that are as elusive as they are inviting, as unfamiliar to most of us as they are intuitively recognizable. This is a compelling poetry of “strange borderlands where distance and intimacy collide.” —Gregory Djanikian

Download or read book Uncontested Grounds Poems written by William Conelly and published by Able Muse Press. This book was released on 2015-03-24 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncontested Grounds, William Conelly’s first full-length collection of poetry, is eclectic in people and places, deftly moving from vineyard to beach, to a Hollywood filmmaking set, and even to the cockpit of a jet fighter. This is also a collection of contrasts-the din of war in “The Lead Man” versus the “hot reductive shore” of “R & R,” the tragedy of suicide in “Ernest in Elysium” versus the stir of the unborn “In the Ninth Month.” This collection of masterfully crafted poems of vivid insights, often delivered with minimalist verve and directness, is fittingly a finalist for the 2013 Able Muse Book Award. PRAISE FOR UNCONTESTED GROUNDS: Uncontested Grounds is a splendid, memorable book. The stylistic precision and trim architecture of these poems may remind us of Edgar Bowers and other California formalists. William Conelly, however, has a voice all his own-shrewd, wry, engaging. Even in his more expansive pieces he writes with epigrammatic force. The perceptions fueling his art are equally alert to the world’s kindness and cruelty, and his work is impressive not only for its elegance but for its quality of lived experience-in short, for a kind of wisdom rarely found these days in verse. -Robert B. Shaw This generous collection of the poems of William Conelly is all the more welcome for being long overdue. Here is a poet who finds extraordinary dimensions in ordinary experience, as in “Treasure” and “The Ford Birthday Ode,” two memorable moments of childhood; as in “Aubade,” “The Sailor,” “Memento,” and “In the Ninth Month”-this last from the point of view of a woman about to give birth. Conelly commands both strict form and free verse, and his language is often fresh and unexpected. Uncontested Grounds will stand as a notable book in this or any year. -X.J. Kennedy Midwestern by birth, William Conelly has lived on both US coasts, as well as in England and the Middle East. He is smart and imaginative, and brings a thriving intelligence to life’s experiences. I found the poems in Uncontested Grounds original, diverse, and lucid. Many are poems of place. The first of these features a bankrupt farmer who ponders the “blue, remorseless beauty” that first lured him onto the stricken acreage he must sell. But the places vary, and some exude enchantment. I am taken by the touch of a drowsy wife’s feet in “Aubade,” and the couple along Florida’s “Gulf Coast” pitying “those who’ll wake alone.” Conelly writes so well, in a variety of forms, I initially absorbed his insights heedless of their traditional underpinnings. These poems easily bear rereading then; they compose a fine selection from one of our best writers. -William J. Smith

Download or read book The Cynic in Extremis written by Jacob M. Appel and published by Able Muse Press. This book was released on 2018 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Sea Level Rising Poems written by John Philip Drury and published by Able Muse Press. This book was released on 2015-03-23 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sea Level Rising, John Philip Drury’s fourth collection, revels in water—flowing through rivers, splashing on quays and docked vessels, the wake of speeding boats, the elusive tang of sea salt in the heart of the prairie, even the water of baptism that rebirths the believer. The uplifting lure of water, as with a pair of honeymooners in Venice, may inspire a love “eager to divorce/ anything impeding its energy.” Our state of being might mirror water’s when “everything’s in flux, repeated spasms/ of wake and wave, bright sun, reflecting pool,/ surges made up of intricate detail.” The waves of music, like those of water, are also prominent in the musings of this collection, where that which “rises and returns/ approaches music, a blessing/ beyond sound.” These are masterfully crafted poems of uncommon inspiration, and they whelm with a celebration and longing for that which ebbs or flows inside us. PRAISE FOR SEA LEVEL RISING: Sea Level Rising is about a lot of things, all in some way the same mystery—why we love tidal waters, why we feel a kinship with the pulse and ebb of time and emptiness, why we feel most alive when we stand at the fractal edges of perception, why the singing of a good poem evokes all those correspondences we can’t help loving. John Philip Drury’s new poems will please many and please often as he celebrates, and with mastery, the inexhaustible waters before and within each of us. —Dave Smith, author of Hawks on Wires: Poems, 2005-2010 With candor and a close eye, Drury introduces us to a world of love and literature, nostalgia and new experiences—a world where water pervades everything: a constant and comforting reminder that what we depend on is, like us, also always in flux. Drury is deft at numerous forms, with a delicate touch. You can become so swept up in a poem you may not recognize it as a sonnet until you reach its resounding couplet; but, the beauty of the form—the force of its rhymes and the rapture of their song—has resonated since the opening lines and in all the energy that follows. That’s the wonder of this collection: the “film of beauty, tides that keep on rising,” as Drury writes. Sea Level Rising is an amazing achievement. It should not be missed. —Erica Dawson, author of The Small Blades Hurt John Philip Drury is a Marylander; it makes all the difference. The ever-changing sea defines these poems; Drury explores impermanence—destiny, the future, love, fame, desire—anchored by a rock-solid formal mastery. Land and sea interpenetrate here—loom up, fall away—transmuting one into the other, a way of seeing. His favorite city is Venice, a perfect metaphor for a sensibility too large to be only one thing or its opposite. The masks and play of that ancient meeting place of land, sky and sea divert us from the serious business of its survival—and that might be a good way to describe Drury’s art. In impermanence, through our art, we survive. —James Cummins, author of Still Some Cake

