Download or read book Development of Modern Art Criticism in India after Independence written by Dr. Sangeeta and published by Notion Press. This book was released on 2017-10-06 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Any artistic creation, be it a painting or sculpture, initiates a reaction within us, invoking within us a desire to analyse or evaluate it. The criticism of art definitely has its presence. But the question is—in what form and of what relevance is it? Art criticism is exclusively presented in the written form—it does not consist of descriptions of pictures, interpretations, or re-creations; but of something new and autonomous, related to the piece of art in some way. Criticism always gives us novel ideas for modern art, which in turn, enriches the Indian heritage. Art has been part of our life since ancient times. Traditionally, Indian art writing was mainly composed of commentaries on courtly art conventions and on the poetic texts that inspired paintings and sculptures. Since the 20th century, there has been a breakdown of established conceptions of meaning in the all streams of arts and several rapid changes in artistic style. This book will help readers understand the journey of modern art criticism since Indian independence. It formulates as precisely as possible, the basic principles and norms that will enrich artistically sensitive laymen and critics alike.
Download or read book Development of Modern Art Criticism in India After Independence written by Sangeeta (Artist and educator) and published by . This book was released on 2017 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Midnight To the Boom written by Susan S Bean and published by National Geographic Books. This book was released on 2013-01-08 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Highlights from the Peabody Essex Museum’s Herwitz Collection of Indian art, the preeminent public collection outside of India A revolutionary art movement asserted itself in India between the declaration of independence at midnight on August 15, 1947, and the economic boom of the 1990s. This is the first in-depth study of the three generations of artists responsible for critical shifts in the development of India’s modernist art. Their achievements and the country’s unprecedented boom ushered India’s modern and contemporary art into a new era of globalism, a soaring international market, and an explosion in the media and technologies of art. After independence, India’s artists faced a particular artistic challenge: how to express the new nation’s distinctive character while entering a global discourse focused on modernism’s universal premises of experimentation and shared human values. In the absence of a dominant aesthetic, painters could turn where they wished and blend as they liked—from Abstract Expressionism to Tantric spiritualism; from Rajasthani painting to changes in India’s complex politics, religions, classes, and vernacular life. The contributors to this beautifully illustrated publication bring a deep knowledge of both India and modern and contemporary art: Susan S. Bean, Curator of South Asian and Korean Art at the Peabody Essex Museum; Homi K. Bhabha, Harvard University; Rebecca M. Brown, Johns Hopkins University; Beth Citron, Rubin Museum of Art; Ajay Sinha, Mount Holyoke College; and Karin Zitzewitz, Michigan State University.
Download or read book 20th Century Indian Art written by Rakhee Balaram and published by National Geographic Books. This book was released on 2022-06-28 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major publication showcasing the history of Indian art across the subcontinent and South Asia from the late-nineteenth century to the present day. This landmark collection presents a new history of Indian art from the twentieth century to the present day. Recent decades have seen an overdue interest in the acquisition and exhibition of modern Indian and South Asian art and artists by major international museums. This essential, lavishly illustrated volume presents an engaging, informative history of modern art from the subcontinent as seen through the eyes of prominent Indian art historians. Illustrations are paired with a strong narrative through line, where key experts contribute multiple perspectives on modernism, modernity, and plurality, as well as expansive ideas about contemporary art practices. A range of subjects, including Group 1890, the Madras Art Movement, Regional Modern, and Dalit art, are contextualized, along with key artists such as Amrita Sher-Gil and Raqs Media Collective. There are also sections devoted to the art of Pakistan, Nepal, Bangladesh, and other parts of South Asia. Together with lively expert discussions and a selection of absorbing interviews with artists, 20th Century Indian Art meets a clear demand for a comprehensive and authoritative sourcebook on modern, postmodern, and contemporary Indian art. This is the definitive reference for anyone with an interest in Indian art and non-Western art histories. Published in association with Art Alive
Download or read book The Progressive Revolution written by Zehra Jumabhoy and published by Prestel Publishing. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Formed within months of the 1947 Partition of India and the ensuing violence and protest, the Progressive Artists' Group (PAG) included artists seeking a break with their country's past and its cultural constraints. Through lush illustrations and scholarly essays, this volume looks at the brand of modernism the Group espoused and its relevance and importance to contemporary art. The careers of artists K.H. Ara, S.K. Bakre, H.A. Gade, V.S. Gaitonde, M.F. Husain, Krishen Khanna, Ram Kumar, Tyeb Mehta, Akbar Padamsee, S.H. Raza, Mohan Samant, and F.N. Souza are presented in three sections. Progressives in Their Time explores how the artists turned away from the trauma of colonial rule and Partition, and embraced the land and varied peoples of the new nation. National/International demonstrates how the Progressives drew on multiple traditions of visual iconography, both from within India and from Asia and the wider world, to creat their own distinct genre. Masters of the Game brings together works created after the PAG's dissolution and shows how these pieces collectively gave visual form to the idea of India as secular, heterogeneous, international, and united. A valuable examination of the ways artistic expression can preserve and advance its cultural heritage, this volume captures an exciting time in India's art history"--Back cover.
