Download or read book Cuban Art and National Identity written by Juan A. Martínez and published by . This book was released on 1994 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Presents in detail the work of Cuban painters in the Vanguardia art movement of 1927-50. Includes chapters on the artistic context of the movement, contemporary social movements, the search for national identity, and biographies of Lam, Pelaez, Enriquez,
Download or read book Cuban Art in the 20th Century written by Segundo J. Fernandez and published by Fsu Museum of Fine Arts. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cuban Art in the Twentieth Century is an historical progression of works by important artists from a complex modern movement described by several discrete periods: Colonial, Early Republic, First Generation, Second Generation, Third Generation, Late Modern, and Contemporary Periods. The Cuban modern art movement consists of a loose group of artists, divided into generations, who counted on the moral support of an intellectual elite and who had minimal economic help from the private and public sectors. In spite of a fragile infrastructure, this art movement, along with similar movements in literature and music, played a major role in defining Cuban culture in the twentieth century.
Download or read book Picturing Cuba written by Jorge Duany and published by University of Florida Press. This book was released on 2021-03-09 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Picturing Cuba explores the evolution of Cuban visual art and its links to cubanía, or Cuban cultural identity. Featuring artwork from the Spanish colonial, republican, and postrevolutionary periods of Cuban history, as well as the contemporary diaspora, these richly illustrated essays trace the creation of Cuban art through shifting political, social, and cultural circumstances. Contributors examine colonial-era lithographs of Cuba?s landscape, architecture, people, and customs that portrayed the island as an exotic, tropical location. They show how the avant-garde painters of the vanguardia, or Havana School, wrestled with the significance of the island?s African and indigenous roots, and they also highlight subversive photography that depicts the harsh realities of life after the Cuban Revolution. They explore art created by the first generation of postrevolutionary exiles, which reflects a new identity?lo cubanoamericano, Cuban-Americanness?and expresses the sense of displacement experienced by Cubans who resettled in another country. A concluding chapter evaluates contemporary attitudes toward collecting and exhibiting post-revolutionary Cuban art in the United States. Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island?s people, culture, and history. Contributors: Anelys Alvarez | Lynnette M. F. Bosch | María A. Cabrera Arús | Iliana Cepero | Ramón Cernuda | Emilio Cueto | Carol Damian | Victor Deupi | Jorge Duany | Alison Fraunhar | Andrea O?Reilly Herrera | Jean-François Lejeune | Abigail McEwen | Ricardo Pau-Llosa | E. Carmen Ramos
Download or read book Cuba written by Nathalie Bondil and published by . This book was released on 2009 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: This catalog, which accompanied an exhibition at the Montreal Museum of Fine Arts, gathers paintings, drawings and photography from Cuba done over the past century and a half. In addition to hundreds of works on paper, it features revealing photographs - some never before published - that record the country's wars of independence and revolution, its utopian endeavors and social realities. Numerous essays explore aspects of the Cuban visual arts such as nineteenth-century landscapes and photojournalism, the burgeoning of the arte nuevo period, Wifredo Lam's seminal African-inspired images, the creation of the famed collective mural, Castro-era poster art and the emergence of a new generation of artists.
Download or read book Writing for Inclusion written by Karen Ruth Kornweibel and published by Rowman & Littlefield. This book was released on 2018-09-15 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: Writing for Inclusion is a study of some of the ways the idea of national identity developed in the nineteenth century in two neighboring nations, Cuba and The United States. The book examines symbolic, narrative, and sociological commonalities in the writings of four Afro-Cuban and African American writers: Juan Francisco Manzano and Frederick Douglass, fugitive slaves during mid-century; and Martín Morúa Delgado and Charles W. Chesnutt from the post-slavery period. All four share sensitivity to their imperfect inclusion as full citizens, engage in an examination of the process of racialization that hinders them in seeking such inclusion, and contest their definition as non-citizens. Works discussed include the slave narratives of Manzano and Douglass, Manzano’s poetry and play Zafira, andDouglass’s oratory and novella The Heroic Slave. Also considered, within the context provided by Manzano and Douglass, are Morúa and Chesnutt’s non-fiction writings about race and nation as well as their second-generation “tragic mulata” novels Sofía and The House Behind the Cedars. Based on an examination of the works of these four authors, Writing for Inclusion provides a detailed examination of examples of self-emancipation, the authors’ symbolic use of language, their expression of social anxieties or irony within the quest for recognition, and their arguments for an inclusive vision of national identity beyond the quagmires of race. By focusing on the process of racialization and ideas of race and national identity in a comparative context, the study seeks to highlight the artificial and contested nature of both terms and suggest new ways to interrogate them in our present day.
