Download or read book Decolonial Aesthetics I written by Michaela Ott and published by Springer Nature. This book was released on 2023-01-30 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The publication aims to make suggestions for a 'decolonisation of aesthetics' within an Afro-European framework. The texts (whose authors come from different cultural contexts between Germany, France, Senegal, Benin, Nigeria and Tunesia) do not only refer to heterogenous aesthetic practices understood as subversive and decolonial strategies, but also discuss philosophical questions of a renewed (non-in)dividual humanism. The artistic practices analyzed include artistic installations and ensembles as well as actions in urban and rural space, deceptive manœuvres at the borders and their photographic documentation, and many more.
Download or read book Sensing Decolonial Aesthetics in Latin American Arts written by Juan G. Ramos and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sensing otherwise -- The poetics of sensing: decolonial verses in antipoetry and conversational poetry -- Decolonial sounds: redolent echoes of nueva canción -- Decolonial visuality and new Latin American cinema -- Decolonial aesthetics in Latin America -- Conclusion: Sensing the irresolute past in the present
Download or read book Decolonial Aesthetics written by Michaela Ott and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Vistas of Modernity written by Rolando Vázquez and published by . This book was released on 2020 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Decolonial Aesthetics II written by Patrick Oloko and published by Springer Nature. This book was released on 2023-06-27 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book features writing by 17 authors from Germany and from African and Latin American countries on highly diverse aesthetic phenomena as seen from their own different points of view. The texts in this volume all deal with the imperative of ‘decolonization’: they try to highlight aesthetic strategies for the (re)discovery of unthematized, misappropriated, transcultural and even transcontinental histories and memories and aesthetic practices that are absent from or too little perceived within national consciousnesses. Novels, poems and musical performances from the East African region are analysed as intertwined histories of the Indian Ocean and its different languages. Artworks of the Black Atlantic and perceptions of Africa are discussed from, for example, Brazilian perspectives. Within the German context, decolonisation strategies in exhibition practices in ethnological or art museums developed by Nigerian artists are evaluated; new terms such as ‘dividuation’ are proposed to describe these contemporary composite-cultural entanglements, and so on. A stimulating, wide-ranging and heterogeneous portrait of contemporary interwoven world cultures!
Download or read book Sensing Decolonial Aesthetics in Latin American Arts written by Juan G. Ramos and published by University Press of Florida. This book was released on 2018-03-06 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing Latin American popular art out of the margins and into the center of serious scholarship, this book rethinks the cultural canon and recovers previously undervalued cultural forms as art. Juan Ramos uses "decolonial aesthetics," a theory that frees the idea of art from Eurocentric forms of expression and philosophies of the beautiful, to examine the long decade of the 1960s in Latin America--a time of cultural production that has not been studied extensively from a decolonial perspective. Ramos looks at examples of "antipoetry," unconventional verse that challenges canonical poets and often addresses urgent social concerns. He analyzes the militant popular songs of nueva canción by musicians such as Mercedes Sosa and Violeta Parra. He discusses films that use visually shocking images and melodramatic effects to tell the stories of Latin American nations. He asserts that these different art forms should not be studied in isolation but rather brought together as a network of contributions to decolonial art. These art forms, he argues, appeal to an aesthetic that involves all the senses. Instead of being outdated byproducts of their historical moments, they continue to influence Latin American cultural production today.
Download or read book Decolonial Aesthetics of Blackness in Contemporary Art written by Nkosinkulu, Zingisa and published by IGI Global. This book was released on 2024-09-13 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Decolonial aesthetics of Blackness in contemporary art challenge and redefine traditional narratives, offering a profound critique of historical and ongoing injustices. This approach emphasizes the reclamation and celebration of Black cultural identities through innovative artistic expressions that resist colonialist frameworks and oppressive stereotypes. By emphasizing the experiences and perspectives of Black artists, decolonial aesthetics challenge the power structures presented in art history and highlight the significance of autonomy, representation, and authenticity. To advance this dialogue, it is crucial to support and engage with Black artists and their work, ensuring that their voices are amplified, and their contributions are recognized within art discourse. Decolonial Aesthetics of Blackness in Contemporary Art focuses on the generative audio and visual inscription of blackness as an offering of life and beauty in contemporary art. It discusses the concept of blackness related to modernity, decolonial aesthetics, and ontology of black life and beauty. This book covers topics such as decolonization, visual art, and sociology, and is a useful resource for art historians, visual artists, sociologists, academicians, scientists, and researchers.