Download or read book Able Muse a review of poetry prose and art Winter 2013 No 16 print edition written by Alexander Pepple and published by Able Muse Press. This book was released on 2013-12-02 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the seminannual Able Muse Review (Print Edition) - Winter 2013 issue, Number 16. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." - Dana Gioia. CONTENTS: WITH THE 2013 ABLE MUSE WRITE PRIZE FOR POETRY & FICTION - Includes the winning story and poems from the contest winners and finalists. With the winner and runner-up sonnets from the 2013 Able Muse / Eratosphere Sonnet Bake-Off. EDITORIAL - Alexander Pepple. FEATURED ARTIST - Peter Svensson. FEATURED POET - Jehanne Dubrow; (Interviewed by Anna M. Evans). FICTION - Cheryl Diane Kidder, Charles Wilkinson, Blaine Vitallo, Donna Laemmlen. ESSAYS - A.E. Stallings, Peter Byrne, Philip Morre, David Mason, Chrissy Mason. BOOK REVIEWS - Rory Waterman, Jane Hammons. POETRY - Rachel Hadas, R.S. Gwynn, Catharine Savage Brosman, John Savoie, D.R. Goodman, Jeanne Wagner, Richard Wakefield, Melissa Balmain, Tara Tatum, Anna M. Evans, Matthew Buckley Smith, Stephen Harvey, Elise Hempel, Marly Youmans, Amanda Luecking Frost, Rachael Briggs, Chris Childers, James Matthew Wilson, Alex Greenberg, Catullus, Sappho, Theocritus.

Download or read book And after All written by Rhina P. Espaillat and published by Able Muse Press. This book was released on 2019-04-26 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rhina P. Espaillat’s And after All meditates on the passage of time. The perspective sweeps from the panorama of foreign landmarks to the close view of a lover’s feet in failing health, held and cared for. And after All displays the wit, wisdom, subtle voice, and supple mastery of forms that have established Espaillat as a contemporary master. This long-awaited collection from Espaillat is a treat not to be missed. PRAISE FOR AND AFTER ALL Rhina P. Espaillat’s And After All combines the formal fluency of Richard Wilbur, the precision of Elizabeth Bishop, and the easy conversational tones of Frank O’Hara, and yet her poems speak in a voice that is distinctively her own. They address the loss of loved ones and loved things of the world, but their extraordinary empathy and gentle wit keep them from becoming depressing or sentimental. Savor this book and share it with people you love. —A. M. Juster, author of Sleaze & Slander: New and Selected Comic Verse, 1995–2015 Rhina P. Espaillat, more than any living poet in English, gives ordinary language the glow of the sacred. Workaday words, trite with custom like thin coins, accrue new resonance and weight; plain objects are haloed with aureoles like figures in gold mosaics. Saints with their visions used to do this: wave away the veils that separate our shallow perceptions from a deeper reality. But not everyone is granted visions. How much harder it is to use the same words we all use and misuse, the same objects we all touch and ignore, common experiences we dismiss, and, by using words with precision, using the serendipity of rhyme, and the convention of metrical patterns, to give the reader the experience of revelation. Craft is not the opposite of inspiration, Espaillat reminds us, it is the only way to it. —A. E. Stallings, author of Olives For most of its poems And After All is, as the title indicates, deeply elegiac in tone. There are many poignant evocations of the past in the book, rich with quotidian surface detail but always suffused with undemonstrative but palpably real emotion. A poem about the poet’s grandmother, a tough no-nonsense farmer’s wife who described how cows inarticulately but unmistakably grieved when they realized their calves were to be slaughtered, ends with the line, “She told it simply, but she faltered there.” In its quiet pathos the line seems to sum up much of the book; exactness, no fuss, unforced fidelity to the anecdote, but the tremor of poignant empathy always present. A very eloquent collection of beautifully crafted poems, and one that it is hard to read dry-eyed. —Dick Davis, author of Love in Another Language