Download or read book Where is Ana Mendieta written by Jane Blocker and published by Duke University Press. This book was released on 1999 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of the career of Ana Mendieta, a Cuban-American feminist artist who came to prominence in the late 70s and early 80s, in terms of gender and performance theory.
Download or read book Afro Cuban Voices written by Pedro Pérez Sarduy and published by University Press of Florida. This book was released on 2020-03-23 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the forewords: "At a time when Cuba is undergoing immense economic and social changes, race becomes a kind of cultural litmus test for the national identity. . . . This anthology illustrates fully that it is possible to be both revolutionary and black in Cuba."—Manning Marable, Columbia University "The authors of Afro-Cuban Voices, also key actors in the new, unfolding dialogue about race in Cuba, make a seminal contribution through a forthright critique of ‘racial blind spots’ in official history and present-day racial discrimination."—James Early, director of cultural studies and communication, Smithsonian Institution From the series editor: "A courageous attempt to deal head-on with the issue of race in Cuba today. . . . Pérez Sarduy and Stubbs [seek to] put a human face on this debate, and do so well. The book will be received with relief by some and with frustration by others. Controversial it will undoubtedly be, since—as with most things Cuban—strong emotions are a given assumption. It will be an admirable beginning for the series and, it is hoped, will spark a much-needed debate in the United States on many aspects of the ‘Cuban question.’ It is about time."—John M. Kirk Based on the vivid firsthand testimony of prominent Afro-Cubans who live in Cuba, this book of interviews looks at ways that race affects daily life on the island. While celebrating their racial and national identity, the collected voices express an urgent need to end the silences and distortions of history in both pre- and postrevolutionary Cuba. The 14 people interviewed—of different generations and from different geographic areas of Cuba—come from the arts, the media, industry, academia, and medicine. They include a doctor who calls for joint U.S.-Cuban studies on high blood pressure and a craftsman who makes the batá drums used in Yoruba worship ceremonies. All responded to four controversial questions: What is it like to be black in Cuba? How has the revolution made a difference? To what extent is that difference true today? What can be done? Exposing the contradictions of both racial stereotyping and cultural assimilation, their eloquent answers make the case that the issue of race in Cuba, no matter how hard to define, will not be ignored. A volume in the series Contemporary Cuba, edited by John M. Kirk
Download or read book Cuban Art Identity written by Lucinda H. Gedeon and published by . This book was released on 2013 with total page 57 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book To Defend the Revolution Is to Defend Culture written by Rebecca Gordon-Nesbitt and published by PM Press. This book was released on 2015-09-01 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grounded in painstaking research, To Defend the Revolution Is to Defend Culture revisits the circumstances which led to the arts being embraced at the heart of the Cuban Revolution. Introducing the main protagonists to the debate, this previously untold story follows the polemical twists and turns that ensued in the volatile atmosphere of the 1960s and ’70s. The picture that emerges is of a struggle for dominance between Soviet-derived approaches and a uniquely Cuban response to the arts under socialism. The latter tendency, which eventually won out, was based on the principles of Marxist humanism. As such, this book foregrounds emancipatory understandings of culture. To Defend the Revolution Is to Defend Culture takes its title from a slogan – devised by artists and writers at a meeting in October 1960 and adopted by the First National Congress of Writers and Artists the following August – which sought to highlight the intrinsic importance of culture to the Revolution. Departing from popular top-down conceptions of Cuban policy-formation, this book establishes the close involvement of the Cuban people in cultural processes and the contribution of Cuba’s artists and writers to the policy and praxis of the Revolution. Ample space is dedicated to discussions that remain hugely pertinent to those working in the cultural field, such as the relationship between art and ideology, engagement and autonomy, form and content. As the capitalist world struggles to articulate the value of the arts in anything other than economic terms, this book provides us with an entirely different way of thinking about culture and the policies underlying it.
