Download or read book Between France and Flanders written by Susie Nash and published by University of Toronto Press. This book was released on 1999-01-01 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining manuscript illumination in Amiens in its historical and socio-economic context, the author pinpoints the artistic interchange between France and Flanders.
Download or read book Rhetoric Beyond Words written by Mary Carruthers and published by Cambridge University Press. This book was released on 2010-04-08 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses collaborative activities across the visual arts to show the power of non-verbal rhetoric in the Middle Ages.
Download or read book Trade in Artists Materials written by Joanna Cannon and published by . This book was released on 2010 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title, dedicated to the memory of Caroline Villers, is the proceedings of a conference in London in 2005.
Download or read book Byzantine Art and Renaissance Europe written by Angeliki Lymberopoulou and published by Routledge. This book was released on 2016-12-05 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.
Download or read book Medieval Death written by Paul Binski and published by Cornell University Press. This book was released on 1996 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this richly illustrated volume, Paul Binski provides an absorbing account of the social, theological, and cultural issues involved in death and dying in Europe from the end of the Roman Empire to the early sixteenth century. He draws on textual, archaeological, and art historical sources to examine pagan and Christian attitudes toward the dead, the aesthetics of death and the body, burial ritual, and mortuary practice. Illustrated throughout with fascinating and sometimes disturbing images, Binski's account weaves together close readings of a variety of medieval thinkers. He discusses the impact of the Black Death on late medieval art and examines the development of the medieval tomb, showing the changing attitudes toward the commemoration of the dead between late antiquity and the late Middle Ages. In one chapter, Binski analyzes macabre themes in art and literature, including the Dance of Death, which reflect the medieval obsession with notions of humility, penitence, and the dangers of bodily corruption. In another, he studies the progress of the soul after death through the powerful descriptions of Heaven, Hell, and Purgatory in Dante and other writers and through portrayals of the Last Judgment and the Apocalypse in sculpture and large-scale painting.
Download or read book Fourteenth Century England written by Chris Given-Wilson and published by Boydell & Brewer. This book was released on 2010 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays collected here present the fruits of the most recent research on aspects of the history, politics and culture of England during the long' fourteenth century - roughly speaking from the reign of Edward I to the reign of Henry V. Based on a range of primary sources, they are both original and challenging in their conclusions. Several of the articles touch in one way or another upon the subject of warfare, but the approaches which they adopt are significantly different, ranging from an analysis of the medieval theory of self-defence to an investigation of the relative utility of narrative and documentary sources for a specific campaign. Literary texts such as Barbour's Bruce are also discussed, and a re-evaluation of one particular set of records indicates that, in this case at least, the impact of the Black Death of 1348-9 may have been even more devastating than is usually thought. Chris Given-Wilson is Professor of Late Mediaeval History at the University of St Andrews. Contributors: Susan Foran, Penny Lawne, Paula Arthur, Graham E. St John, Diana Tyson, David Green, Jessica Lutkin, Rory Cox, Adrian R. Bell
Download or read book Observation and Image Making in Gothic Art written by Jean A. Givens and published by Cambridge University Press. This book was released on 2004-11-29 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jean Givens demonstrates how medieval image making offers new insights into the syntax of visual communication and the function of descriptive art in both sacred and secular contexts. In defining late medieval visual communication strategies, Givens reveals the various modes of organizing and displaying knowledge. Her study of the working practices of medieval artists challenges many assumptions about pre-modern science and art, especially the notion that descriptive art is a natural response to scientific empiricism.
Download or read book The Books that Shaped Art History From Gombrich and Greenberg to Alpers and Krauss written by Richard Shone and published by Thames & Hudson. This book was released on 2013-04-05 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.