Download or read book Under Dark Waters Surviving the Titanic Poems written by Anna M. Evans and published by Able Muse Press. This book was released on 2018 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Last Wishes written by Rob Wright and published by Able Muse Press. This book was released on 2021-02-12 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rob Wright's Last Wishes is eclectic and delves into mining grit and lifestyle as fluently as it does into spiritual hopes and despairs, or the mind's lucidity and aberrations. Well-traveled in time and place, Last Wishes' culturally diverse characters and scenes--framed in Philadelphia, Fort Meyers, Manhattan, São Paulo, Kowloon, Majdanek, or elsewhere--are memorable or miserable. Accounts of ghosts and hauntings, imagined or real, include heart-stopping witness narratives of the Holocaust and other atrocities. This is a seasoned inaugural collection--a special honoree for the 2019 Able Muse Book Award. PRAISE FOR LAST WISHES Rob Wright's poems in Last Wishes ache with a quiet, exquisite music. Whether at the edge of the forest, or before a mirror regarding his own face, or at the limit of what a son can feel for his father, Wright calls us to join him on his search for order and meaning, even as he questions what he finds: "The shell that holds all grief and memory, / in chains of molecules that make a mind, / will turn back into atoms, hungry, free. / We're spirits caught inside our skin and hair-- / ephemeral our dramas, spun from air." Such is the breathtaking beauty of Last Wishes, to long for what seems so close and yet, in the end, we cannot know. --Rafael Campo, author of Comfort Measures Only: New and Selected Poems One of Wright's gifts is the age-old poetic magic of conveying beauty in what might at first appear to offer up nothing but ugliness. . . . It is fitting that one of the titles here is "Prologue for an Imaginary Play," because Wright's poems often are, in essence, little plays. The landscapes here are never static; like a photographer, or a cinematographer, Wright captures his subjects at their most revealing in a flash. Scenes are arranged and rendered at the moment of greatest drama and tension. --Alison Hicks (from the foreword), author of You Who Took the Boat Out  The first poem in Last Wishes describes in evocatively exact and gritty detail a landscape of abandoned mines, and ends with the poet’s mind reaching out toward the miners who once worked there: “I thought/ how hunger drives a man to crawl beneath/ the brittle crust that shuts out sun and sky.” Moments like this are repeated again and again throughout this obsessively compelling book—a surface (often enough a fairly bleak one) is described in richly precise detail, and out of it pasts, ghosts, the dead, revenants and spectral appearances emerge with a kind of beckoning, unreachable clarity that is at times wistful and at times brutal. If these poems were photographs most of them would be in grimmest black and white, but they would make a most marvelously enthralling exhibition. —Dick Davis, author of Faces of Love: Hafez and the Poets of Shiraz

Download or read book Time Is Always Now written by Rebecca Starks and published by Able Muse Press. This book was released on 2019-11-01 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Rebecca Starks’s Time Is Always Now unfolds against a backdrop of nature, often permeated in unexpected ways with the human dynamics of family, neighborhood, and nation. Her poems convey the urgency within moments of transformation—whether seasonal, as in wilderness and garden; physical, as in the trajectory of youth, aging, and death; or political, as in the challenges of misgovernance and the environmental exigencies of our time. This finalist in the Able Muse Book Award is a finely wrought, thought-provoking collection.

PRAISE FOR TIME IS ALWAYS NOW

Drawing from sources as wide-ranging as Emily Dickinson, Apocalypse Now, fairy tales, and social media, Rebecca Starks’s Time Is Always Now deftly balances intelligence and pathos, resisting easy dichotomies and judgments. As these fine poems insist, the present is relentless, and we are immersed: “No, not out of time; helplessly in it.” Ours is a country of guns; ours is a “middle-aged earth” in decline—and yet, we are here, witnessing, questioning. I am grateful for Starks’s voice in the present moment, and I’m grateful to have her poems to carry with me into the future, whatever it may bring.
  —Maggie Smith, author of Good Bones

Rebecca Starks writes with a sense that time can be stopped in a poem, lives suspended and drawn inward, even in the most aimless moments. There’s a wonderful clarity to Time Is Always Now, an electricity that feels bright and wild. It’s to be found in the roadsides and a robin’s “clutch,” in the retina that “registers pain,” in the sky at dusk and the “months of mud.” I greet these poems with so much enthusiasm—these poems that crave, clarify, and propose sublime ways to become refreshed in our most confused times.
  —David Biespiel (from the foreword), author of Republic Café

At one point, Rebecca Starks describes a winter hike, in which she crosses “sociable mouse hops, two feet together” and passes “a squirrel’s scramble at the base of a tree,/ then the bunched landings of a mustelid bound/ from the yawn under one log to another.” Several of her wonderful book’s qualities are evidenced here. If too many poets, in their ignorance, regard nature as a mere repository of metaphor, Starks, like Frost, is both knowledgeable and uncannily accurate about it. (“Yawn” is the perfect word, say, in this passage.) Her sinuous and heavily subordinated syntax is also suggestive of a mind with great range—geographical, thematic, and prosodic—though she can also, as, for instance, in “American Flag,” move by a cunning terseness.
  —Sydney Lea, author of The Music of What Happens: Lyric and Everyday Life

ABOUT THE AUTHOR:

Rebecca Starks grew up in Louisville, Kentucky, earned a BA in English from Yale University and a PhD in English from Stanford University, and works as a freelance editor and as a teacher for the Osher Institute of Lifelong Learning program at the University of Vermont. Her poems and short fiction have appeared in Baltimore Review, Ocean State Review, Slice Literary, Crab Orchard Review, Tahoma Literary Review, and elsewhere. Winner of Rattle’s 2018 Neil Postman Award for Metaphor and past winner of Poetry Northwest’s Richard Hugo Prize, she is the founding editor-in-chief of Mud Season Review and a former director of the Burlington Writers Workshop. She and her family live in a log cabin in the woods of Richmond, Vermont.