Download or read book Cuba the Elusive Nation written by Damián J. Fernández and published by . This book was released on 2000 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: "New readings by major exile scholars on the unsettling but weighty question of defining who the Cubans are, what constitutes their national identity, and how they might define themselves as Cubans with respect to their distant island culture. The perspectives presented cover the fields of history, political science, sociology, art, music, literature, anthropology, religion, and gender studies."--Ivan A. Schulman, University of Illinois This anthology brings together scholars from a variety of disciplines who look at one main question: What constitutes Cuban identity? Encouraged to go beyond received ideas and time-worn methodologies, they offer revisionist perspectives that argue for a "Cubanness" marked more by tension and diversity than by harmony and similarity, more impure than pure, more elastic than static. By examining issues often misrepresented or simply ignored in the past, sources and voices contribute to a fluidity that resonates with the collection's title. Contents Interpretations of National Identity, by Damián J. Fernández and Madeline Cámara Betancourt I. The Nation as Historical Narration 1. Reconstructing Cubanness: Changing Discourses of National Identity on the Island and in the Diaspora during the Twentieth Century, by Jorge Duany 2. Rethinking Tradition and Identity: The Virgin of Charity of El Cobre, by María Elena Díaz 3. Rethinking Race and Nation in Cuba, by Ada Ferrer II. The Nation as Incomplete Desire 4. Cuba and Lo Cubano, or the Story of Desire and Disenchantment, by Damián J. Fernández 5. Between Myth and Stereotype: The Image of the Mulatta in Cuban Culture in the Nineteenth Century, a Truncated Symbol of Nationality, by Madeline Cámara Betancourt 6. Boleros, Divas, and Identity Models, by José Quiroga 7. Post-Utopia: The Erotics of Power and Cuba's Revolutionary Children, by Ruth Behar 8. Cuban CondemNation of Queer Bodies, by Emilio Bejel III. The Nation as Metaphor 9. The Nation without a Story, by Antonio Vera-León 10. Bondage in Paradise: Fredrika Bremer's Travels to Cuba and the Inscape of National Identity, by Adriana Méndez Rodenas 11. The Sea, the Sea, Once and Again: Lo Cubano and the Literature of the Novismas, by Nara Araújo 12. Gallery of Cuban Writing, by Rafael Rojas IV. The National as the Transnational 13. The Musicalia of Twentieth-Century Cuban Popular Musicians, by Raúl Fernández 14. Lo Blanco-Criollo as Lo Cubano: The Symbolization of a Cuban National Identity in Modernist Painting of the 1940s, by Juan A. Martínez 15. The Trouble with Collusion: Paradoxes of the Cuban-American Way, by Max J. Castro Damián J. Fernández is associate professor and chair of the International Relations Department at Florida International University. He is the editor of Cuban Studies since the Revolution (UPF, 1992) and the author of Cuba and the Politics of Passion. Madeline Cámara Betancourt is assistant professor in the Division of Humanities at San Diego State University, Imperial Valley. She is the author of Vocación de Casandra: La poesía de María Elena Cruz Varela.
