Download or read book A Study of Lou Harrison s Concerto for Violin and Percussion Orchestra and Concerto for Organ and Percussion Orchestra written by Daniel Burwasser and published by . This book was released on 1997 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Concerto for Violin and Percussion Orchestra by Lou Harrison written by Deborah Ribeiro and published by . This book was released on 2018 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Concerto for violin with percussion orchestra written by Lou Harrison and published by . This book was released on 1961 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Study of Lou Harrison s Concerto for Violin and Percussion Orchestra and Concerto for Organ and Percussion Orchestra written by Daniel A. Burwasser and published by . This book was released on 1993 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Concerto for Violin with Percussion Orchestra written by Lou Harrison and published by . This book was released on 1961 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Concerto for Violin and Percussion Orchestra written by Lou Harrison and published by . This book was released on 1977 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Concerto for Violin Percussion Orchestra written by Lou Harrison and published by . This book was released on 1972 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Concerto written by Lou Harrison and published by . This book was released on 1961 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Concerto for violin and orchestra of wind instruments written by Kurt Weill and published by . This book was released on 1925 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Concerto for violin and orchestra written by Carlos Surinach and published by . This book was released on 1984 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Double Concerto for Violin Percussion and Orchestra written by Katarina Curcin and published by . This book was released on 2007 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Concerto is a genuine Double Concerto, since the two soloists often play together, exchanging their musical ideas and characters. However, there are two separate cadenzas for each soloist, the percussion solo cadenza in the first and the violin solo cadenza in the third movement. There is a double cadenza in the first movement as well. Double Concerto for Violin, Percussion and Orchestra consists of three movements: Allegro con brio, Largo and Vivo, and it has a duration of eighteen minutes. The solo percussion plays on two different groups of instruments: idiophones (Marimba and Vibraphone) and membranophones (Bass Drum, four Tom-Toms and two Bongos set). With this instrumentation, the percussion solo gets to play virtuosic rhythmic passages but also lyrical and simple melodic lines. The first movement opens with the energetic solo percussion and orchestra introducing the pitch set: A-Bb-Eb-E. This pitch set leads to a different section that brings in a pitch set: C-C♯-F♯-G. Those two groups form together an octatonic scale. The third pitch set introduces remaining pitches of the chromatic scale: B-D-F-Ab, which form a diminished seventh chord. This set is introduced by the soloists competing with the entire orchestra still playing the first two sets. All three sets together create the climactic moment of the first movement. The slow movement is in ABA' ternary form. This dreamy movement also contains two contrasting pitch sets, which combined together complete the chromatic scale. The pitch sets are Db-Eb-Gb-Ab-Bb and A-B-C-D-E-F-G. The third movement brings back the rushing excitement from the first movement. This energetic movement, with its continuous eighth-note pulsation, brings the entire orchestra to a big culmination with a twelve-tone cluster in the orchestra. That overwhelming sound along with the virtuosic solo parts, bring the entire piece to the final tutti on A, the same pitch that opens the Concerto. In the fast movements the style is rhythmically vital and colorful with the slow movement being rather lyrical and emotional. The outer movements have related harmonic, rhythmic and pitch materials. The use of different pitch sets defines the overall structure and form of the Concerto.

Download or read book Suite for violin piano and percussion written by Alan Hovhaness and published by . This book was released on 1957 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book All Music Guide to Classical Music written by Chris Woodstra and published by Hal Leonard Corporation. This book was released on 2005 with total page 1620 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.

Download or read book The Violin written by Mark Katz and published by Taylor & Francis. This book was released on 2006 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the only complete and up-to-date annotated bibliography available on women's activities and contributions in the creation and performance of music through the ages. Encompassing major books, articles and recordings published over the past five decades, the book examines a broad cross-section of contemporary thought, with each entry - with over 500 devoted to resources from countries outside the US - including annotation along with a critical description of content.

Download or read book The Modern Percussion Revolution written by Kevin Lewis and published by Routledge. This book was released on 2014-07-17 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than eighty years have passed since Edgard Varèse’s catalytic work for percussion ensemble, Ionisation, was heard in its New York premiere. A flurry of pieces for this new medium dawned soon after, challenging the established truths and preferences of the European musical tradition while setting the stage for percussion to become one of the most significant musical advances of the twentieth century. This 'revolution', as John Cage termed it, was a quintessentially modernist movement - an exploration of previously undiscovered sounds, forms, textures, and styles. However, as percussion music has progressed and become woven into the fabric of Western musical culture, several divergent paths, comprised of various traditions and a multiplicity of aesthetic sensibilities, have since emerged for the percussionist to pursue. This edited collection highlights the progressive developments that continue to investigate uncharted musical grounds. Using historical studies, philosophical insights, analyses of performance practice, and anecdotal reflections authored by some of today's most engaged performers, composers, and scholars, this book aims to illuminate the unique destinations found in the artistic journey of the modern percussionist.

Download or read book Concerto for violin and wind orchestra written by Kurt Weill and published by . This book was released on 1995 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A History of the Concerto written by Michael Thomas Roeder and published by Hal Leonard Corporation. This book was released on 1994 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.