Download or read book Indian Contemporary Art written by Yashodhara Dalmia and published by Vadehra Art Gallery. This book was released on 2000 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes profiles of Indian artists.
Download or read book Independent India 1947 2000 written by Wendy Singer and published by Routledge. This book was released on 2018-10-08 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Independent India is an exploration of India’s national history from independence in 1947 to the end of the twentieth century. Wendy Singer charts the rapid development of this emerging world power by following a series of different narratives crucial to the history of post-independence India: national integrations, the ongoing development of arts and culture, social movements, and political change. In telling the broader history of political movements and cultural transformations from different perspectives, this book provides key examples that demonstrate the experiences of women and men from the many classes and cultures that comprise modern India. In keeping with the series as a whole, this text also provides a range of primary source documents both to illuminate that history and to show the rich resources and unique challenges involved in writing contemporary history. Key features include: Thematic chapters within a chronological structure, incorporating different approaches to the study of history A varied range of primary sources, demonstrating the diversity of material available In-depth social, cultural and political analysis, including the study of regional identities, film, literature, gender, politics and economic change Investigating India’s recent national history from a range of angles, this new Seminar Studies volume is an essential introduction for anyone who wishes to learn more about the important place that India, the world’s largest democracy, has in our global age. .
Download or read book Art for a Modern India 1947 1980 written by Rebecca M. Brown and published by Duke University Press. This book was released on 2009-03-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.
Download or read book Contemporary Art in India written by Pran Nath Mago and published by National Book Trust India. This book was released on 2001 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A quintessential work that unfolds the origin and development of contemporary indian art.Covering the last 150 years and with nearly 300 illustrations, the book focusses on the different artistic and stylistic genres and art movements which have enriched
Download or read book The Triumph of Modernism written by Partha Mitter and published by Reaktion Books. This book was released on 2007-11-15 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of “oriental art,” and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, The Triumph of Modernism will be essential reading for scholars of art, British studies, and Indian history.
Download or read book Historical Development of Contemporary Indian Art 1880 1947 written by Ratan Parimoo and published by . This book was released on 2009 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art Cinema and India s Forgotten Futures written by Rochona Majumdar and published by Columbia University Press. This book was released on 2021-10-12 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Download or read book The Global Contemporary Art World written by Jonathan Harris and published by John Wiley & Sons. This book was released on 2017-10-02 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Professor Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging “peripheries” of Asian Tiger societies with burgeoning art centers. And he arrives at the somewhat controversial conclusion that dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world.
Download or read book ABIA South and Southeast Asian Art and Archaeology Index written by Sita Pieris and published by BRILL. This book was released on 2010-11-19 with total page 897 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume Three offers 1643 annotated records on publications regarding the art and archaeology of South Asia, Central Asia and Tibet selected from the ABIA Index database at www.abia.net which were published between 2002 and 2007.