Download or read book Art in Cuba written by and published by Rizzoli Publications. This book was released on 2022-02-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A panoramic exploration of Cuba's extraordinary art world, including exclusive interviews with thirty-five of the island's most influential artists and photography by Camillo Guevara. Retracing the vibrant history of Cuban art from 1900 onwards, this book provides an overview of Cuban cultural and artistic development across a number of mediums, including painting, drawing, sculpture, installations, and the visual arts. Together, long-time friends and authors Gilbert Brownstone and Camillo Guevara visited and interviewed Cuba's thirty-five most important and internationally acclaimed visual artists, who talk openly about their education, influences, and the role of art in Cuba. Art has always been at the heart of the Cuban cultural identity, and the island is home to major artists across the spectrum of artistic disciplines. Yet while culture thrived both in the provinces and in Havana throughout the twentieth century, it was with the advent of the revolution and rise of Fidel Castro that free education and widespread access to the arts became top priorities, giving the underprivileged access to the artistic realm that had once been a domain of the elite. Both an invitation into the world of the dynamic Caribbean island and an overview of the Cuban artistic heritage, this book is not to be missed by anyone with an interest in contemporary art and culture.
Download or read book Cuban Underground Hip Hop written by Tanya L. Saunders and published by University of Texas Press. This book was released on 2015-11-30 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book is a part of the Latin American and Caribbean Arts and Culture publication initiative, funded by a grant from the Andrew W. Mellon Foundation."
Download or read book Mulata Nation written by Alison Fraunhar and published by Univ. Press of Mississippi. This book was released on 2018-08-24 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Repeatedly and powerfully throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in Cuban visual and performative culture. Tracing the figure, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world. Widely understood to embody the bridge between European subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty. This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure's role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender. Fraunhar's study stands out for attending to the phenomenon of mulataje not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, reflecting queerness in visual culture.
Download or read book Dictator s Dreamscape written by Joseph R. Hartman and published by University of Pittsburgh Press. This book was released on 2019-04-23 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joseph Hartman focuses on the public works campaign of Cuban president, and later dictator, Gerardo Machado. Political histories often condemn Machado as a US-puppet dictator, overthrown in a labor revolt and popular revolution in 1933. Architectural histories tend to catalogue his regime’s public works as derivatives of US and European models. Dictator’s Dreamscape reassesses the regime’s public works program as a highly nuanced visual project embedded in centuries-old representations of Cuba alongside wider debates on the nature of art and architecture in general, especially in regards to globalization and the spread of US-style consumerism. The cultural production overseen by Machado gives a fresh and greatly broadened perspective on his regime’s accomplishments, failures, and crimes. The book addresses the regime’s architectural program as a visual and architectonic response to debates over Cuban national identity, US imperialism, and Machado’s own cult of personality.
Download or read book Cuban American Literature and Art written by Isabel Alvarez Borland and published by State University of New York Press. This book was released on 2009-01-26 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking collection offers an understanding of why Cuban-American literature and visual art have emerged in the United States and how they are so essentially linked to both Cuban and American cultures. The contributors explore crucial issues pertinent not only to Cuban-American cultural production but also to other immigrant groups—hybrid identities, biculturation, bilingualism, immigration, adaptation, and exile. The complex ways in which Cuban Americans have been able to keep a living memory of Cuba while developing and thriving in America are both intriguing and instructive. These essays, written from a variety of perspectives, range from useful overviews of fictional and visual works of art to close readings of individual texts.
Download or read book Dreaming in Cuban written by Cristina García and published by Ballantine Books. This book was released on 2011-06-08 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
Download or read book Hispanicism and Early US Literature written by John C. Havard and published by University of Alabama Press. This book was released on 2018-04-10 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Havard terms the discourse emerging from these reflections "Hispanicism." This discourse was used to portray the dominant viewpoint of classical liberalism that propounded an American exceptionalism premised on the idea that Hispanophone peoples were comparatively lacking the capacity for self-determination, hence rationalizing imperialism. On the conservative side were warnings against progress through conquest. Havard delves into selected works of early national and antebellum literature on Spain and Spanish America to illuminate US national identity. Poetry and novels by Joel Barlow, James Fenimore Cooper, and Herman Melville are mined to further his arguments regarding identity, liberalism, and conservatism. Understudied authors Mary Peabody Mann and José Antonio Saco are held up to contrast American and Cuban views on Hispanicism and Cuban annexation as well as to develop the focus on nationality and ideology via differences in views on liberalism.