Download or read book Histories of Violence written by Brad Evans and published by Bloomsbury Publishing. This book was released on 2017-01-15 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.
Download or read book Statelessness and the Making of a Decolonial Aesthetics in U S Literature written by Angela Mary Naimou and published by . This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dissertation explores how U.S. literature of the 1980s and 1990s recalibrates the tropes, figures, and theories of decolonization to examine the meanings of statelessness-of not being considered as a national by any State-in the post-Civil Rights, post-Cold War context. I discuss how writers Kathy Acker, Gayl Jones, Francisco Goldman, Ammiel Alcalay, and Sinan Antoon use literary techniques to reveal statelessness as part of a colonial legacy that still shapes Western social organization. This literary treatment of statelessness is integral to the aims of a decolonial aesthetic practice that reveals and then challenges the political notions that underwrite traditional aesthetic projects, as well as projects to ostensibly counter them (such as the 1960s and 70s project of redefining a Black Aesthetic). Because statelessness is the absent center to definitions of the individual, belonging, and authority, these writers also adapt their treatment of statelessness to reconceptualize the terms of literary authority, including the concept of individual authorship and of a decolonial, authorial practice. Chapter One of this dissertation is a theoretical discussion of statelessness, decoloniality, and aesthetics within the context of this project. Chapter Two explores how decolonial tropes in Goldman's 1997 novel, The Ordinary Seaman, revise literary conventions of immigration and globalization narratives. In Chapter Three, I consider how Acker's anti-conventional practice of conflation in Empire of the Senseless (1988) critically engages with ideologies of neoliberalism and national citizenship. I discuss how Acker conflates C.L.R. James' The Black Jacobins with other texts of anti-colonial revolution to create a zombi(e) figure of political statelessness. The next chapter analyzes the interplay between the Sanctuary movement and a decolonization of the authorial "self" in Gayl Jones' 1999 novel, Mosquito, and in her essay on a "Third World Aesthetics." The epilogue, "Ghostwriting Iraq," extends Jones' redefinition of authorship as a feature of a decolonial practice. In it, I consider how Alcalay's book-length poem, from the warring factions (2002), and Antoon's novella, I'Jaam: An Iraqi Rhapsody (2007, English translation), elaborate tropes of ghostwriting and linguistic ambiguity as part of their challenge to models of sovereign authority and individual authorship.
Download or read book The Aesthetic Imperative written by Peter Sloterdijk and published by John Wiley & Sons. This book was released on 2018-03-15 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, metaphysics, society, politics, anthropology and the subject. Sloterdijk explores a variety of topics, from the Greco-Roman invention of postcards to the rise of the capitalist art market, from the black boxes and white cubes of modernism to the growth of museums and memorial culture. In doing so, he extends his characteristic method of defamiliarization to transform the way we look at works of art and artistic movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorization, emphasizing instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture. This sustained reflection, at once playful, serious and provocative, goes to the very heart of Sloterdijk’s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.
Download or read book Archaeology of Colonisation written by Carlos Rivera-Santana and published by Rowman & Littlefield. This book was released on 2019-08-20 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book rethinks the history of colonisation by focusing on the formation of the European aesthetic ideas of indigeneity and blackness in the Caribbean, and how these ideas were deployed as markers of biopolitical governance. Using Foucault’s philosophical archaeology as method, this work argues that the European formation of indigeneity and blackness was based on aesthetically casting Aboriginal and African peoples in the Caribbean as monsters yet with a similar degree of Western civilisation and ‘culture’. By focusing on the aesthetics of the first racial imageries that produced indigeneity and blackness this work takes a radical departure from the current Social Darwinian theorisations of race and racism. It reveals a new connection between the global origins of colonisation and local post-Enlightenment histories.
