Download or read book Descubriendo las nuevas NIIF written by Jorge Herreros Escamilla and published by . This book was released on 2020 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Descubriendo las nuevas NIIF written by and published by . This book was released on 2020 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Emergent Decade written by Thomas M. Messer and published by Ithaca, N.Y. : Cornell University Press. This book was released on 1966 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This catalogue accompanied the first American museum retrospective of the English artist Francis Bacon. In his essay, Senior Curator Lawrence Alloway explores the essence of Bacon's painting beyond the usual associations with the grotesque. Instead, he offers a different argument: Bacon was a realist painter of his time, closely tied into the Grand Manner and painters such as Manet, Van Gogh, Velasquez, and Titian. Bacon continued and evolved the central tradition of European figure painting at a time when abstraction was dominating the art world. Also included are an exhibition checklist, 64 color and black-and-white reproductions, and a bibliography.

Download or read book Avant Garde Internationalism and Politics written by Andrea Giunta and published by Duke University Press. This book was released on 2007-07-16 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.