Download or read book International Departures written by Devika Singh and published by Reaktion Books. This book was released on 2023-12-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new global history of Indian art after 1947. In this richly illustrated account, Devika Singh presents together for the first time the work of Indian and foreign artists active in India after independence in 1947. The book engages with the many creators, critics, and patrons of post-war Indian art from Bhupen Khakhar, Zarina and Kekoo Gandhy to Isamu Noguchi, Le Corbusier, and Clement Greenberg. Devika Singh opens up new ways of thinking about Indian art by considering their reception in India and abroad. Featuring a wealth of rare and previously unpublished images, this provocative new book explores how artists in India participated in global modernism during a crucial period of decolonization and nation-building.
Download or read book When was Modernism written by Geeta Kapur and published by . This book was released on 2000 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: A commitment to modernity is the underlying theme of this volume. Through essays that are interpretive and theoretical, the author seeks to situate the modern in contemporary cultural practice. She sets up an ideological vantage point to view modernism along its multiple tracks in India and the third world.The essays divide into three sections. The first two sections, Artists and ArtWork and Film/Narratives, raise questions of authorship, genre, and contemporary features of national culture that materialize into an aesthetic in the Indian context. The last section, Frames of Reference, formalizes the polemical options developed across the book. The essays here propose resistance to the depoliticization of narratives, and affirm an open-ended engagement with the avant-garde. They explore the possibility of art practice finding its own signifying space that is still a space for radical transformation.Geeta Kapur is an independent art critic and curator living in New Delhi. Her extensive publications on modern Indian art include the book Contemporary Indian Artists (Delhi, 1978), exhibition catalogues and monographs on artists. She is currently writing a monograph on Tyeb Mehta. Her essays on cultural criticism have been widely presented in forums of art history and cultural studies. Her curatorial work includes the show Bombay/Mumbai 1992 2001 in the multi-part exhibition titled Century City: Art and Culture in the Modern Metropolis , at Tate Modern, London, in 2001. Geeta Kapur is a founder-editor of the Journal of Arts & Ideas and advisory editor to Third Text. She has held research fellowships at Indian Institute of Advanced Study, Shimla, Nehru Memorial Museum and Library, New Delhi, and Clare Hall, Cambridge University. For the past three decades, [Geeta Kapur s] has been the singular dominant presence in the field to a point that her writings alone seem to have constituted the whole field of modern Indian art theory and criticism. Tapati Guha-Thakurta, Biblio (Delhi), May June 2001. Geeta Kapur is a magisterial presence in the sphere of modern Indian art. [The] insistence on the primacy of bearing witness to creative practice has been the leitmotif of Kapur s work. . . . Kapur s contribution . . . is best understood by reflection on the radical change that her activity has brought about in Indian art criticism. Ranjit Hoskote, Art India (Mumbai), Vol. VI, 1, 2001. When Was Modernism is a book of essays: imaginative, interpretive, argumentative, polemical, political and, in the combined sense of all these, historical. . . . [It] provides an instance of passionate engagement that, at its best moments, verges on the poetic. Chaitanya Sambrani, ART AsiaPacific (Australia), Issue 30, 2001.
Download or read book Moving Focus written by K G Subramanyan and published by . This book was released on 2024-08-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reflections on the chords and discords inherent in the relationship between tradition and modernism. Written between the early 1960s and the mid-1970s, the articles and lectures collected in Moving Focus reflect on some of the major concerns of the practicing artist and scholar of modern Indian art: tradition and modernism, the question of the image, and the use of art criticism. The collection also includes essays on the work of Rabindranath Tagore, Abanindranath Tagore, Binodebehari Mukherjee, Ramkinker Baij, and Amrita Sher-Gil. Together, they deal with the focal changes taking place in the contemporary art situation--a period of great significance in terms of cultural development, just about a decade and a half after India's hard-won Independence--and seek to put them in perspective. The analytical essays of K. G. Subramanyan, one of India's most celebrated artists, remain as relevant and useful today as they were when this collection first appeared decades ago, and are perfectly suited to introducing the non-specialist to Indian modernism and its global concerns. Subramanyan played a pivotal role in shaping India's artistic identity after Independence. Mani-da, as he was fondly called, seamlessly blended elements of modernism with folk expression in his works, spanning paintings, murals, sculptures, prints, set designs, and toys. Beyond his visual artistry, his writings have laid a solid foundation for understanding the demands of art on the individual. In the year of his centenary, Seagull is proud to publish his writings in special new editions.