Download or read book States of Post Coloniality decolonial Aesthetics written by Arton's Cultural Affairs Society and Publishing and published by . This book was released on 2013 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Navigating CHamoru Poetry written by Craig Santos Perez and published by University of Arizona Press. This book was released on 2022-01-25 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the first time, Navigating CHamoru Poetry focuses on Indigenous CHamoru (Chamorro) poetry from the Pacific Island of Guåhan (Guam). In this book, poet and scholar Craig Santos Perez navigates the complex relationship between CHamoru poetry, cultural identity, decolonial politics, diasporic migrations, and native aesthetics.
Download or read book Unwriting Maya Literature written by Paul M. Worley and published by . This book was released on 2019 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This volume provides a decolonial framework for reading Maya and Indigenous texts"--Provided by publisher.
Download or read book Art Activism for an Anticolonial Future written by Carlos Garrido Castellano and published by State University of New York Press. This book was released on 2021-10-01 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing the confluence between coloniality and activist art, Art Activism for an Anticolonial Future argues that there is much to gain from approaching contemporary politically committed art practices from the angle of anticolonial, postcolonial, and decolonial struggles. These struggles inspired a vast yet underexplored set of ideas about art and cultural practices and did so decades before the acceptance of radical artistic practices by mainstream art institutions. Carlos Garrido Castellano argues that art activism has been confined to a limited spatial and temporal framework—that of Western culture and the modernist avant-garde. Assumptions about the individual creator and the belated arrival of derivative avant-garde aesthetics to the periphery have generated a narrow view of “political art” at the expense of our capacity to perceive a truly global alternative praxis. Garrido Castellano then illuminates such a praxis, focusing attention on socially engaged art from the Global South, challenging the supposed universality of Western artistic norms, and demonstrating the role of art in promoting and configuring a collective critical consciousness in postcolonial public spheres. This book is freely available in an open access edition thanks to Knowledge Unlatched—an initiative that provides libraries and institutions with a centralized platform to support OA collections and from leading publishing houses and OA initiatives. Learn more at the Knowledge Unlatched website at: https://www.knowledgeunlatched.org/, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7166.
Download or read book Decolonizing Colonial Heritage written by Britta Timm Knudsen and published by Routledge. This book was released on 2021-09-29 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Decolonizing Colonial Heritage explores how different agents practice the decolonization of European colonial heritage at European and extra-European locations. Assessing the impact of these practices, the book also explores what a new vision of Europe in the postcolonial present could look like. Including contributions from academics, artists and heritage practitioners, the volume explores decolonial heritage practices in politics, contemporary history, diplomacy, museum practice, the visual arts and self-generated memorial expressions in public spaces. The comparative focus of the chapters includes examples of internal colonization in Europe and extends to former European colonies, among them Shanghai, Cape Town and Rio de Janeiro. Examining practices in a range of different contexts, the book pays particular attention to sub-national actors whose work is opening up new futures through their engagement with decolonial heritage practices in the present. The volume also considers the challenges posed by applying decolonial thinking to existing understandings of colonial heritage. Decolonizing Colonial Heritage examines the role of colonial heritage in European memory politics and heritage diplomacy. It will be of interest to academics and students working in the fields of heritage and memory studies, colonial and imperial history, European studies, sociology, cultural studies, development studies, museum studies, and contemporary art. The Open Access version of this book, available at www.taylor francis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Download or read book The Extractive Zone written by Macarena Gómez-Barris and published by Duke University Press. This book was released on 2017-10-19 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Extractive Zone Macarena Gómez-Barris traces the political, aesthetic, and performative practices that emerge in opposition to the ruinous effects of extractive capital. The work of Indigenous activists, intellectuals, and artists in spaces Gómez-Barris labels extractive zones—majority indigenous regions in South America noted for their biodiversity and long history of exploitative natural resource extraction—resist and refuse the terms of racial capital and the continued legacies of colonialism. Extending decolonial theory with race, sexuality, and critical Indigenous studies, Gómez-Barris develops new vocabularies for alternative forms of social and political life. She shows how from Colombia to southern Chile artists like filmmaker Huichaqueo Perez and visual artist Carolina Caycedo formulate decolonial aesthetics. She also examines the decolonizing politics of a Bolivian anarcho-feminist collective and a coalition in eastern Ecuador that protects the region from oil drilling. In so doing, Gómez-Barris reveals the continued presence of colonial logics and locates emergent modes of living beyond the boundaries of destructive extractive capital.