Download or read book Renaissance Art Reconsidered written by Carol M. Richardson and published by Wiley-Blackwell. This book was released on 2007-02-12 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Art Reconsidered showcases the aesthetic principles and the workaday practices guiding daily life through these years of extraordinary human achievement. A major new anthology, bringing to life the places, works, media, and issues that define Renaissance art Ideal for use on Renaissance studies courses and for reference by students of art history Moves beyond the borders of Italy to consider European, Mediterranean, and post Byzantine art, widening the traditional focus of Renaissance art Includes letters, treatises, contracts, inventories, and other public documents, many of which are translated into English for the first time in this volume Showcases the aesthetic principles and the workaday practices guiding daily life through these years of extraordinary human achievement, providing crucial insight into the art and the context in which it was produced.
Download or read book The Life and Art of Albrecht D rer written by Erwin Panofsky and published by . This book was released on 1955 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: Previous editions published under title: Albrecht Deurer.
Download or read book Northern Renaissance Art written by Susie Nash and published by OUP Oxford. This book was released on 2008-11-27 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces.While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands,dominated visual culture throughout Europe in this crucial period.
Download or read book The Life and Death of Images written by Diarmuid Costello and published by Cornell University Press. This book was released on 2008 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1990s witnessed a return to aesthetics, but one that stressed the independent claims of beauty in reaction to its perceived suppression by ethical and political imperatives. Beauty, however, is just one aspect of the aesthetic. In recent years, increasing attention has been paid to the ways in which aesthetics and ethics are intertwined. In The Life and Death of Images some of the world's leading cultural thinkers engage in dialogue with one another concerning this [beta]new[gamma] aesthetics. In provocative and accessible fashion, they demonstrate its relevance to a range of disciplines including analytic and continental philosophy, art history, theory and practice, cultural history and visual culture, rhetoric and comparative literature.
Download or read book La Fragmentaci n Lingu stica de la Romania written by Walther von Wartburg and published by . This book was released on 1952 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Late Medieval Panel Paintings II written by Nicholas Herman and published by Paul Holberton Publishing. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an exemplary investigation of a series of, so far, poorly documented works that will prove of great interest to those in the field. Most of the 15th- or early 16th-century panel paintings presented here are northern European, a large number German, which have been neglected in English language studies. They are all almost unknown, and certainly none of them have been subjected to modern techniques of investigation - infrared, x-ray, micro-photography - until now.0Exhibition: Sam Fogg, New York.
Download or read book Cut in Alabaster written by Kim Woods and published by Distinguished Contributions to. This book was released on 2018-09 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: While marble is associated with Renaissance Italy, alabaster was the material commonly used elsewhere in Europe and has its own properties, traditions and meanings. It enjoyed particular popularity as a sculptural material during the two centuries 1330-1530, when alabaster sculpture was produced both for indigenous consumption and for export. Focussing especially on England, the Burgundian Netherlands and Spain, three territories closely linked through trade routes, diplomacy and cultural exchange, this book explores and compares the material practice and visual culture of alabaster sculpture in late medieval Europe. Cut in Alabaster charts sculpture from quarry to contexts of use, exploring practitioners, markets and functions as well as issues of consumption, display and material meanings. It provides detailed examination of tombs, altarpieces and both elite and popular sculpture, ranging from high status bespoke commissions to small, low-cost carvings produced commercially for a more popular clientele.
Download or read book Art Visual Culture 1100 1600 Medieval to Renaissance written by Kim W. Woods and published by Tate Enterprises Ltd. This book was released on 2013-09-05 with total page 746 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1000-1600: Medieval to Renaissance" includes essays on key themes of Medieval and Renaissance art, including the theory and function of religious art and a generic analysis of art at court. Explorations cover key canonical artists such as Simone Martini and Botticelli and key monuments including St Denis and Westminster Abbey, as well as less familiar examples.The first of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: Visual cultures of medieval Christendom 1: Sacred art as the Bible of the Poor' 2: Sacred architecture, Gothic architecture 3: Sacred in secular, secular in sacred: the art of Simone Martini 4: To the Holy Land and back again: the art of the Crusades Part 2: The shifting contexts of Renaissance art 5: Art at court 6: Botticelli 7: Did women patrons have a Renaissance? Italy 1420-1520 8: From Candia to Toledo: El Greco and his art
Download or read book Epidicus written by Titus Maccius Plautus and published by Palala Press. This book was released on 2018-02-21 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
